{"id":265,"date":"2009-11-07T10:41:50","date_gmt":"2009-11-07T15:41:50","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2009\/11\/jazz_at_lincoln_center_ducats\/"},"modified":"2011-04-28T16:33:38","modified_gmt":"2011-04-28T20:33:38","slug":"jazz_at_lincoln_center_ducats","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/11\/jazz_at_lincoln_center_ducats.html","title":{"rendered":"Jazz at Lincoln Center ducats, Wynton-Willie dvd giveaways!"},"content":{"rendered":"<p>Readers of this blog can win 2 tix for JALC&#8217;s November 14 shows by <a href=\"http:\/\/jalc.org\/concerts\/details309a.asp?EventID=2045\">Maceo Parker<\/a> or the <a href=\"http:\/\/jalc.org\/concerts\/details309a.asp?EventID=2046\">Lincoln Center Jazz Orchestra playing Mary Lou Williams<\/a>, or autographed Wynton-Willie Nelson Play Ray Charles dvds. But in keeping with the inherent value of these prizes, I&#8217;m making the contest creative, not easy.<\/p>\n<p><!--more--><br \/>\n<span class=\"Apple-style-span\" style=\"font-weight: bold;\">Online submissions only<\/span>: If you want to attend either alto saxophonist Parker&#8217;s soul-steeped performance in the Allen Room at Jazz at Lincoln Center next weekend, or the Mary Lou Williams Centennial performance of trumpeter Marsalis leading the LCJO and featuring excellent pianists <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Geri Allen<\/span> and <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Geoff Keezer<\/span> in Rose Hall at JALC, or vie for one of the two copies of the new <span class=\"Apple-style-span\" style=\"font-style: italic;\"><a href=\"http:\/\/www.amazon.com\/Willie-Nelson-Wynton-Marsalis-Charles\/dp\/B001V9K8I8\/?tag=howardmacom-20\">Wynton Marsalis and Willie Nelson play Ray Charles<\/a><\/span> (with guest Norah Jones), submit via the comments box below something interesting to read, which I&#8217;ll post in this space next Saturday. What I have in mind is some sort of poem or very brief narrative concerning\/referring to American roots of jazz and its extensions.<\/p>\n<div><\/div>\n<div>My first impulse was to ask for a villanelle, triolet, hiaku or some such rigidly ruled form, but instead let&#8217;s go for the vernacular:<span class=\"Apple-style-span\" style=\"font-weight: bold;\"> l<\/span><span class=\"Apple-style-span\" style=\"font-weight: bold;\">yrics for three to five choruses of a 12 bar blues, or a prose poem that works as a blues narrative, 100 to 150 words long.<\/span>\u00c2\u00a0<\/div>\n<div><\/div>\n<div>The <span class=\"Apple-style-span\" style=\"font-weight: bold;\">blues lyrics<\/span> should follow the conventional format: the first line proposes the narrator&#8217;s situation (&#8220;My girl don&#8217;t love me, she treats me awful mean&#8221;), the second line repeats the first (or employs slight variation) for emphatic effect, the third line adds to, complicates, sums up and\/or resolves the problem (She&#8217;s the meanest girl I&#8217;ve ever seen&#8221;). The lyric ought to be in rhythm that works with 12-bars of 4\/4 meter (try reciting what you&#8217;ve written to any basic blues recording to see it if fits). The three to five choruses ought to progress to tell a story.\u00c2\u00a0<\/div>\n<div><\/div>\n<div>The <span class=\"Apple-style-span\" style=\"font-weight: bold;\">prose poem<\/span> can be less strictly composed, but will be judged, like the lyrics (by my inhouse staff of experts) for originality, moodiness, vivid imagery, compression and, of course, bluesiness.\u00c2\u00a0<\/div>\n<div><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-weight: bold;\">First prize<\/span>:\u00c2\u00a0<\/div>\n<div><\/div>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-weight: bold;\">Two tickets<\/span>, to be messengered to the winner or picked up at Jazz at Lincoln Center&#8217;s box office, to either of two November 14 concerts. Maceo Parker is best known for his saxophonics in bands led by<span class=\"Apple-style-span\" style=\"font-weight: bold;\"> James Brown, Ray Charles<\/span> and<span class=\"Apple-style-span\" style=\"font-weight: bold;\"> George Clinton <\/span>(he was part of the <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Horny Horns<\/span> with tenor saxophonist <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Pee Wee Ellis<\/span> and trombonist <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Fred Wesley<\/span>; these three still perform together, though I don&#8217;t know if they&#8217;ll all be at JALC); Wynton, the LCJO, pianists Allen and Keezer will presumably concentrate on the infrequently reprised compositions of Mary Lou Williams, the modernist pianist-composer-arranger born Mary Elfrieda Scruggs, whose career ranged from jamming with <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/B00262QLSA\/sr=1-10\/qid=1257612634\/?tag=howardmacom-20\">McKinney&#8217;s Cotton Pickers<\/a><\/span> to <a href=\"http:\/\/www.amazon.com\/Embraced-Mary-Williams-Cecil-Taylor\/dp\/B000000XNK\/?tag=howardmacom-20\">concertizing with <\/a><span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.amazon.com\/Embraced-Mary-Williams-Cecil-Taylor\/dp\/B000000XNK\/?tag=howardmacom-20\">Cecil Taylor<\/a><\/span>.\u00c2\u00a0<\/p><\/blockquote>\n<div><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-weight: bold;\">Two second prizes:<\/span><\/div>\n<div><\/div>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p>A <span class=\"Apple-style-span\" style=\"font-weight: bold;\">DVD of <\/span><span class=\"Apple-style-span\" style=\"font-style: italic;\"><span class=\"Apple-style-span\" style=\"font-weight: bold;\">Wynton Marsalis and Willie Nelson Play The Music of Ray Charles<\/span><\/span>, <span class=\"Apple-style-span\" style=\"font-weight: bold;\">autographed<\/span> by Wynton, recorded live at JALC&#8217;s Rose Hall on February 10, 2009 &#8212; tunes lincluding &#8220;Hallelujah I Love Her So,&#8221; &#8220;Hit the Road, Jack,&#8221; and &#8220;Unchain My Heart.&#8221; With singer Norah Jones and harmonica player Mickey Raphael, among others. I will mail the dvds to the winners.<\/p><\/blockquote>\n<p><span class=\"Apple-style-span\" style=\"font-weight: bold;\">DEADLINE (<span class=\"Apple-style-span\" style=\"font-style: italic;\">very important!<\/span><\/span>): All submissions must be posted to the comments box below \u00c2\u00a0by <span class=\"Apple-style-span\" style=\"font-weight: bold;\">midnight EST Wednesday, November 11<\/span>. Get a hold of your blues, and get started!\u00c2\u00a0<\/p>\n<div>\u00c2\u00a0<\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\">Subscribe by Email <\/a>  |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by  RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a> |<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Readers of this blog can win 2 tix for JALC&#8217;s November 14 shows by Maceo Parker or the Lincoln Center Jazz Orchestra playing Mary Lou Williams, or autographed Wynton-Willie Nelson Play Ray Charles dvds. But in keeping with the inherent value of these prizes, I&#8217;m making the contest creative, not easy.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[116,573,574,572,571,117],"class_list":{"0":"post-265","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-jazz-at-lincoln-center","8":"tag-maceo-parker","9":"tag-mary-lou-williams","10":"tag-ray-charles","11":"tag-willie-nelson","12":"tag-wynton-marsalis","13":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-4h","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":267,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/11\/midnight_est_deadline_blues_co.html","url_meta":{"origin":265,"position":0},"title":"Midnight (EST) deadline, blues contest entries","author":"Howard Mandel","date":"November 11, 2009","format":false,"excerpt":"Prizes of Jazz at Lincoln Center tix for this weekend and dvds of Wynton Marsalis with Willie Nelson for the best blues lyrics or prose poem will be determined at 12:01 tonight (11\/11\/09). Several stunning (!?!) efforts have been received -- via the comments box below -- but I'm not\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":266,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/11\/blues_lyrics_write_to_win.html","url_meta":{"origin":265,"position":1},"title":"Blues lyrics: write to win","author":"Howard Mandel","date":"November 10, 2009","format":false,"excerpt":"For tickets to Jazz at Lincoln Center this weekend or a dvd of Wynton Marsalis and Willie Nelson performing live, try writing a blues. How hard can it be?\"Minutes seem like hours, hours seem like days,Seems my baby would stop her lowdown ways\" -- Muddy Waters, \"Country Blues\"\u00c2\u00a0\"Woke up this\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":171,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/03\/reasons_to_be_cheerful_wynton.html","url_meta":{"origin":265,"position":2},"title":"Reasons to be cheerful: Wynton books Ornette","author":"Howard Mandel","date":"March 18, 2009","format":false,"excerpt":"Wynton Marsalis has high regard for the music of Ornette Coleman -- as demonstrated by Jazz at Lincoln Center's just-released 2009-2010 concert schedule, which begins next September 26 with a single performance by Coleman's quartet featuring two bassists and his son Denardo on drums.\u00a0This booking might seem like a point\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":271,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/11\/wynton_le_chevalier_marsalis.html","url_meta":{"origin":265,"position":3},"title":"Wynton le Chevalier Marsalis","author":"Howard Mandel","date":"November 19, 2009","format":false,"excerpt":"A survey in my latest City Arts column\u00c2\u00a0of the music of trumpeter-composer Wynton Marsalis, in the jazz spotlight for 25 years. Founder and artistic director of Jazz at Lincoln Center, educator, activist, humanitarian, winner of a Pulitzer and multiple Grammies, Wynton stands tallest in my book when he just\u00c2\u00a0plays jazz.\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":268,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/11\/winners_and_their_blues.html","url_meta":{"origin":265,"position":4},"title":"Winners and their blues","author":"Howard Mandel","date":"November 13, 2009","format":false,"excerpt":"Winners of this blog's first Blues Lyric Contest are suitably\u00c2\u00a0troubled -- and all get Wynton Marsalis and Willie Nelson\u00c2\u00a0Play the Music of Ray Charles DVDS to ease their weary minds. All have expressed regrets they can't get to \u00c2\u00a0Jazz at Lincoln Center concerts of Wynton and the Lincoln Center Jazz\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":689,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/12\/wynton-on-cbs-the-artist-as-cultural-correspondent.html","url_meta":{"origin":265,"position":5},"title":"Wynton on CBS: the Artist as Cultural Correspondent","author":"Howard Mandel","date":"December 17, 2011","format":false,"excerpt":"Wynton Marsalis has in one swoop become the world's most prominent jazz journalist. The 50-year-old trumpeter, composer, bandleader, winner of multiple Grammys in multiple categories, author of several books on jazz (all but one co-written), artistic director of Jazz at Lincoln Center, world-traveling ambassador of the American experience, holder of\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=265"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/265\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}