{"id":288,"date":"2010-01-14T15:43:42","date_gmt":"2010-01-14T20:43:42","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2010\/01\/visionaries_photod_at_nea_jazz\/"},"modified":"2019-09-13T13:06:37","modified_gmt":"2019-09-13T17:06:37","slug":"visionaries_photod_at_nea_jazz","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/visionaries_photod_at_nea_jazz.html","title":{"rendered":"Visionaries photo&#8217;d at NEA Jazz Masters concert"},"content":{"rendered":"<p>Just in &#8212; \u00c2\u00a0Muhal Richard Abrams conducting the Jazz at Lincoln Center Orchestra, and Yusef Lateef on tenor sax with percussionist Adam Rudolph, fine performance photography by Frank Stewart from the National Endowment for the Arts&#8217; Jazz Masters concert. My post on the concert is <a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/beyond_jazz_conventions_from_n.html\">here<\/a>, and the images are below &#8212;<\/p>\n<p><!--more--><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/Adam%20Rudolph%20and%202010%20NEA%20Jazz%20Master%20Yusef%20Lateef%20perform%20during%20the%20Awards%20Ceremony%20%26%20Concert.%20Frank%20Stewart.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" src=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/01\/Adam Rudolph and 2010 NEA Jazz Master Yusef Lateef perform during the Awards Ceremony &amp; Concert. Frank Stewart-thumb-460x306-12563.jpg\" alt=\"Adam Rudolph and 2010 NEA Jazz Master Yusef Lateef perform during the Awards Ceremony &amp; Concert. Frank Stewart.jpg\" width=\"460\" height=\"306\" \/><\/a><\/p>\n<div>Yusef Lateef:\u00c2\u00a0&#8220;Be sincere. Seek knowledge. There is so much to under- stand with our minds, eyes and ears, so many wonderful parts of existence. That is life itself.&#8221;\u00c2\u00a0Lateef, tenor saxophone and Adam Rudolph, percussion, with the Jazz at Lincoln Center Orchestra listening; <strong>photo by Frank Stewart.<\/strong><\/div>\n<div><\/div>\n<div><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010-NEA-Jazz-Master-MuhalW.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"mt-image-right\" style=\"float: right; margin: 0 0 20px 20px;\" src=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/01\/2010-NEA-Jazz-Master-MuhalW-thumb-250x279-12567.jpg\" alt=\"2010-NEA-Jazz-Master-MuhalW.jpg\" width=\"250\" height=\"279\" \/><\/a><\/div>\n<div>Muhal Richard Abrams: &#8220;Chicago&#8217;s uniqueness in allowing individuals to pursue their own goals without criticism was great. . . This award is important for how it reflects respect for the spectrum of different approaches, so many different expressions of individualism.&#8221; Abrams conducting the Jazz at Lincoln Center Orchestra in &#8220;2000 Plus the Twelfth Step,&#8221; January 12 2010;\u00c2\u00a0<strong>photo by Frank Stewart.<\/strong><\/div>\n<div><\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email or RSS<\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts <\/a><br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Just in &#8212; \u00c2\u00a0Muhal Richard Abrams conducting the Jazz at Lincoln Center Orchestra, and Yusef Lateef on tenor sax with percussionist Adam Rudolph, fine performance photography by Frank Stewart from the National Endowment for the Arts&#8217; Jazz Masters concert. My post on the concert is here, and the images are below &#8212;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[273,650,651,287,652,288],"class_list":{"0":"post-288","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-adam-rudolph","8":"tag-frank-stewart","9":"tag-jazz-at-lincoln-center-orchestra","10":"tag-muhal-richard-abrams","11":"tag-nea-national-endowment","12":"tag-yusef-lateef","13":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-4E","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":285,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/wynton_orch_play_nea_jazz_mast.html","url_meta":{"origin":288,"position":0},"title":"Wynton &#038; Orch play NEA Jazz Masters, on radio tonight!","author":"Howard Mandel","date":"January 12, 2010","format":false,"excerpt":"Just announced: WBGO, NPR and Sirius\/XM are broadcasting live and streaming on the web tonight's NEA Jazz Masters ceremony and concert with W. Marsalis and the LIncoln Center Jazz Orchestra performing works by Muhal Richard Abrams, Bill Holman, Bobby Hutcherson et al. Pianist Cedar Walter will perform with singer Annie\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":293,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/02\/nea_jazz_masters_as_new_yorker.html","url_meta":{"origin":288,"position":1},"title":"NEA Jazz Masters as New Yorkers","author":"Howard Mandel","date":"February 1, 2010","format":false,"excerpt":"Are all Jazz Masters in\/of NYC? Most, yes -- but can that last? My new City Arts column.\u00a0See photos that demonstrate the thesis. photo by Tom Pich:\u00a0back row, l to r: Rocco Landesman (NEA Chairman, NYC), Cedar Walton (NYC), Bobby Hutcherson, Bill Holman, Kenny Barron (NYC), Wayne Brown (NEA Director\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"NEA 2010 Jazz Masters Photo by Tom Pich.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/02\/NEA%202010%20Jazz%20Masters%20Photo%20by%20Tom%20Pich-thumb-420x278-12894.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":287,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/beyond_jazz_conventions_from_n.html","url_meta":{"origin":288,"position":2},"title":"Beyond &#8220;jazz&#8221; conventions from NEA Jazz Masters","author":"Howard Mandel","date":"January 14, 2010","format":false,"excerpt":"Jazz, defined by creativity, pushes boundaries -- a fact alluded to and demonstrated by two of the new NEA Jazz Masters at the gratifying if lengthy ceremony and concert held at Rose Theater of Jazz at Lincoln Center on Tuesday, Jan 12. Muhal Richard Abrams and Yusef Lateef were inducted\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":195,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/05\/hurray_for_the_new_nea_jazz_ma.html","url_meta":{"origin":288,"position":3},"title":"Hurray for the new NEA Jazz Masters","author":"Howard Mandel","date":"May 21, 2009","format":false,"excerpt":"Dean of post-jazz Muhal Richard Abrams, \u00c2\u00a0doyenne of vocalese Annie Ross\u00c2\u00a0and George Avakian, who invented jazz albums and reissues, popularized the LP and live recording, are among eight 2010 Jazz Masters named today by the National Endowment of the Arts. New York-based pianists Kenny Barron and Cedar Walton, exploratory reedist\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1468,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/12\/unforgettable-sounds-and-best-videos-of-yusef-lateef.html","url_meta":{"origin":288,"position":4},"title":"Unforgettable sounds and best videos of Yusef Lateef","author":"Howard Mandel","date":"December 24, 2013","format":false,"excerpt":"I'll never forget (I hope)\u00c2\u00a0Yusef Lateef's flute wafting out from the stage of \u00c2\u00a0the 1973 Ann Arbor Blues and Jazz Festival . . . Or his head-shaved, suited image on the cover of the boldly-named album 1984 (released in 1965, and not as dark as I'd expected) . . .\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"lateef","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/12\/lateef.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":759,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/01\/nea-jazz-masters-jazz-at-lincoln-center-live-and-webcast-smash.html","url_meta":{"origin":288,"position":5},"title":"NEA Jazz Masters @ Jazz at Lincoln Center live and webcast smash","author":"Howard Mandel","date":"January 11, 2012","format":false,"excerpt":"The glory of living American jazz musicians filled Jazz at Lincoln Center last night to celebrate the 30th annual National Endowment of the Arts Jazz Masters fellowships -- and some of the best news was the vitality of the music they played\u00c2\u00a0(webcast audio by WBGO and Sirius Radio,\u00c2\u00a0video at arts.gov).\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/01\/images.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=288"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/288\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}