{"id":221,"date":"2009-07-14T14:58:47","date_gmt":"2009-07-14T18:58:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2009\/07\/short_stick_of_jazz_times_good\/"},"modified":"2011-04-28T16:33:43","modified_gmt":"2011-04-28T20:33:43","slug":"short_stick_of_jazz_times_good","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/07\/short_stick_of_jazz_times_good.html","title":{"rendered":"Short end of Jazz Times&#8217; good news"},"content":{"rendered":"<p>The quick <a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/07\/more_on_jazz_times.html\">revival of magazine<\/a><span class=\"Apple-style-span\" style=\"font-style: italic;\"><a href=\"http:\/\/jazztimes.com\/articles\/24943-jazztimes-to-resume-print-and-online-publishing\"> Jazz Times<\/a><\/span> by <a href=\"http:\/\/www.madavor.com\/en\/home\/\">Madavor Media<\/a> is a good thing, but freelance contributors whose work has <span class=\"Apple-style-span\" style=\"font-style: italic;\"><span class=\"Apple-style-span\" style=\"font-weight: bold;\">already been published <span class=\"Apple-style-span\" style=\"font-style: normal;\"><span class=\"Apple-style-span\" style=\"font-weight: normal;\">are being told that they&#8217;ll be paid only 50% of amounts due.<\/span><\/span><\/span><\/span><\/p>\n<div><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><span class=\"Apple-style-span\" style=\"font-weight: bold;\"><span class=\"Apple-style-span\" style=\"font-style: normal;\"><span class=\"Apple-style-span\" style=\"font-weight: normal;\">&#8220;Those checks are going out this week,&#8221; according to an email sent by Lee Mergener, JT&#8217;s editor-in-chief who is being retained during the transition in ownership, along with managing editor Evan Haga and two ad representatives. Mergner&#8217;s memo continues, &#8220;Madavor only acquired the assets, not the liabilities, of the company, leaving <span class=\"Apple-style-span\" style=\"font-style: italic;\">JazzTimes<\/span>&#8216; previous ownership to settle its debts as best it can.&#8221;<\/span><\/span><\/span><\/span><\/div>\n<p><!--more--><br \/>\nSo content providers &#8212; jazz journalists, writers and photographers &#8212; featured in JT&#8217;s April and May issues (at which time Glenn Sabin, son of JT&#8217;s founder Ira Sabin, was publisher and CEO of JazzTimes, Inc.) are considering their positions. They&#8217;ve been asked to pitch new story ideas and requests for review assignments, and evidently to stand for unanticipated cuts in pay for completed projects. Would carpenters, plumbers, lawyers or accountants accept such a deal and keep laboring &#8212; without contracts &#8212; on what is arguably the same project? There&#8217;s no news that JazzTimes, Inc. is in bankruptcy . . .maybe the 50% payments are only the ex-owners&#8217; first installments on clearing their editorial debts? Maybe the new owners will pony up to cover the rest of those IOUs, as a sign of good faith with the freelancers they want to continue to employ? What a nice gesture that would be.<\/p>\n<div><\/div>\n<div>According to Mergner, Madavor Media will pay full fees for pieces originally scheduled for JT&#8217;s June issue, which is being printed &#8220;likely as our August issue.&#8221; The difficult period for <span class=\"Apple-style-span\" style=\"font-style: italic;\">Jazz Times<\/span> contributors isn&#8217;t over yet, The magazine&#8217;s pages evidently won&#8217;t show until September and October just how the editorial package has survived.<\/div>\n<div><\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\">Subscribe by Email <\/a>  |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by  RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a> |<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The quick revival of magazine Jazz Times by Madavor Media is a good thing, but freelance contributors whose work has already been published are being told that they&#8217;ll be paid only 50% of amounts due. &#8220;Those checks are going out this week,&#8221; according to an email sent by Lee Mergener, JT&#8217;s editor-in-chief who is being [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[381,262,380,378],"class_list":{"0":"post-221","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"tag-freelance-jazz-journalists","8":"tag-jazz-times","9":"tag-lee-mergner","10":"tag-madavor-media","11":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-3z","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":204,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/06\/jazztimes_temporarily_suspende.html","url_meta":{"origin":221,"position":0},"title":"JazzTimes &#8220;temporarily suspended,&#8221; staff &#8220;furloughed&#8221;","author":"Howard Mandel","date":"June 9, 2009","format":false,"excerpt":"JazzTimes confirms rumors first reported here the 38-year-old monthly magazine's deep financial distress requires it to stop publishing. Its management hopes for a brand-sale and re-emergence. But in a longer email to freelance contributors, those same managers adopt a can't-help-you-pal shrug toward the brand's freelance contributors.\"The brand and operation will\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":27,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/08\/realities_of_the_profession_wr.html","url_meta":{"origin":221,"position":1},"title":"Realities of the profession (writing), part 1","author":"Howard Mandel","date":"August 8, 2007","format":false,"excerpt":"Introducing an occasional series about the challenges (and satisfactions?) of freelancing on the arts -- An exchange with Dr. Lewis Porter, jazz pianist, professor of music at Rutgers University (NJ) and founder\/director of that school's Master's in Jazz History and Research Program (also biographer of John Coltrane, on book advances,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":397,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/05\/celebrating_jazz_excellence_.html","url_meta":{"origin":221,"position":2},"title":"Celebrating jazz excellence &#8212; Awards, honors and privileges","author":"Howard Mandel","date":"May 23, 2011","format":false,"excerpt":"The NEA zeroes out its Jazz Masters program, the Grammys cuts categories so pop best-sellers regain prominence vis a vis less obviously commercial stars, but the Jazz Journalists Association's 15th annual Jazz Awards -- to be held June 11, 2011 with an afternoon gala with all star music at City\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"maria schneider &.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/maria%20schneider%20%26.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":22,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/07\/howard_mandel.html","url_meta":{"origin":221,"position":3},"title":"Howard Mandel","author":"djm","date":"July 8, 2007","format":false,"excerpt":"I'm a Chicago-born (and after 30 years in NYC, repatriated in 2014) writer, editor, author, arts reporter for National Public Radio, non-profit organization consultant and videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, specializing\u2026","rel":"","context":"In &quot;about&quot;","block_context":{"text":"about","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/about"},"img":{"alt_text":"HM2.for%20web.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/HM2.for%20web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2883,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2021\/02\/jazz-beats-the-virus-online.html","url_meta":{"origin":221,"position":4},"title":"Jazz beats the virus online","author":"Howard Mandel","date":"February 24, 2021","format":false,"excerpt":"Chicago presenters of jazz and new music, and journalists from Madrid to the Bay Area, vocalist Kurt Elling, trumpeter Orbert Davis and pianist Lafayette Gilchrist discussed how they've transcended coronavirus-restrictions on live performances with innovative methods to sustain their communities of musicians and listeners, as well as their own enterprises\u2026","rel":"","context":"In \"Amsterdam News\"","block_context":{"text":"Amsterdam News","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/amsterdam-news"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/02\/The-show-goes-on1080.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/02\/The-show-goes-on1080.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/02\/The-show-goes-on1080.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/02\/The-show-goes-on1080.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/02\/The-show-goes-on1080.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":36,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/09\/internl_jazz_journalists_conve.html","url_meta":{"origin":221,"position":5},"title":"Intern&#8217;l jazz journalists convene in U.S. &#8212; a first","author":"Howard Mandel","date":"September 18, 2007","format":false,"excerpt":"\"Jazz in the Global Imagination: Music, Journalism and Culture,\" the day-long, public and free symposium at the Columbia University Graduate School of Journalism auditorium on Saturday, Sept. 29, is evidently the first international conference of jazz journalists to take place in the U.S. Why did we wait so long? Even\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=221"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/221\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=221"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=221"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}