{"id":22,"date":"2007-07-08T18:43:55","date_gmt":"2007-07-08T22:43:55","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2007\/07\/howard_mandel\/"},"modified":"2024-01-16T18:37:21","modified_gmt":"2024-01-16T23:37:21","slug":"howard_mandel","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/07\/howard_mandel.html","title":{"rendered":"Howard Mandel"},"content":{"rendered":"

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\nI’m a Chicago-born (and after 30 years in NYC, repatriated in 2014) writer, editor, author, arts reporter for National Public Radio, non-profit organization consultant and videographer — a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, specializing on culturally oriented media and music-related issues. Since 1994 I’ve been president of the Jazz Journalists Association<\/a>, a non-profit membership organization devoted to using new and traditional media to disseminate news and views about jazz. I’m a member of the Author’s Guild and a board member of the Jazz Institute of Chicago.<\/p>\n


\nI’ve written Miles, Ornette, Cecil:Jazz Beyond Jazz<\/a>\u00a0<\/em>(Routledge, 2008), and Future Jazz <\/em><\/a>(Oxford University Press, 1999), besides hundreds of articles, profiles, reviews, interviews<\/a> for Down Beat<\/em>, the Village Voice, Billboard<\/em>, the Washington Post, Ear, RhythmMusic, The Wire<\/em> (London), Swing Journal <\/em>(Tokyo), Jazz Rytmit<\/em> (Helsinki), Bravo!<\/em> (Sao Paulo), Counterpoint<\/em> (Ukraine) and lots of record liner annotations. I was senior editor of The Billboard Illustrated Encyclopedia of Jazz and Blues.<\/em><\/a> (originally published by FlameTree Press, UK), created blues curriculum for the Thelonious Monk Institute’s Jazz in America<\/a> website as well as six courses on music and arts writing\u00c2 for NYU’s School of Continuing and Professional Studies.<\/p>\n

Mostly in pursuit of music, I’ve traveled to England, Finland, Russia, Cuba, West Africa, Trinidad, Mexico, Jordan and throughout the U.S. and Canada. I lectured under auspices of the U.S. State Department in Armenia and Kiev during the second annual Jazz Appreciation Month in April 2002, have moderated or appeared on panels at conferences and conventions in New York, Newport, Chicago, Detroit, San Francisco, Toronto, Tampere and Portland, Oregon, presented papers at the Leeds School of Music Jazz Happening, the Heidelburg University Center for American Studies, Experience Music Project’s Pop Conference and the Guelph Jazz Colloquium,and have spoken at Harvard Law School, Dartmouth College, University of Jordan (Amman), the New School (NYC) and University of Chicago.<\/p>\n

I produce the annual Jazz Journalists Association Jazz Awards – a megillah in itself. In 2022, the JJA Awards were an international, two-and-a-half hour virtual reality event staged at SyncSpace.live.<\/p>\n

Urban rhythm ‘n’ blues – doo-wop hits, Muddy Waters and Howlin’ Wolf, Otis Redding, Aretha and Motown — as well as Broadway musicals, Miles Davis, ’60s rock, and avant-gardists of the grassroots, highly effective Association for the Advancement of Creative Musicians (discovered via Chicago’s the Jazz Record Mart\/Delmark Records) inspired my interests in music. I was a long-haired smart aleck out of Syracuse University working as a copy clerk on the city desk of the Chicago Daily News<\/em>, enthralled with Laurel and Hardy and the Marx Brothers, French and Hollywood movies, modernist and experimental fiction, when enlisted as a third-string music reviewer in 1974. Blues doyenne Mama Stella Yancey, reggae singer Toots Hibbert and saxophonist Grover “Mr. Magic” Washington Jr., were among my first interviews. Filing overnight reviews of national and local acts playing Chicago-area venues, I reported on the Fania Allstars, Betty Carter, John McLaughlin’s Shakti, Minnie Ripperton, Anthony Braxton, Eddie Palmieri, Cecil Taylor in performance with Mikail Baryshnikov and Heather Watts, Public Image Ltd., Peter Frampton, Pink Floyd, Earth Wind and Fire and Junior Wells, among many others. I also reviewed movies and books, produced “Jazz Chicago” radio shows for WBEZ-FM and the Jazz Institute of Chicago<\/a>, and wrote for the Chicago Reader <\/em>and Illinois Entertainer.<\/em><\/p>\n

The Daily News<\/em>, a renowned afternoon paper, closed in 1978, and I became associate editor of Down Beat<\/em> (I remain a senior contributor). Since then I’ve worked for and published in The New York Times<\/em>, the Washington Post,<\/em> Billboard<\/em>, Guitar World<\/em>, the Village Voice<\/em>, Music & Sound Output<\/em>, Ear<\/em>, RhythmMusic<\/em>, Jazziz<\/em>, Tower Pulse!, The Wire<\/em> (UK), Bravo!<\/em> (Brazil) Signal to Noise <\/em>and many more print and online journals. Radio-wise, I’ve produced the NPR-syndicated radio series “Improvisers Unlimited” and dozens of NPR Morning Edition arts pieces, also being heard on WDCB and WBEZ (Chicago), WNYC and other stations. I’ve consulted with the New School Jazz and Contemporary Music program, the Thelonious Monk Institute, the International Association for Jazz Education, Syracuse University’s Goldring Arts Journalism program, Meet the Composer, the New York State Council on the Arts, the North Carolina Arts Council and with leaders of the coalition of arts journalists organizations that staged the first National Critics Conference <\/a> in Los Angeles in May 2005.<\/p>\n

From 1982 to 2006 I lived in Manhattan’s East Village, then spent 8 years in Kensington<\/a> (Brooklyn), maintaining an office in Greenwich Village. In summer 2014 I returned to Chicago. I have many projects are in the works, including supervision of the Jazz Journalists Association’s Seeing Jazz Photography Master Classes (monthly Zoom sessions, free to attendees, archived at YouTube.com), The Buzz: The Jazz Journalists Association Podcast and the frequently updated public-facing website JJANews.<\/a><\/p>\n

Jazz Week Profile <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

I’m a Chicago-born (and after 30 years in NYC, repatriated in 2014) writer, editor, author, arts reporter for National Public Radio, non-profit organization consultant and videographer — a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, specializing on culturally oriented media and […]<\/p>\n","protected":false},"author":1,"featured_media":1386,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-22","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-about","8":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/06\/moc-jacket.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-m","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3074,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2023\/04\/36-jazz-heroes-in-32-us-cities-and-there-are-many-more.html","url_meta":{"origin":22,"position":0},"title":"36 Jazz Heroes in 32 US cities – and there are many more","author":"Howard Mandel","date":"April 6, 2023","format":false,"excerpt":"The Jazz Journalists Association announces the 2023 Jazz Heroes -- \"activists, advocates, altruists, aiders and abettors of jazz,\" formerly the A Team -- emphasizing as it has annually since 2001 that jazz is culture that comes from the ground up, by individuals crossing all demographic categories, working frequently with others\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1762,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2015\/02\/hail-to-college-jazz-radio-stations-like-whpk.html","url_meta":{"origin":22,"position":1},"title":"Hail to college jazz radio stations like WHPK","author":"Howard Mandel","date":"February 24, 2015","format":false,"excerpt":"WHPK, Chicago's Hyde Park-based non-profit jazz-broadcasting community radio station\u00c2\u00a0at 88.5 fm, held its annual Black History Month gala last Saturday (Feb 21) with music by reedsman Ari\u00c2\u00a0Brown's quartet celebrating the 50th anniversary year of the AACM (Association for the Advancement of Creative Musicians). International House, where the party\u00c2\u00a0was held, was\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/02\/DSCF8326.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/02\/DSCF8326.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/02\/DSCF8326.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/02\/DSCF8326.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":534,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/09\/privatize-the-chicago-jazz-fest.html","url_meta":{"origin":22,"position":2},"title":"Foundation to run the Chicago Jazz Fest?","author":"Howard Mandel","date":"September 6, 2011","format":false,"excerpt":"The Labor Day weekend free Chicago Jazz Festival had multiple musical high points, like Mike Reed's \u00c2\u00a0\u00c2\u00a0Myth\/Science Assembly, yet\u00c2\u00a0Chicago Tribune critic Howard Reich believes the fest is old and creaky, in dire need of reinvention, under a new, fest-dedicated Foundation. With new mayor Rahm Emmanuel facing an immense budget shortfall,\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":55,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/01\/chitown_beyond_jazz.html","url_meta":{"origin":22,"position":3},"title":"Chi-town beyond jazz","author":"Howard Mandel","date":"January 27, 2008","format":false,"excerpt":"It's uniquely Chicago culture - the \"can-do\" attitude of a committed hardcore jazz community encouraging new music now. The independent nonprofit Jazz Institute of Chicago throws an absolutely free and musically world-class one day Jazz Fair in the depths of frosty January. With a little program book advertising and modest\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":120,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/09\/chicago_hears_ornette_coleman.html","url_meta":{"origin":22,"position":4},"title":"Chicago hears Ornette Coleman — This is our music","author":"Howard Mandel","date":"September 1, 2008","format":false,"excerpt":"An estimated 20,000 to 30,000 listeners of all ages, genders, races, religions -- Americans and visitors from abroad, too -- enjoyed the directly expressive, highly personalized music of Pulitzer Prize-winner Ornette Coleman as the finale of the outdoor Chicago Jazz Festival last Sunday night. The attentive, mellow and celebratory audience\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2995,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2022\/07\/listening-to-coltranes-ascension-and-what-ive-done.html","url_meta":{"origin":22,"position":5},"title":"Listening to Coltrane’s “Ascension,” and what I’ve done. . .","author":"Howard Mandel","date":"July 21, 2022","format":false,"excerpt":"Yesterday's Concert dropped a podcast in which I offer guidance in listening even to challenging jazz recordings such as John Coltrane's ambitious, gnarly Ascension. And semi-shameless self-promotion: Music Journalism Insider has published a comprehensive career interview with me. For Todd L. Burns' invaluable, subscription-supported newsletter\/platform about music journalism, I lay\u2026","rel":"","context":"In \"Ascension\"","block_context":{"text":"Ascension","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/ascension"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/07\/293786183_10158573023150925_8864924980046628413_n.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/07\/293786183_10158573023150925_8864924980046628413_n.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/07\/293786183_10158573023150925_8864924980046628413_n.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/07\/293786183_10158573023150925_8864924980046628413_n.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/07\/293786183_10158573023150925_8864924980046628413_n.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/07\/293786183_10158573023150925_8864924980046628413_n.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/22","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=22"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/22\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/1386"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=22"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=22"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=22"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}