{"id":168,"date":"2009-03-11T10:36:29","date_gmt":"2009-03-11T14:36:29","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2009\/03\/pbs_fundraising_week_jazz_soul\/"},"modified":"2019-09-13T14:00:58","modified_gmt":"2019-09-13T18:00:58","slug":"pbs_fundraising_week_jazz_soul","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/03\/pbs_fundraising_week_jazz_soul.html","title":{"rendered":"PBS fundraising week: jazz & soul tv abounds"},"content":{"rendered":"

What gets New Yorkers to watch and\/or contribute to PBS? Jazz, blues, r&b — American vernacular music, of course.<\/p>\n

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I assume it’s time for\u00c2\u00a0WLIW<\/a>‘s spring fundraiser, for instance, because “New York Public Television” has scheduled for one evening (March 11) of prime time the smooth r&b couple Ashford and Simpson<\/a> in performance at Feinstein’s at Loews Regency<\/a>; photogenic trumpeter\u00c2\u00a0Chris Botti<\/p>\n
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Chris Botti – promotional photo<\/p><\/div>\n

performing with John Mayer, Josh Groban, Steve Tyler and the Boston Pops, and the 1959 broadcast “The Sound of Miles Davis,”<\/a> featuring music from the trumpeter’s classic album Kind of Blue<\/a><\/span>, now 50 years old and satisfying as ever.<\/div>\n

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This tv show, produced between the album’s two recording sessions, has kerchief-wearing Davis leading John Coltrane, Wynton Kelly, Paul Chambers and Jimmy Cobb through “So What”<\/a> (but not Cannonball Adderley and Bill Evans, who also were key to the music’s success). Shot in black and white with an air of intensity and reverence, the show also includes Davis’ great friend and collaborator Gil Evans gently conducting a chamber orchestra. It has been available on various video collections for years, and of course can be viewed on YouTube<\/a>, too.<\/div>\n
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\nThe rendition of “So What” is close to the album version, taken at the same teasingly moderate tempo rather than sped up as in many of Davis’ subsequent recordings. There’s faint riffing from a trombone section under the end of Miles’ solo, and pianist Kelly doesn’t know what to do with the modal basis of the piece as well as Bill Evans who plays it on the album. But hey, it’s Miles and Trane, captured in their full glory, and fans are thankful it exists at all.<\/p>\n

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That fact and the enduring popularity of good jazz performances on video apparently leads PBS stations to air such shows (the Stax\/Volt revue, captured in Oslo, 1967, was on WLIW just a few weeks ago) during fundraising and rating periods. Which always leads me to wonder why there’s not more jazz video by artists in their prime being produced now. PBS’s\u00c2\u00a0Legends of Jazz <\/a>series hosted by Ramsey Lewis put a square frame on the hippest improvs,\u00c2\u00a0BET<\/a> formalized its jazz-in-the-studio shots and seems to have abandoned such efforts, and David Sanborn’s Night Music<\/a><\/span> from way back in ’88 and ’90 remains the best “recent” attempt.<\/div>\n
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Is it too expensive to get jazz players on camera? Too chancy that their spontaneous playing will fail? Simply not enough audience for this stuff? Then why does PBS trot it out when the viewing numbers are important and\/or there’s money to be asked for?<\/div>\n
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