{"id":2585,"date":"2019-05-25T12:53:29","date_gmt":"2019-05-25T16:53:29","guid":{"rendered":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=2585"},"modified":"2019-09-12T11:39:38","modified_gmt":"2019-09-12T15:39:38","slug":"digging-our-roots-videos-speakers-inspire-engagement","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2019\/05\/digging-our-roots-videos-speakers-inspire-engagement.html","title":{"rendered":"Digging Our Roots videos, speakers inspire engagement"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/05\/Sonny-Boy-II-Billy-Branch-1024x682.jpg\" alt=\"Billy Branch watches Sonny Boy (Rice Miller) Williamson II. Photo by Alan Frolichstein\" class=\"wp-image-2586\" width=\"482\" height=\"319\"\/><figcaption>Billy Branch watches Sonny Boy (Rice Miller) Williamson II; <br>photo by Alan Frolichstein <\/figcaption><\/figure><\/div>\n\n\n\n<p>Nearly 100 Chicagoans (maybe some visitors?) watched Muddy Waters, Howlin&#8217; Wolf, Junior Wells, Buddy Guy and other heroes of the blues on videos at the Cultural Center Thursday night (5\/23\/19), with harmonica star <a href=\"https:\/\/billybranch.com\">Billy Branch<\/a> and WDCB program host <a href=\"https:\/\/wdcb.org\/staff\/leslie-keros\">Leslie Keros<\/a> telling stories and participated in lively interplay with knowing attendees. It was the fifth <a href=\"https:\/\/jazzinchicago.org\/digging-our-roots-chicagos-greatest-hits-billy-branch-and-leslie-keros-on-muddy-waters-howlin-wolf-and-junior-wells\/\">Digging Our Roots: Chicago&#8217;s Greatest Hits<\/a> &#8220;listening session&#8221; this spring, co-presented by the <a href=\"http:\/\/www.jazzinchicago.org\">Jazz Institute of Chicago <\/a>and<a href=\"http:\/\/www.JJANews.org\"> Jazz Journalists Association<\/a>.<\/p>\n\n\n\n<p> Full disclosure: I sit on the JIC board, am president of the JJA, curated and moderated this series. Let that not invalidate this report! Because since cold last January, our once-a-month, free, public music show-and-tells have drawn a steadily growing, diverse and highly engaged audience to both revisit and discover anew jazz\/blues favorites of the distant and recent past, pointing to culture of this city now. <\/p>\n\n\n\n<p>I don&#8217;t say that to brag, just to confirm that small budget, low cost, all-ages-and-sophistication-level presentations can raise the profile of local musicians and journalists working together, expose successful (entertaining!) if perhaps forgotten artists to awe and encourage younger music lovers, and generate fine content for posting, such as Mashaun Hardy does for the Jazz Institute&#8217;s social media streams by video streaming portions of the proceedings, live &#8212; like below:<\/p>\n\n\n\n<figure class=\"wp-block-embed-facebook wp-block-embed is-type-video is-provider-facebook\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"fb-video\" data-allowfullscreen=\"true\" data-href=\"https:\/\/www.facebook.com\/jazzinchicago\/videos\/490096891530788\/\" style=\"background-color: #fff; display: inline-block;\"><\/div>\n<\/div><\/figure>\n\n\n\n<p>The economical nature of the production is thanks to the Cultural Center (overseen by the Mayor&#8217;s <a href=\"https:\/\/www.chicago.gov\/city\/en\/depts\/dca.html\">Department of Cultural Affairs and Special Events<\/a>) providing space and staff, as well as the amazing banquet of video performances online (we watched clips selected by the panelists, including this dynamite performance by Billy Branch and <a href=\"https:\/\/lurrie.com\/\">Lurrie Bell<\/a> with an early version of their band Sons of the Blues).  <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/aJkUv_3VlUw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>The Jazz Institute provides promotion online and a staffer or two who help with production, harvest attendee&#8217;s email address and sign up new members. I contribute my efforts on behalf of the JJA, and have enlisted members as speakers. <\/p>\n\n\n\n<p>For instance, in April photographer\/writer\/visual artist and saxophonist<a href=\"http:\/\/jackojazz.com\/\"> Michael Jackson<\/a> joined tenor saxist <a href=\"http:\/\/www.juliwoodsax.com\/\">Juli Wood<\/a> to celebrate the Chicago Tenor Tradition represented by Gene Ammons, Johnny Griffin and Von Freeman (pianist <a href=\"https:\/\/www.michaelweiss.info\/\">Michael Weiss<\/a>, at the Jazz Showcase that week with saxist Eric Alexander to celebrate Grif&#8217;s birthday, sat in). <a href=\"http:\/\/downbeat.com\/site\/author\/john-mcdonough\">John McDonough<\/a>, a longtime writer for DownBeat and the Wall Street Journal, created a medley of historic versions of &#8220;King Porter Stomp&#8221; for a presentation of Jelly Roll Morton&#8217;s classics in February with roots Americana pianist <a href=\"http:\/\/www.erwinhelfer.com\/\">Erwin Helfer <\/a>performing two of Jelly&#8217;s tunes.<\/p>\n\n\n\n<p> Veteran broadcaster <a href=\"https:\/\/wgnradio.com\/2016\/04\/07\/richard-steele-reflects-on-his-legendary-career-in-radio\/\">Richard Steele<\/a>, just hours back from a tour of Cuba in company of trumpeter Orbert Davis, talked with saxophonist <a href=\"https:\/\/www.chicagojazz.com\/single-post\/talking-jazz-eric-schneider\">Eric Schneider<\/a> about the collaborations and careers of Earl &#8220;Fatha&#8221; Hines (with whom he&#8217;d toured) and Louis Armstrong. <a href=\"https:\/\/www.wbez.org\/staff\/Ayana+Contreras\">Ayana Contreras<\/a>, producer for WBEZ and Vocalo Radio, provided in-depth commentary about the jazz influences and nuances of Curtis Mayfield, Minnie Riperton and Earth Wind and Fire in the March Digging Our Roots, which climaxed gloriously: as keyboardist <a href=\"http:\/\/secretjazz.com\/baabe.htm\">Robert &#8220;Baabe&#8221; Irving III<\/a> played EWF vamps on the Cultural Center&#8217;s piano, audience members started singing along, <a href=\"https:\/\/3arts.org\/artist\/maggie-brown\/\">Maggie Brown<\/a> (Oscar Brown Jr.&#8217;s daughter) rushed to the stage, grabbed a mic and started wailing &#8212; dancing erupted! It was grand. <\/p>\n\n\n\n<p>At the May session, Branch spoke admiringly of the musicianship of his elders he had known, especially including Sonny Boy Williamson II, as slyly understated harmonica man Rice Miller called himself while touring from the Mississippi delta to the capitols of Europe, having appropriated repertoire and reputation of John Lee &#8220;Sonny Boy&#8221; Williamson, who had hit records but was murdered in 1948. Keros introduced an excerpt of a film of Maxwell Street, Chicago&#8217;s fondly remembered outdoor market at which Blind Arvella Grey, guitarist Robert Nighthawk, Big John Wrencher (don&#8217;t the names summon their images?) held forth. <\/p>\n\n\n\n<p>One fan corrected my impression that Bill Broonzy was playing from his own doorstep &#8212; actually<a href=\"https:\/\/www.youtube.com\/watch?v=N-pShRISHnQ\"> the clip<\/a> was from a film shot by Pete Seeger. Another suggested that the way to return blues to popular music today is have a deejay\/producer grab it for presentation to the EDM audience. Apparently that gent was unaware of previous attempts to turn that trick, such as the Elektric Mud Cats &#8212; Chuck D and Common with guitarist Pete Cosey &#8212; doing a number on Muddy Water&#8217;s &#8220;Mannish Boy.&#8221; <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/4glc_87qxsQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>The next Digging Our Roots session, at 6 pm on Saturday June 29, highlights Chicago&#8217;s singers, starting with Dinah Washington, Oscar Brown Jr and Johnny Hartman. The panelists are <a href=\"https:\/\/www.semcoop.com\/event\/aaron-cohen-move\">Aaron Cohen<\/a> &#8212; former DownBeat editor and author of the forthcoming <em>Move On Up: Chicago Soul Music and Black Cultural Power<\/em> &#8212; and singer <a href=\"http:\/\/www.bobbiwilsyn.com\/\">Bobbi Wilsyn<\/a>. The venue changes to the Logan Center, in Hyde Park on the edge of University of Chicago campus, which is hosting two free days of Jazz Institute programming, noon to 10 pm, as a <a href=\"https:\/\/jazzinchicago.org\/jazz-institute-of-chicagos-birthday-bash\/\">50th anniversary Birthday Bash<\/a> reveling in the breadth of JIC and our local scene&#8217;s concerns and activities. <\/p>\n\n\n\n<p>As part of the JIC&#8217;s year long 50th engagement and fundraising campaigns, a series of jazz movies programmed by the <a href=\"https:\/\/www.chicagofilmsociety.org\/calendar\/current-season\/\">Chicago Film Society<\/a> kicks off Monday, May 27 with <em>Mickey One<\/em> (starring Warren Beatty, directed by Arthur Penn, with music by Stan Getz, shot in Chicago) at the Music Box. Further flicks include <em>Ornette: Made in America<\/em>, Spike Lee&#8217;s <em>Mo&#8217; Better Blues<\/em> and Les Blank&#8217;s <em>Always for Pleasure<\/em>.<\/p>\n\n\n\n<p>The drift is: Mutually beneficial partnerships for free or modest-fee events featuring local celebs at readily accessible venues can advance the mission of medium to small not-for-profit arts groups (like the Jazz Institute and the Jazz Journalists Association). Knowledgable people who have insights into pre-recorded media can offer curious listeners and viewers an interactive experience (all Digging Our Roots sessions included q&amp;a time) that bonds most everybody present, like any successful performance. I&#8217;m thrilled to present music I love to anyone who&#8217;s got the time and inclination to enjoy it and hope to continue this series in autumn in Chicago. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/05\/Billy-Leslie-laughs-Howard-1024x682.jpg\" alt=\"\" class=\"wp-image-2588\" width=\"484\" height=\"322\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/05\/Billy-Leslie-laughs-Howard.jpg 1024w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/05\/Billy-Leslie-laughs-Howard-300x200.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/05\/Billy-Leslie-laughs-Howard-768x512.jpg 768w\" sizes=\"auto, (max-width: 484px) 100vw, 484px\" \/><figcaption>Billy Branch, Leslie Keros, Howard Mandel; <br>photo by Alan Frolichstein<\/figcaption><\/figure><\/div>\n\n\n\n<p>Might I suggest Digging Our Roots-like programs as a model for arts journalists and arts organizations spotlighting arts-near-us, contemporary or historic? All you need is a public space, time, date, and speakers able to be enlightening about great content. That last is the main thing. We&#8217;re lucky here to have such enduring jazz and blues. <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Musicians and journos with insights into historic hits can offer curious audiences low-cost interactive experiences that bond most everybody present, like any successful performance.<\/p>\n","protected":false},"author":2,"featured_media":2586,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"full-width-content","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[1722,1730,1729,1716,1580,1721,1723,1727,1733,1400,1355,20,1497,345,194,1728,1726,1731,1719,1606,1718,1430,1420,433,1715,1725,1732,1369,1717,1720],"class_list":{"0":"post-2585","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"tag-50th-birthday-bash","9":"tag-aaron-cohen","10":"tag-ayana-contreras","11":"tag-billy-branch","12":"tag-chicago-cultural-center","13":"tag-chicago-film-society","14":"tag-digging-our-roots","15":"tag-dinah-washington","16":"tag-eric-schneider","17":"tag-erwin-helfer","18":"tag-howard-mandel","19":"tag-jazz","20":"tag-jazz-beyond-jazz","21":"tag-jazz-institute-of-chicago","22":"tag-jazz-journalists-association","23":"tag-john-mcdonough","24":"tag-johnny-hartman","25":"tag-juli-woods","26":"tag-leslie-keros","27":"tag-logan-center","28":"tag-lurrie-bell","29":"tag-maggie-brown","30":"tag-michael-jackson","31":"tag-michael-weiss","32":"tag-mickey-one","33":"tag-oscar-brown-jr","34":"tag-richard-steele","35":"tag-robert-irving-iii","36":"tag-sons-of-the-blues","37":"tag-wdcb","38":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/05\/Sonny-Boy-II-Billy-Branch.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-FH","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2622,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2019\/09\/chicago-jazz-fest-echoes.html","url_meta":{"origin":2585,"position":0},"title":"Chicago Jazz fest images, echoes","author":"Howard Mandel","date":"September 10, 2019","format":false,"excerpt":"Roscoe Mitchell onscreen, presiding over The Art Ensemble of Chicago, Pritzker Pavillion Millennium Park Chicago, 8\/30\/19photo (c) Marc PoKempner The 41st annual Chicago Jazz Festival has come and gone, as I reported for DownBeat.com in quick turnaround. I stand by my lead that the music was epic -- cf. Marc\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":57,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/01\/windy_city_jazz_response.html","url_meta":{"origin":2585,"position":1},"title":"Windy city, jazz response","author":"Howard Mandel","date":"January 23, 2008","format":false,"excerpt":"Chicagoans won't be deterred -- like other northerners, they shrug off January and find meaning by escaping their caves. At least, I hope so, heading into my hometown for the Jazz Institute of Chicago's annual winter Jazz Fair at the beautiful Cultural Center. The fair is free -- free jazz!\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":55,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/01\/chitown_beyond_jazz.html","url_meta":{"origin":2585,"position":2},"title":"Chi-town beyond jazz","author":"Howard Mandel","date":"January 27, 2008","format":false,"excerpt":"It's uniquely Chicago culture - the \"can-do\" attitude of a committed hardcore jazz community encouraging new music now. The independent nonprofit Jazz Institute of Chicago throws an absolutely free and musically world-class one day Jazz Fair in the depths of frosty January. With a little program book advertising and modest\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1762,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2015\/02\/hail-to-college-jazz-radio-stations-like-whpk.html","url_meta":{"origin":2585,"position":3},"title":"Hail to college jazz radio stations like WHPK","author":"Howard Mandel","date":"February 24, 2015","format":false,"excerpt":"WHPK, Chicago's Hyde Park-based non-profit jazz-broadcasting community radio station\u00c2\u00a0at 88.5 fm, held its annual Black History Month gala last Saturday (Feb 21) with music by reedsman Ari\u00c2\u00a0Brown's quartet celebrating the 50th anniversary year of the AACM (Association for the Advancement of Creative Musicians). International House, where the party\u00c2\u00a0was held, was\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/02\/DSCF8326.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/02\/DSCF8326.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/02\/DSCF8326.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/02\/DSCF8326.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/07\/howard_mandel.html","url_meta":{"origin":2585,"position":4},"title":"Howard Mandel","author":"djm","date":"July 8, 2007","format":false,"excerpt":"I'm a Chicago-born (and after 30 years in NYC, repatriated in 2014) writer, editor, author, arts reporter for National Public Radio, non-profit organization consultant and videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, specializing\u2026","rel":"","context":"In &quot;about&quot;","block_context":{"text":"about","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/about"},"img":{"alt_text":"HM2.for%20web.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/HM2.for%20web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2376,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/12\/celebrating-chicago-pianist-willie-pickens-1931-2017.html","url_meta":{"origin":2585,"position":5},"title":"Celebrating Chicago pianist Willie Pickens (1931-2017)","author":"Howard Mandel","date":"December 13, 2017","format":false,"excerpt":"Pianist Willie Pickens, 86, a powerful, lyrical and generous modernist who performed, taught and mentored young musicians from Chicago starting in 1959, died of a heart attack on Dec. 12 while at Jazz at Lincoln Center in New York City, readying himself to play at Dizzy's Club Coca-Cola with 29-year-old\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/12\/MPK5950-ec-245x300.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/2585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=2585"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/2585\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/2586"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=2585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=2585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=2585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}