{"id":280,"date":"2009-12-24T12:49:43","date_gmt":"2009-12-24T17:49:43","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2009\/12\/city_beyond_lights_jazz\/"},"modified":"2011-04-28T16:33:22","modified_gmt":"2011-04-28T20:33:22","slug":"city_beyond_lights_jazz","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/12\/city_beyond_lights_jazz.html","title":{"rendered":"City Beyond Jazz Lights"},"content":{"rendered":"<p>Here&#8217;s to urban music, transformative perspectives and the new year &#8212;<\/p>\n<div><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"holiday09.trafficlites.500x.jpg\" src=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/holiday09.trafficlites\/holiday09.trafficlites.500x.jpg\" width=\"500\" height=\"375\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0 auto 20px;\" \/><font class=\"Apple-style-span\" style=\"font-size: 0.8em; \">image: JA Kawell<\/font>&nbsp;&nbsp; &nbsp;<\/p>\n<div><\/div>\n<div><\/div>\n<div><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by Email or  RSS<\/a> <br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a><br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s to urban music, transformative perspectives and the new year &#8212; image: JA Kawell&nbsp;&nbsp; &nbsp; howardmandel.com Subscribe by Email or RSS All JBJ posts<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[621],"class_list":{"0":"post-280","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-city-beyond-jazz-lights","8":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-4w","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1687,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2014\/08\/jazz-venues-in-chicago-parks-bars-clubs.html","url_meta":{"origin":280,"position":0},"title":"Jazz venues in Chicago: Parks,  bars, clubs","author":"Howard Mandel","date":"August 15, 2014","format":false,"excerpt":"Chicago is relatively new in bringing jazz to its many small, diverse parks but the Neighborhood Nights experiment, \u00c2\u00a0conducted by the Jazz Institute of Chicago, works just fine, as drummer Michael Zerang's Blue Lights in Logan Square last Sunday proved. Last of these free shows is Saturday (tomorrow) at 1\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/08\/Jenny527M.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/08\/Jenny527M.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/08\/Jenny527M.jpeg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":18,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/07\/diversions_tangents_expedition.html","url_meta":{"origin":280,"position":1},"title":"Diversions, tangents, expeditions","author":"djm","date":"July 18, 2007","format":false,"excerpt":"Jazz Beyond Jazz Jose Reyes' Jazz Con Class Roanna Forman's Boston Jazz Blog David Hadju's The Famous Door Matt Miller's tuneOUToptIN Richard Mitnick's Musicsprings A Blog Supreme (NPR) George Grella's The Big City Sebastian Scotney's LondonJazz Alex W. Rodriguez's Lubricity Ralph Mirlello's Notes on Jazz","rel":"","context":"In &quot;blogroll&quot;","block_context":{"text":"blogroll","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/blogroll-2"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":328,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/07\/italy_here_i_come.html","url_meta":{"origin":280,"position":2},"title":"Italy here I come","author":"Howard Mandel","date":"July 21, 2010","format":false,"excerpt":"The Siena Jazz Workshop has me present my book Miles Ornette Cecil - Jazz Beyond Jazz (buy it for your Kindle!) Sunday, July 25 at 10 am (yes, in Siena, Italy).\u00a0Can you suggest unmissable music in Tuscany (or Vetirbo through July 31? In Siena I'll talk and show brief bits\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"siena square.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/siena%20square.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":58,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/02\/jazz_beyond_jazz_in_philly_for.html","url_meta":{"origin":280,"position":3},"title":"Jazz beyond jazz in Philly, for instance","author":"Howard Mandel","date":"February 2, 2008","format":false,"excerpt":"A day in Philadelphia demonstrated hard-core support for music stretching genres thrives, and a young audience seems ripe for such attractions. Having been invited to the City of BroLo to present Miles Ornette Cecil -- Jazz Beyond Jazz and illustrative video clips by Ars Nova Workshop, the sort of heroic\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":24,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/07\/jazz_beyond_jazz.html","url_meta":{"origin":280,"position":4},"title":"Jazz Beyond Jazz","author":"Howard Mandel","date":"July 17, 2007","format":false,"excerpt":"What if there's more to jazz than you suppose? What if jazz demolishes suppositions and breaks all bounds? What if jazz - and the jazz beyond, behind, under and around jazz - could enrich your life? What if jazz is the subtle, insightful, stylish, soulful, substantive guide to successful navigation\u2026","rel":"","context":"In &quot;about&quot;","block_context":{"text":"about","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/about"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":170,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/03\/weins_jazz_fest_without_jvc_co.html","url_meta":{"origin":280,"position":5},"title":"Wein&#8217;s jazz fest without JVC Corp","author":"Howard Mandel","date":"March 17, 2009","format":false,"excerpt":"Calling all jazz sponsors: that's the message producer George Wein released today (March 17) in search of corporate support for his proposed 55th anniversary Newport Jazz Festival.So doing, Wein also announced the end of a 24-year association with JVC Corp., the electronics manufacturer that has been title sponsor of fests\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=280"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/280\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}