{"id":2264,"date":"2017-07-06T10:15:45","date_gmt":"2017-07-06T14:15:45","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=2264"},"modified":"2017-07-06T10:21:35","modified_gmt":"2017-07-06T14:21:35","slug":"great-new-jazz-photography-dee-kaleas-campaign","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/07\/great-new-jazz-photography-dee-kaleas-campaign.html","title":{"rendered":"Great new jazz photography &#8212; Dee Kalea&#8217;s campaign"},"content":{"rendered":"<p>Dee Kalea of <a href=\"http:\/\/creativemusicphotography.com\/\">Creative Music Photography<\/a> is old school, in that she&#8217;s created black and white images of jazz musicians in performance, closeup, usually one-to-a-frame.<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Uohbuw1To-Q\" width=\"480\" height=\"270\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"attachment_2265\" style=\"width: 210px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/07\/unnamed-3.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2265\" class=\"wp-image-2265 size-medium\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/07\/unnamed-3-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/07\/unnamed-3-200x300.jpg 200w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/07\/unnamed-3.jpg 360w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><p id=\"caption-attachment-2265\" class=\"wp-caption-text\">Ornette Coleman by Dee Kalea, Creative Music Photography<\/p><\/div>\n<p>The passion she&#8217;s captured, however, is timeless. How she became alert to the precise moment of creative rapture, and intimate with the music beyond the musicians themselves, is a story she tells best herself, in her intro and slide show for the <a href=\"https:\/\/www.indiegogo.com\/projects\/preserving-historic-jazz-images-photography-educational#\/\">Indegogo campaign<\/a> she&#8217;s mounted to raise funds for printmaking, support of public presentations and archival preservation of her work.<\/p>\n<p>Here&#8217;s its start &#8212; Dee claims Ornette Coleman as her stepfather, a childhood and youth surrounded by musicians as family friends. Contribute to her campaign! It&#8217;s drawing to a close. . .<\/p>\n<p><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a><br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\" rel=\"noopener\">Subscribe by Email <\/a> |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener\">Subscribe by RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\" rel=\"noopener\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener\"> All JBJ posts <\/a> |<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dee Kalea of Creative Music Photography is old school, in that she&#8217;s created black and white images of jazz musicians in performance, closeup, usually one-to-a-frame. The passion she&#8217;s captured, however, is timeless. How she became alert to the precise moment of creative rapture, and intimate with the music beyond the musicians themselves, is a story [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2265,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[1553,1552,1544,1355,20,1497,60],"class_list":{"0":"post-2264","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"tag-creative-music-photography","9":"tag-dee-kalea","10":"tag-great-new-jazz-photography","11":"tag-howard-mandel","12":"tag-jazz","13":"tag-jazz-beyond-jazz","14":"tag-ornette-coleman","15":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/07\/unnamed-3.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-Aw","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2269,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/07\/great-new-jazz-photography-santas-faces-of-northsea-jazz-fest.html","url_meta":{"origin":2264,"position":0},"title":"Great new jazz photography: S\u00c3\u00a1nta&#8217;s faces of Northsea Jazz Fest","author":"Howard Mandel","date":"July 24, 2017","format":false,"excerpt":"The faces of jazz musicians S\u00c3\u00a1nta Istv\u00c3\u00a1n Csaba hears, sees and snaps are indelibly expressive -- like the memorable phrases, inspired improvisations and magical connections these players play, so meaningful to listeners in the moment, remembered or recorded.\u00c2\u00a0JazzTimes magazine\u00c2\u00a0has published some of S\u00c3\u00a1nta's images from the Northsea Jazz Festival in\u2026","rel":"","context":"In \"Ambrose Akinmusire\"","block_context":{"text":"Ambrose Akinmusire","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/ambrose-akinmusire"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/07\/JonFaddis-NorthSeaJazz_2017-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/07\/JonFaddis-NorthSeaJazz_2017-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/07\/JonFaddis-NorthSeaJazz_2017-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/07\/JonFaddis-NorthSeaJazz_2017-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2236,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/06\/great-new-jazz-photography-marc-pokempner-portfolio-from-new-orleans.html","url_meta":{"origin":2264,"position":1},"title":"Great new jazz photography: Marc PoKempner portfolio from New Orleans","author":"Howard Mandel","date":"June 20, 2017","format":false,"excerpt":"Photos of musicians making music -- visualizations stirred in the photographers by watching sounds manifest -- are exciting, and as different in style as the photographers and musicians themselves.\u00c2\u00a0Marc PoKempner 's\u00c2\u00a0portfolio from New Orleans of the Preservation Hall Jazz Band with Cuban drummers at the Music Box\u00c2\u00a0Village,\u00c2\u00a0a non-profit community arts\u2026","rel":"","context":"In \"Ben Jaffe\"","block_context":{"text":"Ben Jaffe","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/ben-jaffe"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/DSCF5504-e-1-1.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/DSCF5504-e-1-1.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/DSCF5504-e-1-1.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/DSCF5504-e-1-1.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/DSCF5504-e-1-1.jpeg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/DSCF5504-e-1-1.jpeg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2252,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/06\/great-new-jazz-photography-2-lauren-deutschs-made-in-chicago-portfolio.html","url_meta":{"origin":2264,"position":2},"title":"Great new jazz photography #2: Lauren Deutsch&#8217;s Made in Chicago portfolio","author":"Howard Mandel","date":"June 22, 2017","format":false,"excerpt":"\"Made in Chicago\" is true of the photography of Lauren Deutsch, and also the name of the four-day-long collaborative jazz festival she's organized in Poznan, Poland\u00c2\u00a0for the past 12 years as artistic director (formerly with Wojceich Juszcsak)\u00c2\u00a0on behalf of the Jazz Institute of Chicago. The theme of this year's fest\u2026","rel":"","context":"In \"Ben LaMar Gay\"","block_context":{"text":"Ben LaMar Gay","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/ben-lamar-gay"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":217,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/07\/jazz_health_bright_spots.html","url_meta":{"origin":2264,"position":3},"title":"Jazz health, bright moments","author":"Howard Mandel","date":"July 8, 2009","format":false,"excerpt":"All is not dismal in Jazzville: Producer George Wein has found a title sponsor -- CareFusion -- for his jazz festivals in Newport next month and New York City summer 2010. SFJazz has announced a stellar lineup including Ornette Coleman for its fall fest, Oct. 10 - Nov. 21.\u00c2\u00a0As Mitch\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":119,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/08\/benefits_of_aficionadoprogramm.html","url_meta":{"origin":2264,"position":4},"title":"Benefits of aficionado-programmed fests","author":"Howard Mandel","date":"August 30, 2008","format":false,"excerpt":"The best thing about the Chicago Jazz Festival is that it's curated by an independent committee of people (mostly from the Jazz Institute of Chicago) who really love music, rather than being overly influenced by promoters, booking agents and managers representing a few big name artists who are trying to\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":116,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/08\/jazz_fests_of_august.html","url_meta":{"origin":2264,"position":5},"title":"Jazz fests of August","author":"Howard Mandel","date":"August 23, 2008","format":false,"excerpt":"Free jazz fests across the U.S. mark summer's glorious end. 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