{"id":2742,"date":"2020-03-17T14:11:36","date_gmt":"2020-03-17T18:11:36","guid":{"rendered":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=2742"},"modified":"2020-03-17T14:12:47","modified_gmt":"2020-03-17T18:12:47","slug":"jazz-vs-lockdown-blogs-w-vid-clips-defy-virus-muting-musicians","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2020\/03\/jazz-vs-lockdown-blogs-w-vid-clips-defy-virus-muting-musicians.html","title":{"rendered":"Jazz vs. lockdown: Blogs w\/ vid clips defy virus muting musicians"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-937x1024.jpeg\" alt=\"\" class=\"wp-image-2743\" width=\"248\" height=\"270\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-937x1024.jpeg 937w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-768x839.jpeg 768w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-1405x1536.jpeg 1405w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-1874x2048.jpeg 1874w\" sizes=\"auto, (max-width: 248px) 100vw, 248px\" \/><figcaption>image by John Fenton<\/figcaption><\/figure><\/div>\n\n\n\n<p>Jazz doesn&#8217;t want to stay home and chill &#8212; so members of the <a href=\"https:\/\/news.jazzjournalists.org\/\">Jazz Journalists Association<\/a> launched on Monday, 3\/15\/2020, <a href=\"https:\/\/news.jazzjournalists.org\/category\/jazz-on-lockdown\/\">JazzOnLockdown: Hear It Here<\/a>, a series of curated v-logs featuring performance videos of musicians whose gigs have been postponed or cancelled due to coronavirus concerns.<\/p>\n\n\n\n<p>The <a href=\"https:\/\/news.jazzjournalists.org\/2020\/03\/jjas-anti-virus-reaction-jazz-on-lockdown-hear-it-here\/\">initial JOL post<\/a>, by Madrid blogger <a href=\"http:\/\/www.MissingDuke.com\">Mirian Arbalejo<\/a> (of MissingDuke.com) is dedicated to Marcelo Peralta, Argentine born\/Spanish resident saxophonist-composer-arranger who is reportedly the first jazz musician to succumb to the illness. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"213\" height=\"237\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/download.jpg\" alt=\"\" class=\"wp-image-2746\"\/><figcaption>Marcelo Peralta, photo <a href=\"https:\/\/www.lagacetasalta.com.ar\/\">https:\/\/www.lagacetasalta.com.ar\/<\/a><\/figcaption><\/figure><\/div>\n\n\n\n<p><a href=\"https:\/\/news.jazzjournalists.org\/2020\/03\/jazz-on-lockdown-aukland-nz-and-cut-short-world-tour\/\">The second JOL post,<\/a> by New Zealand&#8217;s <a href=\"https:\/\/jazzlocal32.com\/\">John Fenton<\/a> (JazzLocal32.com), presents keyboardist\/synthesist\/dance club remixer Mark di Clive-Lowe, a native son now based in Los Angeles, playing in his hometown at the start of what turned out to be an aborted world tour.<\/p>\n\n\n\n<p>Both posts and subsequent ones (coming from Chicago, Havana, the Bay Area and elsewhere) include information on how to sustain musicians financially as their live shows have been curtailed (for a limited time, it&#8217;s hoped). <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/MdCL-keyboards-byFarahSosa.jpg\" alt=\"\" class=\"wp-image-2745\" width=\"353\" height=\"235\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/MdCL-keyboards-byFarahSosa.jpg 750w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/MdCL-keyboards-byFarahSosa-300x200.jpg 300w\" sizes=\"auto, (max-width: 353px) 100vw, 353px\" \/><figcaption>Mark di Clive-Lowe, photo by Farah Sosa<\/figcaption><\/figure><\/div>\n\n\n\n<p>The JJA intends to add to its <a href=\"https:\/\/news.jazzjournalists.org\/category\/jazz-on-lockdown\/\">JazzOnLockdown<\/a> posts daily. Anyone anywhere is invited to submit JazzOnLockdown posts, which require <strong>1) <\/strong>name(s) of musician(s); <strong>2)<\/strong> venue, locale and date of cancellation(s); <strong>3) <\/strong>posted video to be embedded;<strong> 4) <\/strong>appropriate contextual information; <strong>5)<\/strong> methods for helping the musician(s) get by (i.e., links to their Bandcamp page, website, records for sale); <strong>6)<\/strong> link to the submitter&#8217;s own page or site. <strong>Send all inquiries to JazzOnLockdown@JazzJournalists.org.<\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jazz doesn&#8217;t want to stay home and chill &#8212; so members of the Jazz Journalists Association launched on Monday, 3\/15\/2020, JazzOnLockdown: Hear It Here, a series of curated v-logs featuring performance videos of musicians whose gigs have been postponed or cancelled due to coronavirus concerns. The initial JOL post, by Madrid blogger Mirian Arbalejo (of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2743,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[1355,20,1497,194,1777,1776,1773,1774,1775],"class_list":{"0":"post-2742","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"tag-howard-mandel","9":"tag-jazz","10":"tag-jazz-beyond-jazz","11":"tag-jazz-journalists-association","12":"tag-jazz-on-lockdown","13":"tag-jazzonlockdown","14":"tag-john-fenton","15":"tag-mark-di-clive-lowe","16":"tag-mirian-arbalejo","17":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-Ie","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1295,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/04\/jazzapril-begins-no-joke.html","url_meta":{"origin":2742,"position":0},"title":"JazzApril begins (no joke!)","author":"Howard Mandel","date":"April 1, 2013","format":false,"excerpt":"April is Jazz Appreciation Month (so named by the Smithsonian Institution), culminating on the 30th with\u00c2\u00a0International Jazz Day (a project of UNESCO, organized by the Thelonious Monk Institute of Jazz) -- and both those initiatives are endorsed by the U.S. Conference of Mayors. So the Jazz Journalists Association has launched\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"ja-ijd-jamSQ200","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/04\/ja-ijd-jamSQ200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":84,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/04\/jazz_educators_go_south.html","url_meta":{"origin":2742,"position":1},"title":"Jazz educators go south","author":"Howard Mandel","date":"April 18, 2008","format":false,"excerpt":"Another victim of global economics? Or of flawed leadership? The 40-year-old International Association for Jazz Education has announced its bankruptcy, following an ill-attended conference in Toronto and unexpected departures by its executive director and president. \"Industry of jazz\" players are shocked, shocked!\u00c2\u00a0 As reported by my friend Paul de Barros,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":397,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/05\/celebrating_jazz_excellence_.html","url_meta":{"origin":2742,"position":2},"title":"Celebrating jazz excellence &#8212; Awards, honors and privileges","author":"Howard Mandel","date":"May 23, 2011","format":false,"excerpt":"The NEA zeroes out its Jazz Masters program, the Grammys cuts categories so pop best-sellers regain prominence vis a vis less obviously commercial stars, but the Jazz Journalists Association's 15th annual Jazz Awards -- to be held June 11, 2011 with an afternoon gala with all star music at City\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"maria schneider &.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/maria%20schneider%20%26.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2747,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2020\/03\/jazzonlockdown-musicians-venues-orgs-turn-to-live-streaming.html","url_meta":{"origin":2742,"position":3},"title":"JazzOnLockdown: Musicians, venues, .orgs &#8212; writers? &#8212; turn to live-streaming","author":"Howard Mandel","date":"March 22, 2020","format":false,"excerpt":"It's the most obvious, available and so far low-cost option for anyone who can cast a performance online for public consumption -- jazz musicians specifically included: Live-streaming. Fred Hersch has been first out of the box, committing to live-streaming daily mini concerts from his living room, 1pm Eastern Daily Time\u00a0\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":122,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/09\/who_decides_whos_a_jazz_master.html","url_meta":{"origin":2742,"position":4},"title":"Who decides who&#8217;s an NEA Jazz Master","author":"Howard Mandel","date":"September 5, 2008","format":false,"excerpt":"The National Endowment of the Arts panel determining recipients of the annual Jazz Masters Fellowships is a small one. In the interest of transparency, the NEA has supplied the names of panelists who chose the class of '09. It comprises five previously named Fellows, one \"layperson,\" one independent record producer,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1341,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/04\/jazz-day-reasons-to-be-cheerful.html","url_meta":{"origin":2742,"position":5},"title":"Jazz Day reasons to be cheerful","author":"Howard Mandel","date":"April 30, 2013","format":false,"excerpt":"On the second International Jazz Day, let's celebrate -- 1) A glorious legacy of enduring music; 2) The\u00c2\u00a0dedication to the art form of musicians and their supporters now, worldwide; 3) The recognition by government officials and institutions of jazz as an entity that will not be silenced or co-opted; 4)\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"Jazz Heroes, designated in 2013 by the Jazz Journalists Association and 25 local North American communities","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/04\/2013JazzHeroeswHEADwnumbers.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/2742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=2742"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/2742\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/2743"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=2742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=2742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=2742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}