{"id":2149,"date":"2017-01-01T19:08:17","date_gmt":"2017-01-02T00:08:17","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=2149"},"modified":"2017-01-01T22:38:44","modified_gmt":"2017-01-02T03:38:44","slug":"patti-smiths-new-years-eve-vow-we-must-not-behave","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/01\/patti-smiths-new-years-eve-vow-we-must-not-behave.html","title":{"rendered":"Patti Smith&#8217;s New Year&#8217;s Eve vow: &#8220;We must not behave!&#8221;"},"content":{"rendered":"<div id=\"attachment_2151\" style=\"width: 354px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/01\/15781600_10154044591075925_3837859328854019754_n.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2151\" class=\"wp-image-2151\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/01\/15781600_10154044591075925_3837859328854019754_n-270x300.jpg\" width=\"344\" height=\"382\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/01\/15781600_10154044591075925_3837859328854019754_n-270x300.jpg 270w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/01\/15781600_10154044591075925_3837859328854019754_n-768x853.jpg 768w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/01\/15781600_10154044591075925_3837859328854019754_n.jpg 864w\" sizes=\"auto, (max-width: 344px) 100vw, 344px\" \/><\/a><p id=\"caption-attachment-2151\" class=\"wp-caption-text\">Patti Smith, Dec 31 2016, Park West Chicago. Photo by Lauren Deutsch.<\/p><\/div>\n<p>Ushering in 2017 with Patti Smith and band at Chicago&#8217;s Park West New Year&#8217;s Eve was inspiriting for us\u00c2\u00a0of a certain age and artsy disposition.<\/p>\n<p>Grey-haired but loose and limber &#8212; funny, fierce, profane and poetically incantatory &#8212; Smith celebrated her 70th birthday in the city of her origin\u00c2\u00a0as if for all boomers and our progeny. At the Riviera Theatre on Dec. 30 she performed\u00c2\u00a0the whole of <a href=\"https:\/\/www.amazon.com\/Horses-Patti-Smith\/dp\/B000002VQQ\/\/?tag=howardmacom-20\"><em>Horses, <\/em><\/a>her winning 1975 debut album; on the\u00c2\u00a031st, backed by her four-man Nuggets, she offered a mixed bag including Debbie Reynold&#8217;s plaintive &#8220;Tammy,&#8221; the Doobie Brothers&#8217; &#8220;Jesus Is Just Alright,&#8221; a Prince cover, vague comments that become stories that turned images into phrases conjuring her anthems &#8220;Gloria,&#8221; &#8220;Because the Night&#8221; and &#8220;People Have\u00c2\u00a0the Power,&#8221; \u00c2\u00a0and for a finale\u00c2\u00a0the Who&#8217;s &#8220;My Generation&#8221; &#8212; as a call to arms in the form of\u00c2\u00a0active humanitarianism united in\u00c2\u00a0cultural bohemianism, a commitment to folk-rock-soul-art-literary-punk fun.<\/p>\n<p>&#8220;2017 is the 50th anniversary of the Summer of Love!&#8221; Smith exhorted\u00c2\u00a0the full house\u00c2\u00a0of hipsters &#8212; perhaps a third\u00c2\u00a0the 900 standing for three hours in a mosh pit, though most looked\u00c2\u00a0as well-aged as Smith and her longtime guitarman, Lenny Kaye. &#8220;Our generation had ideals! We were going to change the world with music, love, sex, drugs, understanding! This was our weapon &#8212; &#8221; she hoisted a Fender &#8212; &#8220;and now we&#8217;ve got to be strong! We&#8217;ve got a voice! We&#8217;ve got to teach the young, they&#8217;re the future!&#8221; She waved\u00c2\u00a0at her daughter playing keyboards, and hugged a Japanese guitarist who&#8217;d come from Tokyo to sit in. <em>&#8220;We must\u00c2\u00a0not behave!&#8221;<\/em><\/p>\n<div id=\"attachment_2150\" style=\"width: 439px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/01\/15826413_10154044592825925_2988724459909954695_n.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2150\" class=\"wp-image-2150\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/01\/15826413_10154044592825925_2988724459909954695_n-300x179.jpg\" width=\"429\" height=\"256\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/01\/15826413_10154044592825925_2988724459909954695_n-300x179.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/01\/15826413_10154044592825925_2988724459909954695_n-768x458.jpg 768w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/01\/15826413_10154044592825925_2988724459909954695_n.jpg 960w\" sizes=\"auto, (max-width: 429px) 100vw, 429px\" \/><\/a><p id=\"caption-attachment-2150\" class=\"wp-caption-text\">Patti Smith and her Nuggets at Park West, Chicago 12\/21\/17. Photo by Lauren Deutsch.<\/p><\/div>\n<p>Extraordinarily for a New Year&#8217;s Eve party, in the middle of a\u00c2\u00a0show which had the immediacy of something thrown together with and for friends, Smith broke into talking about people\u00c2\u00a0less fortunate that those of us who&#8217;d gathered at some cost just for a good time. It was as if she made it easier to enjoy by acknowledged how fucked up things are, on so many levels.<\/p>\n<p>She complained of not understanding why people who need blankets can&#8217;t be given them, people who need food or water aren&#8217;t provided for <em>of course,<\/em> and segued into her sympathies\u00c2\u00a0for Syrian refugees and others displaced by war.<\/p>\n<p>This came off not as\u00c2\u00a0a\u00c2\u00a0self-righteous didactic political statement but straightforward\u00c2\u00a0personal expression and the crowd responded with a long\u00c2\u00a0moment of quiet solemnity. Which Smith broke by mentioning<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ZgubG-MOPT4\" width=\"410\" height=\"248\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\u00c2\u00a0that she and the band were supposed to be revving up to a climactic midnight, so\u00c2\u00a0the drummer resumed rocking, guitars chimed in, she sang with a throb and a catch in her voice, bass lines led in a bumptious way to spinning, glinting, swirling disco-ball lights and a cascade from the ceiling of colored balloons &#8212; &#8220;Happy New Year! \u00c2\u00a0Stay strong!&#8221;<\/p>\n<p><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\">All JBJ posts <\/a> |<\/p>\n<p><script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ushering in 2017 with Patti Smith and band at Chicago&#8217;s Park West New Year&#8217;s Eve was inspiriting for us\u00c2\u00a0of a certain age and artsy disposition. Grey-haired but loose and limber &#8212; funny, fierce, profane and poetically incantatory &#8212; Smith celebrated her 70th birthday in the city of her origin\u00c2\u00a0as if for all boomers and our [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2151,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[1455,101,1355,1393,1457,1453,1452,1456,1451,1454],"class_list":{"0":"post-2149","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"tag-we-must-not-behave","9":"tag-chicago","10":"tag-howard-mandel","11":"tag-lauren-deutsch","12":"tag-lenny-kaye","13":"tag-my-generation","14":"tag-new-years-eve","15":"tag-park-west","16":"tag-patti-smith","17":"tag-stay-strong","18":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/01\/15781600_10154044591075925_3837859328854019754_n.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-yF","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2252,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/06\/great-new-jazz-photography-2-lauren-deutschs-made-in-chicago-portfolio.html","url_meta":{"origin":2149,"position":0},"title":"Great new jazz photography #2: Lauren Deutsch&#8217;s Made in Chicago portfolio","author":"Howard Mandel","date":"June 22, 2017","format":false,"excerpt":"\"Made in Chicago\" is true of the photography of Lauren Deutsch, and also the name of the four-day-long collaborative jazz festival she's organized in Poznan, Poland\u00c2\u00a0for the past 12 years as artistic director (formerly with Wojceich Juszcsak)\u00c2\u00a0on behalf of the Jazz Institute of Chicago. The theme of this year's fest\u2026","rel":"","context":"In \"Ben LaMar Gay\"","block_context":{"text":"Ben LaMar Gay","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/ben-lamar-gay"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/06\/ODBI.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2067,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2016\/07\/chicagos-free-summer-music-cornucopia-deutsch-pokempner-photos.html","url_meta":{"origin":2149,"position":1},"title":"Chicago&#8217;s free summer music cornucopia &#8211; Deutsch, PoKempner photos","author":"Howard Mandel","date":"July 20, 2016","format":false,"excerpt":"With a 10th annual\u00c2\u00a0Latin Jazz festival produced in the neighborhood Humboldt Park by the Jazz Institute of Chicago and dynamite downtown concerts with headliners such as Nigerian juju star King Sunny Ad\u00c3\u00a9 and Afro-Cuban progressive Eddie Palmieri put on by DCASE, the city's Department of Cultural Affairs and Special Events,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/07\/MPK2791.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/07\/MPK2791.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/07\/MPK2791.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/07\/MPK2791.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":116,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/08\/jazz_fests_of_august.html","url_meta":{"origin":2149,"position":2},"title":"Jazz fests of August","author":"Howard Mandel","date":"August 23, 2008","format":false,"excerpt":"Free jazz fests across the U.S. mark summer's glorious end. Manhattan's Charlie Parker festival (held Saturday Aug. 23 and Sunday 24 in Marcus Garvey park uptown and Tompkins Square Park downtown), the Chicago Jazz Festival (which formally starts Thursday Aug 28 with Sonny Rollins at downtown Grant Park's Petrillo bandshell)\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3000,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2022\/08\/who-plays-the-saxophone-and-why.html","url_meta":{"origin":2149,"position":3},"title":"Who plays the saxophone? And why?","author":"Howard Mandel","date":"August 31, 2022","format":false,"excerpt":"I love the sound of a saxophone, or rather the broad range of sounds available from this family of reeds The author, who has never been very serious about his alto playing, with apologies to Neil Tesser on tenor sax, Jim Baker on guitar; photo by Lauren Deutsch instruments. Breathy,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/08\/1988-Chicago-Tenors-DuSable-Walter-Dyett-Reunion.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/08\/1988-Chicago-Tenors-DuSable-Walter-Dyett-Reunion.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/08\/1988-Chicago-Tenors-DuSable-Walter-Dyett-Reunion.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/08\/1988-Chicago-Tenors-DuSable-Walter-Dyett-Reunion.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/08\/1988-Chicago-Tenors-DuSable-Walter-Dyett-Reunion.jpeg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1782,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2015\/03\/ornette-honored-and-playing-in-prospect-park-june-2014.html","url_meta":{"origin":2149,"position":4},"title":"Ornette honored and playing in Prospect Park June 2014","author":"Howard Mandel","date":"March 9, 2015","format":false,"excerpt":"In honor of Ornette Coleman's 85th birthday (today, March 9), here's my report from the last time he performed in New York City -- at an extraordinary concert in his honor with Patti Smith, Laurie Anderson, Thurston Moore, Nels Cline, Sonny Rollins and many more at Prospect Park, Brooklyn. Originally\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/03\/ornette-threadgill-murray-roney-e1404264891893.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/03\/ornette-threadgill-murray-roney-e1404264891893.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/03\/ornette-threadgill-murray-roney-e1404264891893.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/03\/ornette-threadgill-murray-roney-e1404264891893.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/03\/ornette-threadgill-murray-roney-e1404264891893.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/03\/ornette-threadgill-murray-roney-e1404264891893.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2299,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/09\/chicago-jazz-fest-expanded-review-deutsch-photos.html","url_meta":{"origin":2149,"position":5},"title":"Chicago Jazz Fest expanded review &#038; Deutsch photos","author":"Howard Mandel","date":"September 5, 2017","format":false,"excerpt":"My DownBeat review of the 39th annual\u00c2\u00a0Chicago Jazz Festival held over Labor Day weekend in and spilling out of Millennium Park, highlights the best I heard -- including the specially\u00c2\u00a0organized\u00c2\u00a0big band led by trumpeter Jon Faddis, making big fun\u00c2\u00a0from his mentor Dizzy Gillespie's fresh-as-fire arrangements dating 60 to 70 years\u2026","rel":"","context":"In \"Antonio Hart\"","block_context":{"text":"Antonio Hart","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/antonio-hart"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/21427448_10154723372000925_592689889155703020_o.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/2149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=2149"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/2149\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/2151"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=2149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=2149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=2149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}