{"id":259,"date":"2009-10-23T12:05:09","date_gmt":"2009-10-23T16:05:09","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2009\/10\/soupy_sales_friend_to_jazz\/"},"modified":"2011-04-28T16:33:39","modified_gmt":"2011-04-28T20:33:39","slug":"soupy_sales_friend_to_jazz","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/10\/soupy_sales_friend_to_jazz.html","title":{"rendered":"Soupy Sales, 1926-2009, friend to jazz"},"content":{"rendered":"<p>The silliest pie-in-the-face TV comic of the &#8217;50s had trumpeter Clifford Brown with drummer Max Roach on his kiddie show. Soupy Sales loved jazz &#8212; how cool is that?\u00c2\u00a0<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/Soupy%20in%20Sepia.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Soupy in Sepia.jpg\" src=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2009\/10\/Soupy in Sepia-thumb-388x400-10914.jpg\" width=\"388\" height=\"400\" class=\"mt-image-none\" style=\"\" \/><\/a><\/p>\n<div>photo courtesy of Craig Marin, <a href=\"http:\/\/www.Flexitoon.com\">www.Flexitoon.com<\/a>\u00c2\u00a0&#8212; more pix there<\/div>\n<p><!--more--><br \/>\n\u00c2\u00a0<br \/>\n<a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\"><\/a><\/p>\n<div><\/div>\n<div>This featured performance was unusual, but of a piece with Soupy&#8217;s musical taste. He appeared in a &#8220;Frankly Jazz&#8221; series episode featuring &#8220;The Martian Bossa Nova&#8221; by trumpeter\u00c2\u00a0Shorty Rogers with Pete Jolly and Mel Lewis, among others; he\u00c2\u00a0entertained at the 2002 <a href=\"http:\/\/www.jazzhouse.org\/library\/index.php3?read=jja12\">Jazz Awards<\/a>. His sons Hunt and Tony are musicians who have worked with David Bowie. Soupy will be missed but also remembered.<\/div>\n<div><\/div>\n<div><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\">Subscribe by Email <\/a>  |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by  RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a> |<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> \n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The silliest pie-in-the-face TV comic of the &#8217;50s had trumpeter Clifford Brown with drummer Max Roach on his kiddie show. Soupy Sales loved jazz &#8212; how cool is that?\u00c2\u00a0 photo courtesy of Craig Marin, www.Flexitoon.com\u00c2\u00a0&#8212; more pix there<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[547,548,546],"class_list":["post-259","post","type-post","status-publish","format-standard","category-main","tag-clifford-brown","tag-max-roach","tag-soupy-sales","entry"],"jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-4b","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":42,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/08\/giving_max_roach_the_drummer_s.html","url_meta":{"origin":259,"position":0},"title":"Giving Max Roach, the drummer, some","author":"Howard Mandel","date":"August 16, 2007","format":false,"excerpt":"Drummer Max Roach, (Jan 1, 1924 - Aug. 16, 2007), personified the jazz-beyond-jazz ethos: mastering the complex, nuanced art that preceded him, plunging in to create new work based on his own ideas, never abandoning that path. He was a man of social engagement as well as aesthetic convictions. Roach\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":513,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/08\/virtual-charlie-parker-jazz-fest-online-video.html","url_meta":{"origin":259,"position":1},"title":"Virtual Charlie Parker jazz fest (online video)","author":"Howard Mandel","date":"August 27, 2011","format":false,"excerpt":"Fearing Hurricane Irene, New York City has suspended public transportation and cancelled everything -- but not my\u00c2\u00a0\u00c2\u00a0online video Charlie Parker Jazz fest, a humble audio\/video standin for the live sets scheduled but not-to-be in Harlem and the East Village, Saturday and Sunday, Aug 27-28. Monday, Aug. 29 is the 91st\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1000,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/08\/music-people-and-context-at-newport-jazz-fest-2012.html","url_meta":{"origin":259,"position":2},"title":"Music, people and context at Newport Jazz Fest 2012","author":"Howard Mandel","date":"August 15, 2012","format":false,"excerpt":"My new CityArts-New York column covers some of what went down at the 2012 Newport Jazz Festival. With three stages running staggered but near-simultaneous performances, there was much too much happening to hear it all (I've been listening to some of what I missed, like Bill Frisell's modern string band\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/08\/yScheinmanandBillFrisellphotocreditLaNitaAdamsIMG_4893-300x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2089,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2016\/08\/a-great-migration-suite-from-trumpeter-orbert-davis.html","url_meta":{"origin":259,"position":3},"title":"A Great Migration suite from trumpeter Orbert Davis: Audio interview","author":"Howard Mandel","date":"August 23, 2016","format":false,"excerpt":"Orbert Davis -- trumpeter, composer and leader of the Chicago Jazz Philharmonic, has been commissioned by the Jazz Institute of Chicago to write and perform a suite about the Great Migration for the 38th annual free Chicago Jazz Festival.\u00c2\u00a0\"Soul Migration,\" for octet, will be heard Sept 1 at 8 pm\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"imgres","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/08\/imgres.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2268,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/07\/the-jazz-blues-art-box-instant-collection-rare-data-trove.html","url_meta":{"origin":259,"position":4},"title":"The Jazz &#038; Blues Art Box &#8212; instant collection, rare data trove","author":"Howard Mandel","date":"July 28, 2017","format":false,"excerpt":"Two hundred and thirty dvds of concerts and 96 interviews from the International Jazzfestival Bern (Switzerland), 1983 to 2002, 20 yearbooks plus a 344-page large format graphics-rich volume, in a cabinet\u00c2\u00a0on wheels standing almost 4 feet tall, 3 feet wide, 15 inches deep. Released as a one-time-only edition with a\u2026","rel":"","context":"With 2 comments","block_context":{"text":"With 2 comments","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/07\/the-jazz-blues-art-box-instant-collection-rare-data-trove.html#comments"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/07\/artbox-1497067082-4592.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/07\/artbox-1497067082-4592.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/07\/artbox-1497067082-4592.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":143,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/12\/la-based_jazz_consultant_ricky.html","url_meta":{"origin":259,"position":5},"title":"Trumpeter Freddie Hubbard ailing","author":"Howard Mandel","date":"December 5, 2008","format":false,"excerpt":"L.A.-based jazz consultant Ricky Shultz (who directed one of this year's most innovative label rollouts for Resonance Records) writes: \"Freddie Hubbard suffered heart failure last Sunday and is in ICU. One\u00a0of Freddie's past bandmates spoke with his wife yesterday a.m. He is being\u00a0worked on to revive certain organs' function. I'm\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=259"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/259\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}