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Click here to send me an email…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-14","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-about","7":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-e","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":385,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/03\/president_obama_digs_sonny_rol.html","url_meta":{"origin":14,"position":0},"title":"President Obama digs Sonny Rollins","author":"Howard Mandel","date":"March 3, 2011","format":false,"excerpt":"President Barack Obama paid beautiful lip service to great American artists and arts yesterday, conferring the 2010 National Medal of Arts and Humanities on heroes including Sonny Rollins, age 80. \"I speak personally here,\" said the president at 3 minutes, 30 seconds into his address, alluding to authors, poets, historians,\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":328,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/07\/italy_here_i_come.html","url_meta":{"origin":14,"position":1},"title":"Italy here I come","author":"Howard Mandel","date":"July 21, 2010","format":false,"excerpt":"The Siena Jazz Workshop has me present my book Miles Ornette Cecil - Jazz Beyond Jazz (buy it for your Kindle!) Sunday, July 25 at 10 am (yes, in Siena, Italy).\u00a0Can you suggest unmissable music in Tuscany (or Vetirbo through July 31? In Siena I'll talk and show brief bits\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"siena square.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/siena%20square.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":557,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/10\/funky-freqs-and-other-blues-derivations-in-nyc.html","url_meta":{"origin":14,"position":2},"title":"Funky freqs and other blues derivations in NYC","author":"Howard Mandel","date":"October 14, 2011","format":false,"excerpt":"There's not enough hard-core blues 'n' funk in New York City -- that's the premise of my new City-Arts column, prompted by the Free Form Funky Freqs (Vernon Reid, Jamaaladeen Tacuma, G. Calvin Weston) performing at the Stone two Fridays ago. If this kind of power trio (or quartet --\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":283,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/arts_presenters_meet_jazz_jour.html","url_meta":{"origin":14,"position":3},"title":"Arts Presenters meet Jazz Journalists","author":"Howard Mandel","date":"January 3, 2010","format":false,"excerpt":"The Jazz Journalists Association has scheduled a multi-faceted professional conference for Jan 8 - 12 in NYC, concurrent with the Association of Performing Arts Presenters annual conference (which is producing a Special Focus on Jazz), the two-night multi-venue\u00a0Winter Jazzfest, one-night but multi-stage\u00a0globalFEST, and the Nat'l Endowment of the Arts's presentation\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":881,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/04\/grants-for-visual-arts-journalists.html","url_meta":{"origin":14,"position":4},"title":"Grants for (visual) arts journalists","author":"Howard Mandel","date":"April 25, 2012","format":false,"excerpt":"Creative Capital and the Warhol Foundation have an idea I adore: Offer grants \"directly to individual writers . . . \u00c2\u00a0in recognition of both the financially precarious situation of arts writers and their indispensable contribution to a vital artistic culture.\" From the Request for Proposals: The program, which issues awards\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":333,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/08\/twitter_campaign_jazzlives_aft.html","url_meta":{"origin":14,"position":5},"title":"Twitter campaign #jazzlives after one year","author":"Howard Mandel","date":"August 26, 2010","format":false,"excerpt":"#Jazzlives -- the Twitter campaign aimed at demonstrating that there is a big and enthusiastic audience for live jazz -- is one year old. What has it wrought? First: What is #jazzlives and how does it work? To participate in the campaign, audience members at live jazz performances \"tweet\" -\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/14\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=14"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=14"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}