{"id":2202,"date":"2017-03-23T13:46:22","date_gmt":"2017-03-23T17:46:22","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=2202"},"modified":"2019-09-12T12:29:43","modified_gmt":"2019-09-12T16:29:43","slug":"flyover-country-nonsense-in-jazz-politics-crime-fiction","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/03\/flyover-country-nonsense-in-jazz-politics-crime-fiction.html","title":{"rendered":"Flyover country? Nonsense in jazz, politics, crime fiction"},"content":{"rendered":"<p>There&#8217;s no such thing as &#8220;<a href=\"http:\/\/news.nationalgeographic.com\/2016\/03\/160314-flyover-country-origin-language-midwest\/\">flyover country<\/a>&#8221; &#8212; except in the minds of\u00c2\u00a0careless or ignorant <a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/images.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2203\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/images.png\" alt=\"\" width=\"294\" height=\"172\" \/><\/a>people who ought to know better. For instance:<\/p>\n<ul>\n<li>Jazz lives throughout the US and the world, not only in New York City;<\/li>\n<li>Illinois presidential race voters chose Hilary Clinton by a wide margin (due largely to Democratic bastion and jazz hub Chicago) although\u00c2\u00a0the man who beat her nationally does not seem to have much on-the-ground\u00c2\u00a0experience with anywhere except his own properties,<\/li>\n<li>and yes, the capital of the Midwest has crime fiction writers to boast of, too, despite rumors to the contrary.<\/li>\n<\/ul>\n<div id=\"attachment_2204\" style=\"width: 154px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/imgres-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2204\" class=\"wp-image-2204\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/imgres-1.jpg\" alt=\"\" width=\"144\" height=\"181\" \/><\/a><p id=\"caption-attachment-2204\" class=\"wp-caption-text\">Eric Beetner &#8211; LitReactor<\/p><\/div>\n<p>Here&#8217;s what stirred me up about\u00c2\u00a0this: &#8220;Chicago has a great heritage of crime, but not much in the way of crime fiction,&#8221; <a href=\"https:\/\/www.ericbeetner.com\/\">Eric Beetner<\/a>, LA-based author, goofed up big-time in his opening remarks at the first Murder and Mayhem conference on crime fiction held in downtown Roosevelt University on Saturday, March 11. He meant, of course, to be funny, kicking off a day of well attended and much better informed panel discussions. But it culminated, after all, in a discussion between <a href=\"http:\/\/www.saraparetsky.com\/\">Sara Paretsky,<\/a> whose pi V.I. Warshawski lives near <a href=\"http:\/\/chicago.cubs.mlb.com\/chc\/ballpark\/\">Wrigley Field<\/a>, and <a href=\"http:\/\/www.williamkentkrueger.com\/\">William Kent Krueger<\/a>, author of mysteries set in northern Minnesota, often around Native American reservations.<\/p>\n<p>I like Beetner&#8217;s <a href=\"https:\/\/www.amazon.com\/Rumrunners-Eric-Beetner-ebook\/dp\/B00TQYTMQ4\/?tag=howardmacom-20\">Rumrunners<\/a>, a quick and dirty read and I suspect his comment was based on little thought (&#8220;I only had so much time,&#8221; he told me when I called him on it). <em><strong>BUT!<\/strong> <\/em>Chicago has been home of crime writers and site of their works from <a href=\"https:\/\/www.amazon.com\/American-Tragedy-RosettaBooks-into-Film-ebook\/dp\/B003XRELBQ\/?tag=howardmacom-20\">Theodore Dreiser<\/a>, <a href=\"https:\/\/www.amazon.com\/Little-Caesar-RosettaBooks-Into-Film-ebook\/dp\/B003XRELP2\/?tag=howardmacom-20\">W.A. Burnett<\/a>, <a href=\"https:\/\/www.amazon.com\/Front-Page-Play-Three-Acts\/dp\/0573609128\/?tag=howardmacom-20\">Ben Hecht<\/a>, <a href=\"https:\/\/www.amazon.com\/Native-Son-Richard-Wright-ebook\/dp\/B002BY779U\/?tag=howardmacom-20\">Richard Wright<\/a>, <a href=\"https:\/\/www.amazon.com\/Neon-Wilderness-Nelson-Algren\/dp\/1583225501\/?tag=howardmacom-20\">Nelson Algren<\/a>, <a href=\"https:\/\/www.amazon.com\/Compulsion-Meyer-Levin\/dp\/0786703199\/?tag=howardmacom-20\">Meyer Levin<\/a>, <a href=\"https:\/\/www.amazon.com\/Solomons-Vineyard-PlanetMonk-Pulps-Book-ebook\/dp\/B00NF8UILA\/?tag=howardmacom-20\">Jonathan Latimer<\/a>, <a href=\"https:\/\/www.amazon.com\/Complete-Chester-Goulds-Dick-Tracy\/dp\/1600100368\/?tag=howardmacom-20\">Chester Gould<\/a> <a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/510jLxssDKL._AC_US218_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2206\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/510jLxssDKL._AC_US218_.jpg\" alt=\"\" width=\"218\" height=\"218\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/510jLxssDKL._AC_US218_.jpg 218w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/510jLxssDKL._AC_US218_-150x150.jpg 150w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/510jLxssDKL._AC_US218_-100x100.jpg 100w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/510jLxssDKL._AC_US218_-200x200.jpg 200w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/><\/a>(the man who invented\u00c2\u00a0Dick Tracy!) and<a href=\"https:\/\/www.amazon.com\/Death-Wish-Story-Iceberg-Slim-ebook\/dp\/B006JCNVX6\/?tag=howardmacom-20\"> Iceberg Slim<\/a> to <a href=\"https:\/\/www.amazon.com\/Presumed-Innocent-Kindle-County-Book-ebook\/dp\/B003R7LCQE\/?tag=howardmacom-20\">Scott Turow<\/a>, <a href=\"https:\/\/www.amazon.com\/Devil-White-City-Changed-America-ebook\/dp\/B000FC0ZIA\/?tag=howardmacom-20\">Erik Larson<\/a>, author and editor <a href=\"https:\/\/www.amazon.com\/Chicago-Blues-Collection-Crime-Stories-ebook\/dp\/B00O3EL46S\/?tag=howardmacom-20\">Stuart Kaminsky<\/a> and of course <a href=\"https:\/\/www.amazon.com\/Fallout-V-I-Warshawski-Novel-Novels-ebook\/dp\/B01J16P3D2\/?tag=howardmacom-20\">Ms.\u00c2\u00a0Paretsky<\/a>, who co-founded the crime writers&#8217; organization <a href=\"http:\/\/www.sistersincrime.org\/\">Sisters in Crime<\/a>.<\/p>\n<p>Chicago-oriented authors who spoke, further confirming that writing in or about this woefully gun-laden city plagued by income inequality and racial tensions, is still vital, included <a href=\"https:\/\/www.amazon.com\/Chicago-Way-Michael-Harvey-ebook\/dp\/B000UZJTG6\/?tag=howardmacom-20\">Michael Harvey<\/a>, <a href=\"https:\/\/www.amazon.com\/Big-City-Blood-Sean-Chercover-ebook\/dp\/B000OI0E1S\/?tag=howardmacom-20\">Sean Chercover<\/a>, <a href=\"https:\/\/www.amazon.com\/Negro-Ofay-Tales-Elliot-Caprice-ebook\/dp\/B06XGLY4R2\/?tag=howardmacom-20\">Danny Gardner<\/a>, <a href=\"https:\/\/www.amazon.com\/Blade-Itself-Marcus-Sakey-ebook\/dp\/B00D7OM8BA\/?tag=howardmacom-20\">Marcus Sakey<\/a> and <a href=\"https:\/\/www.amazon.com\/Only-Holy-Remain-Alverne-Ball-ebook\/dp\/B01MTMO8AM\/?tag=howardmacom-20\">Alverne Ball<\/a> (full schedule of speakers <a href=\"http:\/\/murdermayhemchicago.com\/schedule\">here<\/a>).<\/p>\n<p>Within the conference discussion ranged over such issues as levels and degrees of violence, how to work with historical fiction, use and abuse of genre conventions, etc. A <a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/51014D877KL._SX317_BO1204203200_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2207\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/51014D877KL._SX317_BO1204203200_-202x300.jpg\" alt=\"\" width=\"178\" height=\"264\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/51014D877KL._SX317_BO1204203200_-202x300.jpg 202w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/51014D877KL._SX317_BO1204203200_.jpg 319w\" sizes=\"auto, (max-width: 178px) 100vw, 178px\" \/><\/a>business-oriented group, including Chicago agent <a href=\"http:\/\/mswishlist.com\/profile\/literary-agent\/Daninoel25\">Danielle Egan-Miller<\/a>, editorial director of <a href=\"http:\/\/www.crookedlanebooks.com\/\">Crooked Lane Books<\/a> Matt Martz and book\/entertainment publicist <a href=\"http:\/\/kayepublicity.com\/\">Dana Kaye<\/a> (who co-produced Murder and Mayhem with author <a href=\"http:\/\/loriraderday.com\/\">Lori Rader-Day<\/a>). Another unusually focused on the value of libraries to authors, for direct sales, publicity platforms and extending books&#8217; lives. <a href=\"http:\/\/www.bookcellarinc.com\/\">The Book Cellar<\/a> sold works by panelists to the 200-some attendees &#8212; readers and writers, clearly.<\/p>\n<p>There&#8217;s lots of crime in Chicago &#8212; as well as political intrigue, sports action, social change, artistic creativity &#8212; and quite a bit of crime writing, too. It&#8217;s been historical, literary, theatrical, cinematic, hard-boiled, cozy, procedural, legalistic, written by insiders and outsiders. There&#8217;s bound to be more.<\/p>\n<p>Don&#8217;t assume nothin&#8217;s happening between coasts or beyond where you are and mostly hear about. What goes on in the heart of the heart of the country otherwise may come as a surprise.<\/p>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><\/p>\n<p><a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email or RSS<\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s no such thing as &#8220;flyover country&#8221; &#8212; except in the minds of\u00c2\u00a0careless or ignorant people who ought to know better. For instance: Jazz lives throughout the US and the world, not only in New York City; Illinois presidential race voters chose Hilary Clinton by a wide margin (due largely to Democratic bastion and jazz [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2206,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[101,1349,1488,1489,1355,1487,1490],"class_list":{"0":"post-2202","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"tag-chicago","9":"tag-crime-fiction","10":"tag-eric-beetner","11":"tag-flyover-country","12":"tag-howard-mandel","13":"tag-murder-and-mayhem","14":"tag-the-book-cellar","15":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/03\/510jLxssDKL._AC_US218_.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-zw","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1941,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2015\/10\/bouchercon-2015-raleigh-writing-not-jazz.html","url_meta":{"origin":2202,"position":0},"title":"Bouchercon 2015 Raleigh (writing not jazz)","author":"Howard Mandel","date":"October 11, 2015","format":false,"excerpt":"A crime writing conference attracting 1400-some authors and readers, flush for four days with panels and book talk -- that was the 45th annual Bouchercon \"world mystery convention,\" held in Raleigh NC Oct. 8 through 11 at downtown Sheraton and Marriott hotels. Taking a break from music immersion, I attended\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"bouchercon","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/10\/bouchercon.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2326,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/09\/my-qa-for-bluesgreece-spirit-of-jazz-award.html","url_meta":{"origin":2202,"position":1},"title":"My Q&#038;A for Blues@Greece &#038; Spirit of Jazz Award","author":"Howard Mandel","date":"September 15, 2017","format":false,"excerpt":"Jazz, blues, American literature and where I'd go for a day in a time machine are topics I address in an email interview with Michalis Limnios who blogs at Blue@Greece. I post this item out of sheer vanity, reinforced by my being presented with a Spirit of Jazz Award tomorrow\u2026","rel":"","context":"In \"Blues@Greece\"","block_context":{"text":"Blues@Greece","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/bluesgreece"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/HM-by-po-2015.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":22,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/07\/howard_mandel.html","url_meta":{"origin":2202,"position":2},"title":"Howard Mandel","author":"djm","date":"July 8, 2007","format":false,"excerpt":"I'm a Chicago-born (and after 30 years in NYC, repatriated in 2014) writer, editor, author, arts reporter for National Public Radio, non-profit organization consultant and videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, specializing\u2026","rel":"","context":"In &quot;about&quot;","block_context":{"text":"about","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/about"},"img":{"alt_text":"HM2.for%20web.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/HM2.for%20web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2299,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/09\/chicago-jazz-fest-expanded-review-deutsch-photos.html","url_meta":{"origin":2202,"position":3},"title":"Chicago Jazz Fest expanded review &#038; Deutsch photos","author":"Howard Mandel","date":"September 5, 2017","format":false,"excerpt":"My DownBeat review of the 39th annual\u00c2\u00a0Chicago Jazz Festival held over Labor Day weekend in and spilling out of Millennium Park, highlights the best I heard -- including the specially\u00c2\u00a0organized\u00c2\u00a0big band led by trumpeter Jon Faddis, making big fun\u00c2\u00a0from his mentor Dizzy Gillespie's fresh-as-fire arrangements dating 60 to 70 years\u2026","rel":"","context":"In \"Antonio Hart\"","block_context":{"text":"Antonio Hart","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/antonio-hart"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":302,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/03\/anti-jazz_the_still-new_thing.html","url_meta":{"origin":2202,"position":4},"title":"Anti-jazz, the still-new thing","author":"Howard Mandel","date":"March 4, 2010","format":false,"excerpt":"International House Philadelphia hosts a series way beyond old jazz conventions, with roots in the wild stuff fav' son John Coltrane blew in 1961. I delve into the 50-year controversy for PMP \u00a0online magazine of the Philadelphia Music Project\u00a0here, before the Art Ensemble of Chicago plays what it's come to\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2886,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2021\/02\/more-on-live-jazz-streaming-chicago-to-zurich-and-beyond.html","url_meta":{"origin":2202,"position":5},"title":"More on live jazz streaming, Chicago to Zurich and beyond","author":"Howard Mandel","date":"February 26, 2021","format":false,"excerpt":"Saxophonist Chico Freeman, a third-generation Chicago jazzman, live-streams his new international band from Zurich on Saturday 2\/27 at 2:30 pm ET, and I moderated their Zoom talk of coming together for the first https:\/\/youtu.be\/Huoh1gwiBZM time in person -- a rarity over the past 10 months -- with Carine Zuber, artistic\u2026","rel":"","context":"In \"Carine Zuber\"","block_context":{"text":"Carine Zuber","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/carine-zuber"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/02\/u99IrruI-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/02\/u99IrruI-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/02\/u99IrruI-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/02\/u99IrruI-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/02\/u99IrruI-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2021\/02\/u99IrruI-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/2202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=2202"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/2202\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/2206"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=2202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=2202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=2202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}