{"id":232,"date":"2009-08-10T13:32:46","date_gmt":"2009-08-10T17:32:46","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2009\/08\/year_of_the_blues_images_calen\/"},"modified":"2011-04-28T16:33:41","modified_gmt":"2011-04-28T20:33:41","slug":"year_of_the_blues_images_calen","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/08\/year_of_the_blues_images_calen.html","title":{"rendered":"Year of the Blues Images calendar, 2010"},"content":{"rendered":"<p>&#8220;This Old World&#8217;s In A Hell Of A Fix,&#8221; a 1931 sermon by Rev. <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Dr. J. Gordon McPherson<\/span>, called &#8220;The Black Billy Sunday,&#8221; gives title and theme to the 7th annual <a href=\"http:\/\/bluesimages.com\">Blues Images<\/a> wall calendar, complete with artwork from the collectible Paramount and Brunswick &#8220;race records&#8221; of the late &#8217;20s and early &#8217;30s. The package includes a cd of 18 deep blues from back in the day, including two unreleased sides featuring guitarist <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Blind Blake<\/span> and rarities by\u00c2\u00a0<span class=\"Apple-style-span\" style=\"font-weight: bold; \">Papa Charlie Jackson<\/span>\u00c2\u00a0and\u00c2\u00a0<span class=\"Apple-style-span\" style=\"font-weight: bold; \">Henry Townsend,<\/span>\u00c2\u00a0among others.\u00c2\u00a0<\/p>\n<div>\u00c2\u00a0\u00c2\u00a0<img loading=\"lazy\" decoding=\"async\" style=\"border:1px solid;\" src=\"http:\/\/tbn2.google.com\/images?q=tbn:bTZGADkAFRcGIM:http:\/\/digicoll.library.wisc.edu\/wiacrev\/data\/images\/V45\/reference\/WAR0450101901r.jpeg\" width=\"94\" height=\"130\" \/><\/div>\n<p><!--more--><br \/>\nI&#8217;ve enjoyed this item created by blues 78 collector <a href=\"http:\/\/www.nytimes.com\/2009\/07\/12\/arts\/music\/12petr.html?_r=2&amp;scp=4&amp;sq=tefteller&amp;st=cse\">John Tefteller<\/a>, who was written up along with other 78-collecting fanatics in the NYTimes a couple weeks back, for its reminders of American cultural history and notation of dates including Mardi Gras, Purim and the start of Daylight Savings Time as well as birth and\/or death anniversaries for everybody from the still famous (<span class=\"Apple-style-span\" style=\"font-weight: bold;\">Bessie Smith<\/span>, b. April 15, 1984) to the eternally obscure (<span class=\"Apple-style-span\" style=\"font-weight: bold;\">Jaydee Short<\/span>, b. Dec. 26, 1902). The unpretentious but telling sepia drawings that graced original advertising for the 78s and now the calendar provide a picture of life that&#8217;s distinctly different from what we know now \u00c2\u00a0(a man burying his mule to specifics of a voodoo ritual) but very recognizable, too (a woman at a table with an empty bottle before her, brooding clouds of thought big as a bouffant &#8216;do). Some of the songs have been reissued on Yazoo anthologies, but if you don&#8217;t have those, here&#8217;s another chance to discover <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Robert Wilkins<\/span>, <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Skip James, Blind Lemon Jefferson, Ida Cox<\/span>, the <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Mississippi Sheiks<\/span> and diverse other ancestors of rap, rock and soul.\u00c2\u00a0<\/p>\n<div><\/div>\n<div>Introductory notes make a connection between &#8220;two economic collapses&#8221; &#8212; the &#8217;30s Great Depression and the &#8217;00&#8217;s Great Recession. Tefteller writes, &#8220;Yes, we now have an African American president but, unfortunately, so far, it appears that once again the very poorest Americans are the last to get real help.&#8221; He cites the <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Katrina<\/span> flood and the <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Wall Street <\/span>bailout, and mentions this may be the last Blues calendar, as &#8220;we have slashed production on tis year&#8217;s calendar and if business does not pick up, we will not be producing a 2011 edition.&#8221; He boasts a &#8220;rock solid base of supporters&#8221; but claims &#8220;the biggest problem is getting this calendar into stores so that new people can find it and buy it.&#8221; Understandably, this may the month-and-day keeper for everybody; except for the cd, it has no digital parts. But if you would contemplate the past from our moment in the present . . . I&#8217;m doing my part to get out the word there&#8217;s a new year a&#8217;comin&#8217;.\u00c2\u00a0<\/div>\n<div><\/div>\n<div>&#8220;Yes, this old world is in a hell of a fix and we are all in it together,&#8221; Tefteller concludes. &#8220;Enjoy a brief break from all the bad news out there and listen to some low down Blues by the masters. . . &#8221; These bluesmen and women knew how to roll with the punches. Sing it out &#8212; express yourself. That often makes things a little better.<\/div>\n<div><\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\">Subscribe by Email <\/a>  |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by  RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a> |<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;This Old World&#8217;s In A Hell Of A Fix,&#8221; a 1931 sermon by Rev. Dr. J. Gordon McPherson, called &#8220;The Black Billy Sunday,&#8221; gives title and theme to the 7th annual Blues Images wall calendar, complete with artwork from the collectible Paramount and Brunswick &#8220;race records&#8221; of the late &#8217;20s and early &#8217;30s. The package [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[447,449,450,451,448],"class_list":{"0":"post-232","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-blues-images-calendar","8":"tag-brunswick-records","9":"tag-henry-townsend","10":"tag-john-tefteller-blind-blake","11":"tag-paramount-race-records","12":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-3K","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":305,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/03\/david_honeyboy_edwards_at_a.html","url_meta":{"origin":232,"position":0},"title":"David Honeyboy Edwards: the blues at 95","author":"Howard Mandel","date":"March 16, 2010","format":false,"excerpt":"David Honeyboy Edwards -- at age 94 and 3\/4s\u00a0one of very few survivors of the original Delta blues generation -- gigged at B.B. King's Blues Club on NYC's 42nd St. last week. He held the stage with little help from his two sidemen for nearly an hour, after receiving a\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":201,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/06\/blues_fans_grieve_the_queen.html","url_meta":{"origin":232,"position":1},"title":"Blues fans grieve the Queen","author":"Howard Mandel","date":"June 4, 2009","format":false,"excerpt":"Koko Taylor, singer and survivor of the grittiest Chicago blues, died yesterday (June 3) at age 80 following surgery for gastro-intestinal problems. She may be best known for her first hit, \"Wang Dang Doodle\" which she recorded in 1966 and performed with Little Walter Jacobs on harmonica for the American\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":319,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/06\/robert_johnson_on_speed.html","url_meta":{"origin":232,"position":2},"title":"Robert Johnson on speed","author":"Howard Mandel","date":"June 1, 2010","format":false,"excerpt":"Musicologists are convinced blues icon Robert Johnson's recordings as released are 20% faster than he performed in two solo sessions in 1936 and 1937. It's unclear whether they were sped up intentionally (to push their excitement, which seems hardly necessary) or accidentally at some point in the chain between microphone\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2904,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2021\/05\/record-man-koesters-blues-and-jazz-legacy.html","url_meta":{"origin":232,"position":3},"title":"Record man Koester&#8217;s blues and jazz legacy","author":"Howard Mandel","date":"May 19, 2021","format":false,"excerpt":"Chicagoan Bob Koester, proprietor of the Jazz Record Mart and Delmark Records for nearly 70 years, is a model of music activism and entrepreneurship from an era rapidly receding and unlikely in current business circumstances. Neil Genzlinger did a nice formal New York Times obit, and I've written a remembrance\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/05\/Bob-Koester-00115x7-BW-JJ-1200x798-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/05\/Bob-Koester-00115x7-BW-JJ-1200x798-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/05\/Bob-Koester-00115x7-BW-JJ-1200x798-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/05\/Bob-Koester-00115x7-BW-JJ-1200x798-1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/05\/Bob-Koester-00115x7-BW-JJ-1200x798-1.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2041,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2016\/05\/arhoolie-records-a-dozen-faves-to-smithsonian.html","url_meta":{"origin":232,"position":4},"title":"Arhoolie Records (a dozen faves) to Smithsonian","author":"Howard Mandel","date":"May 12, 2016","format":false,"excerpt":"Excellent news on the archival recordings front: Arhoolie Records, the 55-year old treasury\u00c2\u00a0of American folk and vernacular musics, has been acquired by Smithsonian Folkways, the non-profit record label of the Smithsonian Institution. So a broad, odd, historic, incomparable cultural catalog, founded and run since 1960 by producer Chris Strachwitz (now\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"51nLvtX-UWL._AC_US160_","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/05\/51nLvtX-UWL._AC_US160_.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2475,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2018\/12\/chicago-blues-at-90.html","url_meta":{"origin":232,"position":5},"title":"Chicago blues at 90","author":"Howard Mandel","date":"December 16, 2018","format":false,"excerpt":"Guitarist Jimmy Johnson's birthday at Space - photos by Harvey Tillis Jimmy Johnson at Space, Evanston -- all photos thanks to Harvey Tillis \u00c2\u00a0Blues have been heard in Chicago for about 100 years -- and blues guitarist Jimmy Johnson has been alive for 90 of them. Johnson, born just four\u2026","rel":"","context":"With 2 comments","block_context":{"text":"With 2 comments","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2018\/12\/chicago-blues-at-90.html#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=232"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/232\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}