{"id":2252,"date":"2017-06-22T14:33:00","date_gmt":"2017-06-22T18:33:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=2252"},"modified":"2017-06-22T14:33:00","modified_gmt":"2017-06-22T18:33:00","slug":"great-new-jazz-photography-2-lauren-deutschs-made-in-chicago-portfolio","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/06\/great-new-jazz-photography-2-lauren-deutschs-made-in-chicago-portfolio.html","title":{"rendered":"Great new jazz photography #2: Lauren Deutsch’s Made in Chicago portfolio"},"content":{"rendered":"
\"\"<\/a>

Occidental Bros Dance Band International: Nathaniel Braddock, guitar; Makaya McCraven, drums, Joshua Ramos, bass, Greg Ward, alto sax.<\/p><\/div>\n

“Made in Chicago” is true of the photography of Lauren Deutsch<\/a>, and also the name of the four-day-long collaborative jazz festival she’s organized in Poznan, Poland<\/a>\u00c2\u00a0for the past 12 years as artistic director (formerly with Wojceich Juszcsak)\u00c2\u00a0on behalf of the Jazz Institute of Chicago. The theme of this year’s fest was “Freedom.”<\/p>\n

The photos here of Chicago-based musicians (click to enlarge), in which Deutsch<\/a> tries to capture the sound of the music through camera movement, were taken in May 2017.<\/p>\n

\"\"<\/a>

Alto saxophonist Greg Ward<\/p><\/div>\n

\"\"<\/a>

Singers Dee Alexander and Grazyna Auguscik, first time working together \u00c2\u00a0as Let Freedom Sing: Love and Freedom to the Ends of the Earth<\/p><\/div>\n

\"\"<\/a>

Ben LaMar Gay, cornetist<\/p><\/div>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

howardmandel.com<\/a>
\nSubscribe by Email <\/a> |
\nSubscribe by RSS<\/a> |
\nFollow on Twitter <\/a>
\n All JBJ posts <\/a> |<\/p>\n","protected":false},"excerpt":{"rendered":"

“Made in Chicago” is true of the photography of Lauren Deutsch, and also the name of the four-day-long collaborative jazz festival she’s organized in Poznan, Poland\u00c2\u00a0for the past 12 years as artistic director (formerly with Wojceich Juszcsak)\u00c2\u00a0on behalf of the Jazz Institute of Chicago. The theme of this year’s fest was “Freedom.” The photos here […]<\/p>\n","protected":false},"author":2,"featured_media":2253,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[1548,1549,1550,1544,1547,1355,20,1497,1393,1546,1551],"class_list":{"0":"post-2252","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"tag-ben-lamar-gay","9":"tag-dee-alexander","10":"tag-grazyna-auguscik","11":"tag-great-new-jazz-photography","12":"tag-greg-ward","13":"tag-howard-mandel","14":"tag-jazz","15":"tag-jazz-beyond-jazz","16":"tag-lauren-deutsch","17":"tag-made-in-chicago","18":"tag-posnan-poland","19":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-Ak","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1018,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/09\/chicago-jazz-festival-and-hometown-survey.html","url_meta":{"origin":2252,"position":0},"title":"Chicago Jazz Festival, and hometown survey","author":"Howard Mandel","date":"September 4, 2012","format":false,"excerpt":"Being in Chicago during the week pre-Labor Day for the City's Department of Cultural Affairs and Special Events (DCASE)-produced, Jazz Institute of Chi-programmed Jazz Festival has been my annual habit -- a good one. My hometown continues to reward broad and deep musical listening: A far-South Side \"send-off\" for newly\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/09\/chigo-skyline1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/09\/chigo-skyline1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/09\/chigo-skyline1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/09\/chigo-skyline1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2299,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/09\/chicago-jazz-fest-expanded-review-deutsch-photos.html","url_meta":{"origin":2252,"position":1},"title":"Chicago Jazz Fest expanded review & Deutsch photos","author":"Howard Mandel","date":"September 5, 2017","format":false,"excerpt":"My DownBeat review of the 39th annual\u00c2\u00a0Chicago Jazz Festival held over Labor Day weekend in and spilling out of Millennium Park, highlights the best I heard -- including the specially\u00c2\u00a0organized\u00c2\u00a0big band led by trumpeter Jon Faddis, making big fun\u00c2\u00a0from his mentor Dizzy Gillespie's fresh-as-fire arrangements dating 60 to 70 years\u2026","rel":"","context":"In \"Antonio Hart\"","block_context":{"text":"Antonio Hart","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/antonio-hart"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":3000,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2022\/08\/who-plays-the-saxophone-and-why.html","url_meta":{"origin":2252,"position":2},"title":"Who plays the saxophone? And why?","author":"Howard Mandel","date":"August 31, 2022","format":false,"excerpt":"I love the sound of a saxophone, or rather the broad range of sounds available from this family of reeds The author, who has never been very serious about his alto playing, with apologies to Neil Tesser on tenor sax, Jim Baker on guitar; photo by Lauren Deutsch instruments. Breathy,\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/08\/1988-Chicago-Tenors-DuSable-Walter-Dyett-Reunion.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/08\/1988-Chicago-Tenors-DuSable-Walter-Dyett-Reunion.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/08\/1988-Chicago-Tenors-DuSable-Walter-Dyett-Reunion.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/08\/1988-Chicago-Tenors-DuSable-Walter-Dyett-Reunion.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/08\/1988-Chicago-Tenors-DuSable-Walter-Dyett-Reunion.jpeg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2995,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2022\/07\/listening-to-coltranes-ascension-and-what-ive-done.html","url_meta":{"origin":2252,"position":3},"title":"Listening to Coltrane’s “Ascension,” and what I’ve done. . .","author":"Howard Mandel","date":"July 21, 2022","format":false,"excerpt":"Yesterday's Concert dropped a podcast in which I offer guidance in listening even to challenging jazz recordings such as John Coltrane's ambitious, gnarly Ascension. And semi-shameless self-promotion: Music Journalism Insider has published a comprehensive career interview with me. For Todd L. Burns' invaluable, subscription-supported newsletter\/platform about music journalism, I lay\u2026","rel":"","context":"In \"Ascension\"","block_context":{"text":"Ascension","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/ascension"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/07\/293786183_10158573023150925_8864924980046628413_n.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/07\/293786183_10158573023150925_8864924980046628413_n.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/07\/293786183_10158573023150925_8864924980046628413_n.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/07\/293786183_10158573023150925_8864924980046628413_n.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/07\/293786183_10158573023150925_8864924980046628413_n.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/07\/293786183_10158573023150925_8864924980046628413_n.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1908,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2015\/08\/jazz-images-made-in-chicago-pokempner-sees-steve-coleman-greg-ward-onye-ozuzu-gary-bartz-and-more.html","url_meta":{"origin":2252,"position":4},"title":"Jazz images Made in Chicago: PoKempner sees Steve Coleman, Greg Ward & Onye Ozuzu, Gary Bartz and more","author":"Howard Mandel","date":"August 23, 2015","format":false,"excerpt":"Marc PoKempner may be best known for his photos of pre-presidential Barack Obama, Chicago's reform mayor Harold Washington and the blues -- but his jazz photography illuminates what we hear by refreshing how we see it. Here are some of his complex compositions in bracing color from the Pritzker Pavilion\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/08\/IMG_0528-1.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/08\/IMG_0528-1.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/08\/IMG_0528-1.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/08\/IMG_0528-1.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/08\/IMG_0528-1.jpeg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2622,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2019\/09\/chicago-jazz-fest-echoes.html","url_meta":{"origin":2252,"position":5},"title":"Chicago Jazz fest images, echoes","author":"Howard Mandel","date":"September 10, 2019","format":false,"excerpt":"Roscoe Mitchell onscreen, presiding over The Art Ensemble of Chicago, Pritzker Pavillion Millennium Park Chicago, 8\/30\/19photo (c) Marc PoKempner The 41st annual Chicago Jazz Festival has come and gone, as I reported for DownBeat.com in quick turnaround. I stand by my lead that the music was epic -- cf. Marc\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/2252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=2252"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/2252\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/2253"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=2252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=2252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=2252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}