{"id":150,"date":"2009-01-06T09:19:27","date_gmt":"2009-01-06T14:19:27","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2009\/01\/hope_we_still_hope_we_can_beli\/"},"modified":"2011-04-28T16:34:21","modified_gmt":"2011-04-28T20:34:21","slug":"hope_we_still_hope_we_can_beli","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/01\/hope_we_still_hope_we_can_beli.html","title":{"rendered":"Hope we still hope we can believe in"},"content":{"rendered":"<p>We &#8212; I &#8212; need a deep-winter burst of positivity. The Presidential election was <span class=\"Apple-style-span\" style=\"font-style: italic;\">two months<\/span> ago, and nothing has changed! Except the pres-elect is getting heat for all he hasn&#8217;t done (bring peace to Israel-Gaza, fix the economy, justify appointments) while the sitting lame duck gets a virtual pass for what he&#8217;s ignoring (Israel-Gaza), what he&#8217;s flubbed (US economy, world affairs, environment &#8212; need more examples?) and what he&#8217;s doing now (opening wilderness to development, putting appointees in protected jobs, spinning his legacy).<\/p>\n<div><\/div>\n<div>So <a href=\"http:\/\/www.youtube.com\/watch?v=NmuS3cG1qTY\">here&#8217;s<\/a>\u00c2\u00a0an Obama praise song by Fula Flute, an internationally-constituted band featuring a felicitous West African sound: two unusual flutes in not-quite-unison, kora and balafon, upright bass, congas. Vocalist Adoulaye Diabate sings, &#8220;If you&#8217;re looking for a great leader, you have to find a good person . . . Good evening, Barack Obama.&#8221; Fula Flute dedicates its new, second album <span class=\"Apple-style-span\" style=\"font-style: italic;\"><a href=\"http:\/\/www.amazon.com\/Mansa-America\/dp\/B001OHV76E\/?tag=howardmacom-20\">Mansa America<\/a><\/span>\u00c2\u00a0to Big O, with the note &#8220;May he help lead the World into a new enlightened era.&#8221; Amen to that.\u00c2\u00a0<\/div>\n<div>\n<div><\/div>\n<\/div>\n<p><a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\">Subscribe by Email <\/a> <br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by  RSS<\/a> <br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a><br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>We &#8212; I &#8212; need a deep-winter burst of positivity. The Presidential election was two months ago, and nothing has changed! Except the pres-elect is getting heat for all he hasn&#8217;t done (bring peace to Israel-Gaza, fix the economy, justify appointments) while the sitting lame duck gets a virtual pass for what he&#8217;s ignoring (Israel-Gaza), [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[142,141],"class_list":{"0":"post-150","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-fula-flute","8":"tag-obama-praise","9":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-2q","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":295,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/02\/robert_dicks_contrabass_flute.html","url_meta":{"origin":150,"position":0},"title":"Robert Dick&#8217;s big bad flute","author":"Howard Mandel","date":"February 11, 2010","format":false,"excerpt":"Flutists drawn to the instrument's floating high pitch also want to get down, according to Robert Dick, world master of the contrabass flute and extended flute techniques. He demonstrated this truism Monday at Dixon Place (NYC) with an improv titled \"Fumarole,\" after the undersea vents for volcanic gasses that support\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1004,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/08\/first-impressions-on-new-jazzbluesimprov-releases.html","url_meta":{"origin":150,"position":1},"title":"First impressions on new jazz\/blues\/improv releases","author":"Howard Mandel","date":"August 24, 2012","format":false,"excerpt":"Away for a week, upon my return I'm looking at 30 new releases, a surprising number for late August. Of course they've been pouring in all summer -- this has been an extraordinary season for the issue of ambitious new projects by young artists and veterans both. Here are some\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/08\/holdmymule_front_norm.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":274,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/11\/best_beyond_jazz_recordings_of.html","url_meta":{"origin":150,"position":2},"title":"Best beyond &#8220;jazz&#8221; CDs of 2009","author":"Howard Mandel","date":"November 27, 2009","format":false,"excerpt":"My 10 top CDs of 2009 blow past conventions to enrich jazz, blues, new and unusual music. They're chosen from almost 1000 I received for review -- an abundance of fine releases since November 2008, the full year following Barack Obama's election to president.Maybe it's coincidence that fresh thinking, spirited\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":51,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/11\/tenacious_esprit.html","url_meta":{"origin":150,"position":3},"title":"Tenacious esprit","author":"Howard Mandel","date":"November 30, 2007","format":false,"excerpt":"Rumor is the scene is gone -- but \"downtown\" improvisers persist: \"free\" music\/art vs. real estate and what-have-you . . . \"I hope nobody came here tonight expecting anything to happen,\" announced Barre Phillips, who looks a lot like George (rant) Carlin, onstage at Barbes, Brooklyn's main jazz stage, last\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"4altos.forweb.500X376.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/4altos.forweb.500X376.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":276,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/12\/treasures_of_youtube_dolphy_fl.html","url_meta":{"origin":150,"position":4},"title":"Treasures of YouTube: Dolphy, flute; Mingus &#8220;Meditations&#8221;","author":"Howard Mandel","date":"December 5, 2009","format":false,"excerpt":"Eric Dolphy\u00a0solos beautifully then uses his bass clarinet for the ensemble line of bassist\/composer\/bandleader Charles Mingus \"Meditations on Integration\" in this 1964 clip, which warms my dank, chill afternoon in Brooklyn.\u00a0Jaki Byard on piano, and dapper Danny Richmond, drums.\u00a0howardmandel.com Subscribe by Email | Subscribe by RSS | Follow on Twitter\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1448,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/11\/let-us-now-praise-help-and-hear-semi-famous-jazz-men.html","url_meta":{"origin":150,"position":5},"title":"Let us now praise, help and hear should-be-famous jazz men","author":"Howard Mandel","date":"November 22, 2013","format":false,"excerpt":"Two celebratory benefit jazz concerts in New York City this weekend: tonight (11\/22) a tribute to alto saxophonist\u00c2\u00a0Arthur Blythe\u00c2\u00a0featuring his fellow altoist Oliver Lake, poet\/cultural critic Amiri Baraka,\u00c2\u00a0tubaist Bob Stewart and guitarists Kelvyn Bell and Vernon Reid, among others at\u00c2\u00a0Shapeshifter Lab\u00c2\u00a0in Brooklyn;\u00c2\u00a0Sunday (11\/24)\u00c2\u00a0starting at 4 pm\u00c2\u00a0a 78th birthday show for\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"lenox","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/11\/lenox.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=150"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/150\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}