{"id":1438,"date":"2013-10-02T21:05:42","date_gmt":"2013-10-03T01:05:42","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=1438"},"modified":"2019-09-12T16:12:08","modified_gmt":"2019-09-12T20:12:08","slug":"gordon-marshall-boston-music-poet","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/10\/gordon-marshall-boston-music-poet.html","title":{"rendered":"Gordon Marshall, Boston music poet"},"content":{"rendered":"<p>Boston-based poet <strong>Gordon Marshal<\/strong>l has published 12 collections of his works, and is currently blogging on <a href=\"http:\/\/theflashboston.com\">The Flash: jazz, noise, psych from the house scene in Boston<\/a>.\u00c2\u00a0There he writes prose. All his poetry is musical, whether directly about music or not. See also my report about <a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/10\/boston-doubles-down-on-jazz.html\">Boston doubling down on jazz<\/a>.<\/p>\n<p style=\"text-align: left; padding-left: 240px;\"><strong>Different Colors<\/strong><\/p>\n<p style=\"text-align: left; padding-left: 240px;\">The silence of the streets<br \/>\nIn the outdoor night<br \/>\nRemembered to Miles Davis&#8217;<br \/>\nPangaea, the bopping beat<br \/>\nElectric, going nowhere<br \/>\nAnd everywhere, Sonny Fortune<br \/>\nSax loping a loop around<br \/>\nThe city street I remember,<br \/>\nUnder the eye of the clock<br \/>\nSwitching and sorting<br \/>\nMy strides, heavy to slow<br \/>\nTo rapid and light,<br \/>\nSeeing what is comfortable<br \/>\nUnder city light, now green<br \/>\nNow lavender pink,<br \/>\nIt makes me think of the jazz<br \/>\nI&#8217;m hearing, now as I switch gear,<br \/>\nAnd Miles Davis the mechanic<br \/>\nMulching the chords,<br \/>\nMutating, altering the step<br \/>\nOf unfolding harmonies<br \/>\nLike the panoply of lights<br \/>\nFlashing at odd intervals<br \/>\nIn different colors, like the music<\/p>\n<p style=\"text-align: left; padding-left: 90px;\"><strong>Yoko&#8217;s Piano<\/strong><\/p>\n<p style=\"padding-left: 90px;\">Suck on a wet fruit, a grapefruit,<br \/>\nSay, pink and succulent and sour<br \/>\nYoko&#8217;s piano the sweetness of<\/p>\n<p style=\"padding-left: 90px;\">The hour, the lilt, the wilt,<br \/>\nThe fadeless flower<br \/>\nBringing its pollen to my nose<\/p>\n<p style=\"padding-left: 90px;\">I&#8217;m in a close place<br \/>\nPerspiring sweat with her<br \/>\nHolding my hand like her song<\/p>\n<p style=\"padding-left: 90px;\">The phrases I say<br \/>\nFilled with her music<br \/>\nJolty, jaunty fingering<\/p>\n<p style=\"padding-left: 90px;\">Filling up my mind<br \/>\nThe grapefruit rind so delectable<br \/>\nI have to eat it, too<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1440\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/10\/sonny.jpeg\" alt=\"sonny\" width=\"226\" height=\"223\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/10\/sonny.jpeg 226w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/10\/sonny-70x70.jpeg 70w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/10\/sonny-110x110.jpeg 110w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/p>\n<p style=\"padding-left: 270px;\"><strong>Way Out West (Sonny Rollins)<\/strong><\/p>\n<p style=\"padding-left: 270px;\">A space between two notes<br \/>\nCirculated, extended<br \/>\nRush of scales<br \/>\nPouring out between<\/p>\n<p style=\"padding-left: 270px;\">Brash, elated joy<br \/>\nFunky as chili chocolate<br \/>\nBrass bell a mermaid tail<br \/>\nIn a seaman&#8217;s tale<\/p>\n<p style=\"padding-left: 270px;\">Sonny at the go<br \/>\nGardening with his hoe<br \/>\nA crop of brown potatoes<br \/>\nDeep in the salty soil<\/p>\n<p style=\"padding-left: 270px;\">Jerk back like a fisher<br \/>\nReeling in a round<br \/>\nFire fugue in a circle<br \/>\nIgniting the Western town<\/p>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><\/p>\n<p><a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email or RSS<\/a><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Boston-based poet Gordon Marshall has published 12 collections of his works, and is currently blogging on The Flash: jazz, noise, psych from the house scene in Boston.\u00c2\u00a0There he writes prose. All his poetry is musical, whether directly about music or not. See also my report about Boston doubling down on jazz. Different Colors The silence [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1438","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry","8":"has-post-thumbnail"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-nc","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":227,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/08\/best_review_ever_of_miles_orne.html","url_meta":{"origin":1438,"position":0},"title":"best review ever of Miles Ornette Cecil &#8212; Jazz Beyond Jazz","author":"Howard Mandel","date":"August 2, 2009","format":false,"excerpt":"I'm humbled by writer-poet-performance artist\u00c2\u00a0Kirpal Gordon's appreciation of and insight into my book on the avant garde through the models of Miles Davis, Ornette Coleman and Cecil Taylor, in the just-posted NOLA issue of Big Bridge magazine. He's captured my intent and says I accomplished what I meant to. See\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1429,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/10\/boston-doubles-down-on-jazz.html","url_meta":{"origin":1438,"position":1},"title":"Boston doubles down on jazz","author":"Howard Mandel","date":"October 2, 2013","format":false,"excerpt":"Boston -- historically stuffy but blue-blood liberal, devoted to higher education, high finance and professional sports -- is now doubling down on itself as a world-class jazz city. Berklee College of Music,\u00c2\u00a0nearly 4500\u00c2\u00a0students strong and \u00c2\u00a0an economic engine onto itself, is\u00c2\u00a0generating energy that enlivens Boston's \u00c2\u00a0neighborhoods, drawing in general\u00c2\u00a0audiences with\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"beantown stroll","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/10\/beantown-stroll.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":168,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/03\/pbs_fundraising_week_jazz_soul.html","url_meta":{"origin":1438,"position":2},"title":"PBS fundraising week: jazz &#038; soul tv abounds","author":"Howard Mandel","date":"March 11, 2009","format":false,"excerpt":"What gets New Yorkers to watch and\/or contribute to PBS? Jazz, blues, r&b -- American vernacular music, of course. I assume it's time for\u00c2\u00a0WLIW's spring fundraiser, for instance, because \"New York Public Television\" has scheduled for one evening (March 11) of prime time the smooth r&b couple Ashford and Simpson\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"http:\/\/tbn0.google.com\/images?q=tbn:5ORQ93UF_SI9NM:http:\/\/kjzz.org\/music\/interviews\/2008\/chrisbottiview\/Botti1.jpg","width":350,"height":200},"classes":[]},{"id":3074,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2023\/04\/36-jazz-heroes-in-32-us-cities-and-there-are-many-more.html","url_meta":{"origin":1438,"position":3},"title":"36 Jazz Heroes in 32 US cities &#8211; and there are many more","author":"Howard Mandel","date":"April 6, 2023","format":false,"excerpt":"The Jazz Journalists Association announces the 2023 Jazz Heroes -- \"activists, advocates, altruists, aiders and abettors of jazz,\" formerly the A Team -- emphasizing as it has annually since 2001 that jazz is culture that comes from the ground up, by individuals crossing all demographic categories, working frequently with others\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":939,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/06\/news-talk-doesnt-replace-jazz-programming.html","url_meta":{"origin":1438,"position":4},"title":"News-talk doesn&#8217;t replace jazz programming","author":"Howard Mandel","date":"June 23, 2012","format":false,"excerpt":"Of the many postings about Boston radio station WGBH's misguided downgrading of its signature jazz coverage -- managing director Phil Redo has announced the removal of long- beloved prime time show host Eric Jackson to weekends only, the end of producer Steve Schwartz's Friday night show, and the cut back\u2026","rel":"","context":"In &quot;about&quot;","block_context":{"text":"about","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/about"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/06\/eric-jackson.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":18,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/07\/diversions_tangents_expedition.html","url_meta":{"origin":1438,"position":5},"title":"Diversions, tangents, expeditions","author":"djm","date":"July 18, 2007","format":false,"excerpt":"Jazz Beyond Jazz Jose Reyes' Jazz Con Class Roanna Forman's Boston Jazz Blog David Hadju's The Famous Door Matt Miller's tuneOUToptIN Richard Mitnick's Musicsprings A Blog Supreme (NPR) George Grella's The Big City Sebastian Scotney's LondonJazz Alex W. Rodriguez's Lubricity Ralph Mirlello's Notes on Jazz","rel":"","context":"In &quot;blogroll&quot;","block_context":{"text":"blogroll","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/blogroll-2"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/1438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=1438"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/1438\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=1438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=1438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=1438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}