{"id":276,"date":"2009-12-05T13:26:02","date_gmt":"2009-12-05T18:26:02","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2009\/12\/treasures_of_youtube_dolphy_fl\/"},"modified":"2011-04-28T16:33:23","modified_gmt":"2011-04-28T20:33:23","slug":"treasures_of_youtube_dolphy_fl","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/12\/treasures_of_youtube_dolphy_fl.html","title":{"rendered":"Treasures of YouTube: Dolphy, flute; Mingus &#8220;Meditations&#8221;"},"content":{"rendered":"<div><a href=\"http:\/\/adale.org\/Eric.html\">Eric Dolphy<\/a>&nbsp;solos beautifully then uses his bass clarinet for the ensemble line of bassist\/composer\/bandleader Charles Mingus &#8220;Meditations on Integration&#8221; in <a href=\"http:\/\/www.youtube.com\/watch?v=SwelF_sHoL4&amp;feature=related\">this<\/a> 1964 clip, which warms my dank, chill afternoon in Brooklyn.<\/div>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/SwelF_sHoL4&amp;hl=en_US&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><\/object>&nbsp;<\/p>\n<div><span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: Times; font-size: medium; \"><\/p>\n<div style=\"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 10px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; height: 90%; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: rgb(255, 255, 255); color: rgb(51, 51, 51); font: normal normal normal 13px\/normal arial, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; background-position: initial initial; \">Jaki Byard on piano, and dapper Danny Richmond, drums.&nbsp;<\/div>\n<p><\/span><\/p>\n<div><\/div>\n<div><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\">Subscribe by Email <\/a>  |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by  RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a> |<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> \n<\/div>\n<\/div>\n<p><!--more--><br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eric Dolphy&nbsp;solos beautifully then uses his bass clarinet for the ensemble line of bassist\/composer\/bandleader Charles Mingus &#8220;Meditations on Integration&#8221; in this 1964 clip, which warms my dank, chill afternoon in Brooklyn. &nbsp; Jaki Byard on piano, and dapper Danny Richmond, drums.&nbsp; howardmandel.com Subscribe by Email | Subscribe by RSS | Follow on Twitter All JBJ [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[606,605,603,604],"class_list":{"0":"post-276","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-meditations-on-integration","8":"tag-charles-mingus","9":"tag-eric-dolphy","10":"tag-flute","11":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-4s","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/08\/mingus_among_us.html","url_meta":{"origin":276,"position":0},"title":"Mingus Among Us","author":"Howard Mandel","date":"August 14, 2007","format":false,"excerpt":"\"So Long Eric\", a 5:29 jazz video break, giving one pause: Wither small group ideas now? Charles Mingus with saxophonists Eric Dolphy & Clifford Jordan, pianist Jaki Byard, drummer Dannie Richmond, Belgium 1964 -- heroes, living. (Music comes up first-- raucous \"Fables of Faubus\" -- click \"Watch Videos\" at bottom\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":72,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/03\/out_to_lunch_in_the_zone.html","url_meta":{"origin":276,"position":1},"title":"Out To Lunch in the zone","author":"Howard Mandel","date":"March 23, 2008","format":false,"excerpt":"A one-time-only revisitation of the late Eric Dolphy's masterpiece at Merkin Concert Hall in NYC fulfilled the promise and hope of jazz repertory concerts, and proved the enduring, enriching quality of jazz-beyond-jazz compositions. When trumpeter Russ Johnson took on the challenge of performing five works recorded by reeds and winds\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1640,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2014\/05\/attn-time-travelers-dolphy-ayler-this-week-in-nynj.html","url_meta":{"origin":276,"position":2},"title":"Attn time-travelers: Dolphy &#038; Ayler this week in NY\/NJ","author":"Howard Mandel","date":"May 28, 2014","format":false,"excerpt":"If saxophonists Eric Dolphy and Albert Ayler, icons of bust-loose and beautiful improvisation, were alive today . . .they'd be pleased by and maybe attending the festival and concert in their honor this week in Montclair, NJ and Brooklyn. Dolphy died of undiagnosed diabetes in 1964, and Ayler either jumped\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"dolphy","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/05\/dolphy.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":289,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/jazz_benefits_for_haiti_1.html","url_meta":{"origin":276,"position":3},"title":"Jazz benefits and fight song for Haiti","author":"Howard Mandel","date":"January 18, 2010","format":false,"excerpt":"The jazz world's response the Haitian earthquake isn't overwhelming, but every bit helps. The Groove Collective benefit\u00a0is tomorrow, Tues, Jan 19, at (le) poisson rouge in Manhattan; a Seattle community jazz fest\u00a0is at multiple venues Wed., Jan 20, and\u00a0St. Louis jazz musicians for Haiti\u00a0gather at Sheldon Concert Hall on Tuesday,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":466,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/08\/newport-jazz-fest-via-npr-day-2-my-live-reviews.html","url_meta":{"origin":276,"position":4},"title":"Newport Jazz Fest via NPR #: day 2 my live reviews","author":"Howard Mandel","date":"August 7, 2011","format":false,"excerpt":"11:55 am -- JazzBeyondJazz attends the Newport Jazz Fest today, Aug 7, by listening on NPR, and reviewing as here it happens (tweeting #newportjazz). Ten performances are scheduled over 7 hours, and I won't listen to everything, but will chime in with info and responses to the music and the\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/08\/boy-listening.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":302,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/03\/anti-jazz_the_still-new_thing.html","url_meta":{"origin":276,"position":5},"title":"Anti-jazz, the still-new thing","author":"Howard Mandel","date":"March 4, 2010","format":false,"excerpt":"International House Philadelphia hosts a series way beyond old jazz conventions, with roots in the wild stuff fav' son John Coltrane blew in 1961. I delve into the 50-year controversy for PMP \u00a0online magazine of the Philadelphia Music Project\u00a0here, before the Art Ensemble of Chicago plays what it's come to\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=276"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/276\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}