{"id":258,"date":"2009-10-23T11:23:35","date_gmt":"2009-10-23T15:23:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2009\/10\/salsa_dura_and_nyc_jazz_hot\/"},"modified":"2011-04-28T16:33:39","modified_gmt":"2011-04-28T20:33:39","slug":"salsa_dura_and_nyc_jazz_hot","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/10\/salsa_dura_and_nyc_jazz_hot.html","title":{"rendered":"Salsa dura and NYC jazz hot"},"content":{"rendered":"<p>My new <i>City Arts<\/i> <a href=\"http:\/\/cityarts.info\/?p=331\">column<\/a> cites <a href=\"http:\/\/www.chriswashburne.com\/\">Chris Washburne<\/a>&#8216;s SYOTOS band, <a href=\"http:\/\/www.arturoofarrill.com\/\">Arturo O&#8217;Farrill<\/a> and <a href=\"http:\/\/www.bobbysanabria.com\/index2.html\">Bobby Sanabria<\/a> as avatars of Latin American music&#8217;s essential excitement, so well depicted by the 4-part PBS documentary &#8220;<a href=\"http:\/\/www.pbs.org\/wgbh\/latinmusicusa\/\">Latin Music USA<\/a>&#8221; (viewable online). But let&#8217;s not forget <a href=\"http:\/\/www.eddiepalmierimusic.com\/\">Eddie Palmieri<\/a> is still in his prime (and coming to the <a href=\"http:\/\/www.bluenote.net\/newyork\/index.shtml\">Blue Note<\/a> jazz club Dec. 9 &#8211; 13).<\/p>\n<p><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\">Subscribe by Email <\/a>  |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by  RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a> |<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>My new City Arts column cites Chris Washburne&#8216;s SYOTOS band, Arturo O&#8217;Farrill and Bobby Sanabria as avatars of Latin American music&#8217;s essential excitement, so well depicted by the 4-part PBS documentary &#8220;Latin Music USA&#8221; (viewable online). But let&#8217;s not forget Eddie Palmieri is still in his prime (and coming to the Blue Note jazz club [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[545,405,298,544,542,242,59,543],"class_list":{"0":"post-258","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-latin-music-usa","8":"tag-arturo-ofarrill","9":"tag-blue-note-jazz-club","10":"tag-bobby-sanabria","11":"tag-chris-washburne","12":"tag-city-arts","13":"tag-eddie-palmieri","14":"tag-syotos","15":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-4a","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1136,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/12\/latin-jazz-master-eddie-palmieri-both-innovator-and-conservator.html","url_meta":{"origin":258,"position":0},"title":"&#8220;Latin&#8221; Jazz Master Eddie Palmieri, both innovator and conservator","author":"Howard Mandel","date":"December 16, 2012","format":false,"excerpt":"Eddie Palmieri\u00c2\u00a0is a new NEA Jazz Master -- to be inducted Jan. 14 in a ceremony at Dizzy's Club in Jazz at Lincoln Center, to be webcast live. He is,\u00c2\u00a0contradictorily, the spark-plug\/conservator of the Americas' indefatigable Afro-Caribbean music. He turned 76 yesterday (Dec. 15), celebrating with a a \"career retrospective\"\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"Eddie Palmieri at Jazz at Lincoln Center, Dec. 15 2012, photo by S\u00c3\u00a1nta Istv\u00c3\u00a1n Csaba","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/12\/EddiePalmieri.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1996,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2016\/03\/historic-day-for-us-and-cuba-accompanied-by-jazz.html","url_meta":{"origin":258,"position":1},"title":"Historic days for US and Cuba, accompanied by jazz","author":"Howard Mandel","date":"March 22, 2016","format":false,"excerpt":"Congratulations to the U.S. and Cuba for advancing our long overdue reset. It's about time.\u00c2\u00a0Jazz at its best\u00c2\u00a0has linked our nations\u00c2\u00a0for\u00c2\u00a0decades, through the tangled history\u00c2\u00a0of corrupt dictatorship and\u00c2\u00a0revolution, missile crisis, failed invasion, bad relations and trade embargo -- and in this recent historic moment,\u00c2\u00a0Afro-Cuban-American music is exploding with\u00c2\u00a0exciting new recordings.\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"imgres-2","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/03\/imgres-2.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":158,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/02\/eddie_palmieri_sets_jazz_at_li.html","url_meta":{"origin":258,"position":2},"title":"Eddie Palmieri sets Jazz at Lincoln Center afire","author":"Howard Mandel","date":"February 9, 2009","format":false,"excerpt":"Eddie Palmieri, the genius and prophet of Afro-Caribbean jazz, showed Herbie Hancock, maybe Wynton Marsalis and certainly the roaring audience at Jazz at Lincoln Center's Rose Hall a thing or three last weekend. His band La Perfecta II, reconstituting the instrumentation and compositions for mambo, cha-cha and pachanga dancing Palmieri\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":225,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/07\/jazz_grants_from_chamber_music.html","url_meta":{"origin":258,"position":3},"title":"Backlash against grants for jazz?","author":"Howard Mandel","date":"July 28, 2009","format":false,"excerpt":"Nate Chinen, estimable New York Times\u00a0music journalist, questions the effect of grants like the $253,000 announced\u00a0by Chamber Music America\u00a0for jazz composers: Are applicants pressed to create overly grand and pc projects?\u00a0Ottawa Citizen blogger Peter Hum asks why Canada's government supports jazz at all.But Afro-Latin Jazz Orchestra leader\u00a0Arturo O'Farrill has been\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":543,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/09\/nyc-new-music-post-911-to-fall-2011.html","url_meta":{"origin":258,"position":4},"title":"NYC new music post-9\/11 to fall 2011","author":"Howard Mandel","date":"September 15, 2011","format":false,"excerpt":"\"The decade that followed 9\/11\/2001 has been marked by jazz and new music makers\u00e2\u20ac\u2122 determination not to be deterred from what the Taliban and Tea Party alike may consider marginal activities, if not outright affronts to God\u00e2\u20ac\u2122s dominion,\" I write in my latest\u00c2\u00a0CityArts column.\u00c2\u00a0\"Whether the city suffers attacks from abroad,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":257,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/10\/jazz_foundation_knows_how_to_p.html","url_meta":{"origin":258,"position":5},"title":"Jazz Foundation knows how to party","author":"Howard Mandel","date":"October 20, 2009","format":false,"excerpt":"To raise money for musicians' health and welfare, how 'bout a jazz party? In three lofts with river views, a thousand attendees of every age, shape, style enjoyed food 'n' drink 'n' performances including Jimmy Heath playing \"Gingerbread Boy,\" Arturo O'Farrill's teen sons mastering Latin jazz, baritone saxist Hamiet Bluiett\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=258"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/258\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}