{"id":2387,"date":"2018-01-08T00:13:25","date_gmt":"2018-01-08T05:13:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=2387"},"modified":"2019-09-12T12:06:11","modified_gmt":"2019-09-12T16:06:11","slug":"international-jazz-rips-2017","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2018\/01\/international-jazz-rips-2017.html","title":{"rendered":"International Jazz RIPs, 2017"},"content":{"rendered":"<p>Photographer-writer-author\u00c2\u00a0<a href=\"http:\/\/kenfrancklingjazznotes.blogspot.com\">Ken Franckling<\/a> has painstakingly compiled a compendium of <a href=\"http:\/\/news.jazzjournalists.org\/2018\/01\/final-bars-of-2017\/\">more than 400 jazz artists and associates from around the world who died in 2017<\/a>,\u00c2\u00a0with links to obituaries of most of them. Posted at <a href=\"http:\/\/news.jazzjournalists.org\/\">JJANews.org<\/a>.<\/p>\n<div id=\"attachment_2390\" style=\"width: 322px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2390\" class=\"wp-image-2390 \" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/MuhalRichardAbrams2-300x196.jpg\" alt=\"\" width=\"312\" height=\"204\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/MuhalRichardAbrams2-300x196.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/MuhalRichardAbrams2.jpg 700w\" sizes=\"auto, (max-width: 312px) 100vw, 312px\" \/><p id=\"caption-attachment-2390\" class=\"wp-caption-text\">Muhal Richard Abrams &#8211; \u00c2\u00a9 Sant\u00c3\u00a1 Istv\u00c3\u00a1n Csaba<\/p><\/div>\n<p>It&#8217;s a striking document and useful resource, though Franckling says, sadly, &#8220;The list seems to get depressingly longer each year.&#8221;<\/p>\n<p>Maybe that&#8217;s because jazz itself\u00c2\u00a0&#8212; at least as so recorded and promoted &#8212; is now more than 100 years old\u00c2\u00a0and the<\/p>\n<div id=\"attachment_2389\" style=\"width: 294px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/RoswellRudd-NewYork_2013.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2389\" class=\"wp-image-2389 \" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/RoswellRudd-NewYork_2013-300x200.jpg\" alt=\"\" width=\"284\" height=\"189\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/RoswellRudd-NewYork_2013-300x200.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/RoswellRudd-NewYork_2013.jpg 700w\" sizes=\"auto, (max-width: 284px) 100vw, 284px\" \/><\/a><p id=\"caption-attachment-2389\" class=\"wp-caption-text\">Roswell Rudd \u00c2\u00a9Sant\u00c3\u00a1 Istv\u00c3\u00a1n Csaba<\/p><\/div>\n<p>post-WWII generations that gave the art form its fervent audiences and inspired players for the past 70 years are inevitably thinning.<\/p>\n<p>But as Franckling depicts in his recent book <a href=\"http:\/\/amzn.to\/1toP0h3\">Jazz in the Key of Light<\/a>, energy and brilliance yet abound. My own 2017 experiences<\/p>\n<div id=\"attachment_2400\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/Pickens_8-31-201750-ce2_1bw-e.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2400\" class=\"wp-image-2400 size-medium\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/Pickens_8-31-201750-ce2_1bw-e-300x282.jpg\" alt=\"\" width=\"300\" height=\"282\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/Pickens_8-31-201750-ce2_1bw-e-300x282.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/Pickens_8-31-201750-ce2_1bw-e.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-2400\" class=\"wp-caption-text\">Willie Pickens, photo by Marc PoKempner<\/p><\/div>\n<p>of jazz in schools, nightclubs, festivals and grassroots events across the country, in Europe, Asia, South and Central America, in general media manifestations and the stubbornly independent underground suggest the music is everywhere, really, if often overlooked and underfinanced.<\/p>\n<p>That said, I&#8217;m going to miss a lot of those creative artists who died during the past 12 months &#8212; especially <a href=\"https:\/\/www.nytimes.com\/2017\/11\/01\/obituaries\/muhal-richard-abrams-dead-idiosyncratic-pianist-and-composer.html\">Muhal Richard Abrams<\/a>, <a href=\"https:\/\/www.washingtonpost.com\/local\/obituaries\/geri-allen-versatile-jazz-pianist-who-appeared-with-musical-greats-dies-at-60\/2017\/06\/28\/d6084e1c-5c0d-11e7-a9f6-7c3296387341_story.html?utm_term=.f25dfe3c8f24\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2391 \" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/GeriAllen-CullySwitzerland_2017-1-300x300.jpg\" alt=\"\" width=\"266\" height=\"266\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/GeriAllen-CullySwitzerland_2017-1-300x300.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/GeriAllen-CullySwitzerland_2017-1-150x150.jpg 150w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/GeriAllen-CullySwitzerland_2017-1-100x100.jpg 100w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/GeriAllen-CullySwitzerland_2017-1-200x200.jpg 200w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/GeriAllen-CullySwitzerland_2017-1.jpg 500w\" sizes=\"auto, (max-width: 266px) 100vw, 266px\" \/><\/a><a href=\"https:\/\/www.washingtonpost.com\/local\/obituaries\/geri-allen-versatile-jazz-pianist-who-appeared-with-musical-greats-dies-at-60\/2017\/06\/28\/d6084e1c-5c0d-11e7-a9f6-7c3296387341_story.html?utm_term=.05ac5f10ad24\">Geri Allen,\u00c2\u00a0<\/a><a href=\"https:\/\/www.nytimes.com\/2017\/01\/07\/nyregion\/nat-hentoff-dead.html\">Nat Hentoff,<\/a> <a href=\"https:\/\/www.thewire.co.uk\/in-writing\/essays\/bern-nix-1947-2017-obituary-by-john-pietaro\">Bern Nix<\/a>, <a href=\"http:\/\/ottawacitizen.com\/entertainment\/jazzblog\/rip-roswell-rudd\">Roswell Rudd<\/a> and <a href=\"http:\/\/www.chicagotribune.com\/entertainment\/music\/reich\/ct-ent-willie-pickens-dead-1214-story.html\">Willie Pickens<\/a>, all of whom I&#8217;ve often listened to, enjoyed and learned from.<\/p>\n<p>Luckily, as their unique expressions and ideas have been documented, we will be able to summon something of them, spirits and thoughts, again and again. A primer &#8212;<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-2392\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51aTHEdB8jL._SY355_-300x300.jpg\" alt=\"\" width=\"163\" height=\"163\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51aTHEdB8jL._SY355_-300x300.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51aTHEdB8jL._SY355_-150x150.jpg 150w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51aTHEdB8jL._SY355_-100x100.jpg 100w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51aTHEdB8jL._SY355_-200x200.jpg 200w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51aTHEdB8jL._SY355_.jpg 355w\" sizes=\"auto, (max-width: 163px) 100vw, 163px\" \/>Muhal Richard Abrams, <em>\u00c2\u00a0<a href=\"https:\/\/www.amazon.com\/Mama-Daddy-Muhal-Richard-Abrams\/dp\/B002WPZ9X4\/?tag=howardmacom-20\">Mama and Daddy<\/a><\/em>\u00c2\u00a0Compositions with improv take surprising turns, as played by aspontaneous, multi-hued ensemble.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Geri Allen,\u00c2\u00a0<em><a href=\"https:\/\/www.amazon.com\/Eyes-Back-Your-Head-Allen\/dp\/B000005H3U\/?tag=howardmacom-20\">Eyes in theBack of Your Head<\/a>\u00c2\u00a0T<\/em>he pianist&#8217;s themes launch intuitive explo<img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2393 \" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/41mJzc5nLrL._SY355_-300x300.jpg\" alt=\"\" width=\"146\" height=\"146\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/41mJzc5nLrL._SY355_-300x300.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/41mJzc5nLrL._SY355_-150x150.jpg 150w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/41mJzc5nLrL._SY355_-100x100.jpg 100w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/41mJzc5nLrL._SY355_-200x200.jpg 200w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/41mJzc5nLrL._SY355_.jpg 355w\" sizes=\"auto, (max-width: 146px) 100vw, 146px\" \/>rations by a quintetfeaturing her one-time husband trumpeter Wallace Rooney and a mentor, alto saxist Ornette Coleman.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Nat Hentoff and Nat Shapiro,\u00c2\u00a0<em><a href=\"https:\/\/www.amazon.com\/Hear-Talkin-Dover-Books-Music-ebook\/dp\/B008TVEHHY\/?tag=howardmacom-20\">Hear Me Talkin&#8217; To Ya<\/a>\u00c2\u00a0<\/em>Lovingly collected and edited oral history anecdotes from great\u00c2\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-2394\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51gD469e2BL-190x300.jpg\" alt=\"\" width=\"112\" height=\"177\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51gD469e2BL-190x300.jpg 190w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51gD469e2BL.jpg 316w\" sizes=\"auto, (max-width: 112px) 100vw, 112px\" \/>players of the &#8217;30s to the &#8217;60s. The Nats heard them talkin&#8217;, and made sure we could, too.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Bern Nix,<em> <a href=\"https:\/\/www.amazon.com\/Body-Meta-Ornette-Coleman\/dp\/B00000473V\/?tag=howardmacom-20\">Body Meta<\/a>\u00c2\u00a0<\/em>A guitarist variously quizzical, <a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51FmbcRdXTL._AC_US218_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2395 \" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51FmbcRdXTL._AC_US218_.jpg\" alt=\"\" width=\"153\" height=\"153\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51FmbcRdXTL._AC_US218_.jpg 218w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51FmbcRdXTL._AC_US218_-150x150.jpg 150w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51FmbcRdXTL._AC_US218_-100x100.jpg 100w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51FmbcRdXTL._AC_US218_-200x200.jpg 200w\" sizes=\"auto, (max-width: 153px) 100vw, 153px\" \/><\/a>humble, contrary and lyrical, contributing most memorably to Ornette Coleman&#8217;s peerless electric Prime Time.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Roswell Rudd,<em> <a href=\"https:\/\/www.amazon.com\/Plays-Numatik-Swing-Band-Roswell\/dp\/B000BPCSNG\/?tag=howardmacom-20\">Numatik Swing Band<\/a><\/em>\u00c2\u00a0The trombonist tenderly blustered and moaned across a spectrum of styles, Dixieland to Tuvan, always as himself; his 1973 Jazz Composers Orchestra suite is joyful,\u00c2\u00a0<a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51dQYrfY5pL._SY355_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-2396\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51dQYrfY5pL._SY355_-297x300.jpg\" alt=\"\" width=\"150\" height=\"151\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51dQYrfY5pL._SY355_-297x300.jpg 297w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51dQYrfY5pL._SY355_-150x150.jpg 150w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51dQYrfY5pL._SY355_-100x100.jpg 100w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51dQYrfY5pL._SY355_-200x200.jpg 200w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/51dQYrfY5pL._SY355_.jpg 352w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>vivid, playfully rough and tumble, modernistic fun.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li>Willie Pickens<em> <a href=\"https:\/\/www.amazon.com\/Its-About-Time-Willie-Pickens\/dp\/B000009RMM\/?tag=howardmacom-20\">It&#8217;s About Time<\/a><\/em>\u00c2\u00a0The Chicago pianist was under-recored as a leader, just this full of warmth and drive plus three albums of <a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/61OjM4I3EvL._AC_US218_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2397 \" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/61OjM4I3EvL._AC_US218_.jpg\" alt=\"\" width=\"152\" height=\"152\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/61OjM4I3EvL._AC_US218_.jpg 218w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/61OjM4I3EvL._AC_US218_-150x150.jpg 150w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/61OjM4I3EvL._AC_US218_-100x100.jpg 100w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/61OjM4I3EvL._AC_US218_-200x200.jpg 200w\" sizes=\"auto, (max-width: 152px) 100vw, 152px\" \/><\/a>religious and Christmas music. There&#8217;s also a duet with Marian McPartland, an album with Elvin Jones on tour, and his contribution to Eddie Harris&#8217; hit version of &#8220;Exodus.&#8221; Time rewarded.<\/li>\n<\/ul>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><\/p>\n<p><a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email or RSS<\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photographer-writer-author\u00c2\u00a0Ken Franckling has painstakingly compiled a compendium of more than 400 jazz artists and associates from around the world who died in 2017,\u00c2\u00a0with links to obituaries of most of them. Posted at JJANews.org. It&#8217;s a striking document and useful resource, though Franckling says, sadly, &#8220;The list seems to get depressingly longer each year.&#8221; Maybe that&#8217;s [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2390,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[429,1355,20,1608,1609,287,554,1610,1476,1575],"class_list":{"0":"post-2387","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"tag-geri-allen","9":"tag-howard-mandel","10":"tag-jazz","11":"tag-jazz-deaths-2017","12":"tag-ken-franckling","13":"tag-muhal-richard-abrams","14":"tag-nat-hentoff","15":"tag-roswell-rudd","16":"tag-santa-istvan-csaba","17":"tag-willie-pickens","18":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/MuhalRichardAbrams2.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-Cv","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":288,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/visionaries_photod_at_nea_jazz.html","url_meta":{"origin":2387,"position":0},"title":"Visionaries photo&#8217;d at NEA Jazz Masters concert","author":"Howard Mandel","date":"January 14, 2010","format":false,"excerpt":"Just in -- \u00c2\u00a0Muhal Richard Abrams conducting the Jazz at Lincoln Center Orchestra, and Yusef Lateef on tenor sax with percussionist Adam Rudolph, fine performance photography by Frank Stewart from the National Endowment for the Arts' Jazz Masters concert. My post on the concert is here, and the images are\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"Adam Rudolph and 2010 NEA Jazz Master Yusef Lateef perform during the Awards Ceremony & Concert. Frank Stewart.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/01\/Adam%20Rudolph%20and%202010%20NEA%20Jazz%20Master%20Yusef%20Lateef%20perform%20during%20the%20Awards%20Ceremony%20%26%20Concert.%20Frank%20Stewart-thumb-460x306-12563.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":343,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/09\/jazz_elders_cast_giant_shadows.html","url_meta":{"origin":2387,"position":1},"title":"Jazz elders cast giant shadows","author":"Howard Mandel","date":"September 17, 2010","format":false,"excerpt":"Why isn't the amazing current generation of creative (jazz) musicians better known? Maybe because major artists of the not-so-distant past are practicing the art form at splendid peaks, overturning clich\u00c3\u00a9s about dwindling powers of octogenarians. Read my column in City Arts New York for a report that touches on Sonny\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"muhal.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/09\/muhal-thumb-275x183-17303.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1509,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2014\/01\/nea-2014-jazz-masters-investiture-photo-gallery.html","url_meta":{"origin":2387,"position":2},"title":"NEA 2014 Jazz Masters&#8217; investiture photo gallery","author":"Howard Mandel","date":"January 15, 2014","format":false,"excerpt":"I'm reporting on the NEA Jazz Masters events for Down Beat, so reserve most comments 'til publication. But some controversies regarding the ceremonial events may emerge . . .","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/01\/Owens-Barron.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":285,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/wynton_orch_play_nea_jazz_mast.html","url_meta":{"origin":2387,"position":3},"title":"Wynton &#038; Orch play NEA Jazz Masters, on radio tonight!","author":"Howard Mandel","date":"January 12, 2010","format":false,"excerpt":"Just announced: WBGO, NPR and Sirius\/XM are broadcasting live and streaming on the web tonight's NEA Jazz Masters ceremony and concert with W. Marsalis and the LIncoln Center Jazz Orchestra performing works by Muhal Richard Abrams, Bill Holman, Bobby Hutcherson et al. Pianist Cedar Walter will perform with singer Annie\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1182,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/01\/how-to-recognize-nea-jazz-masters.html","url_meta":{"origin":2387,"position":4},"title":"How to recognize NEA Jazz Masters","author":"Howard Mandel","date":"January 17, 2013","format":false,"excerpt":"There is no Golden Globes, Emmies, Oscars or highly hyped Grammys for jazz. So the National Endowment of the Arts' Jazz Masters award is, as acting NEA chair Joan Shigekawa said at ceremonies crowning its 2013 inductees on\u00c2\u00a0Jan. 14, \"the greatest honor the nation can bestow\" on veteran creators of\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"NEAJazzMasters all together","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/01\/NEAJazzMasters-all-together.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2169,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/02\/spring-break-with-budapest-jazz-photos.html","url_meta":{"origin":2387,"position":5},"title":"Spring break with Budapest jazz, photos","author":"Howard Mandel","date":"February 21, 2017","format":false,"excerpt":"I went to Budapest for spring break -- to introduce a photo exhibit by my Transylvanian-born\u00c2\u00a0friend \u00c2\u00a0S\u00c3\u00a1nta Istv\u00c3\u00a1n Csaba and help jury the\u00c2\u00a010th annual M\u00c3\u00bcpa Budapest Jazz Showcase\/Talent Exchange,\u00c2\u00a0held in the modernist musem\u00c2\u00a0and multi-theater complex on the east bank of the icy Danube Feb 3 - 5. As I wrote\u2026","rel":"","context":"In \"606 Club\"","block_context":{"text":"606 Club","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/606-club"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/02\/20170203_JSC_Jazzonance_c_Posztos_Janos_Mupa_002.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/2387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=2387"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/2387\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/2390"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=2387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=2387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=2387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}