{"id":137,"date":"2008-11-05T09:00:59","date_gmt":"2008-11-05T14:00:59","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2008\/11\/the_jazz_of_victory_and_celebr\/"},"modified":"2011-04-28T16:34:22","modified_gmt":"2011-04-28T20:34:22","slug":"the_jazz_of_victory_and_celebr","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/11\/the_jazz_of_victory_and_celebr.html","title":{"rendered":"The jazz of victory and celebration"},"content":{"rendered":"<p>It&#8217;s odd that of all the nuances of expression jazz can convey, the thrill of victory and celebration of success is hard to find among the music&#8217;s classics. Barack Obama&#8217;s heartening win of the presidency prompts me to search out joyous music, but I can&#8217;t think of a movement akin to the bells ringing in Tchaikovsky&#8217;s &#8220;1812 Overture&#8221; in the repertoire of Miles, Ornette, Cecil or Coltrane, Mingus, Monk, Bird and Diz, or Ellington, Basie and Goodman. The crowning last chorus of Armstrong&#8217;s &#8220;<a href=\"http:\/\/www.last.fm\/music\/Louis+Armstrong\/_\/Tight+Like+This\">Tight LIke This<\/a>&#8221; comes to mind, though the satisfaction bespoke in the trumpeter&#8217;s final ringing notes seems to reflect gratification that&#8217;s more personal than socio-political. Where&#8217;s jazz&#8217;s happy party music?<\/p>\n<p><!--more--><br \/>\nMaybe it&#8217;s the legacy of the blues that mutes the music&#8217;s sense of triumph. There are a lot of good-time and fun sounds in jazz &#8212; think irrepressible Fats Waller, upbeat Wes Montgomery, exuberant Sonny Rollins &#8212; but there is very little that smacks of the self-congratulatory feelings that winners can justifiably indulge after coming out on top of prolonged and difficult campaigns. Jazz seems to temper its joy with the thought that the struggle continues and it&#8217;s folly to forget that for even a moment.<\/p>\n<div><\/div>\n<div>I&#8217;m not suggesting the music is uptight &#8212; I think jazz music is the best (and the jazz subset funk is a close second) at getting loose and staying that way &#8217;til all participants are moved to get even looser. But for a soundtrack to what I experienced after Barack Obama&#8217;s world-changing victory\u00c2\u00a0last night, in a cab dodging revelers just plain thrilled with the outcome throughout the streets of Brooklyn, there&#8217;s not much that stands as apropos.\u00c2\u00a0<\/div>\n<div><\/div>\n<div>Well, here&#8217;s one thought: for sheer giddiness and the outright glorification of excellent collective accomplishment, give a listen to the 2 minutes 41 seconds of Duke Ellington&#8217;s <a href=\"http:\/\/www.last.fm\/music\/Duke+Ellington\/_\/Braggin%27+In+Brass\">&#8220;Braggin&#8217; In Brass.&#8221;<\/a><\/div>\n<div>\n<div><\/div>\n<div><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\">howardmandel.com<\/a> <\/div>\n<div>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by Email or  RSS<\/a> <br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a><br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> \n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s odd that of all the nuances of expression jazz can convey, the thrill of victory and celebration of success is hard to find among the music&#8217;s classics. Barack Obama&#8217;s heartening win of the presidency prompts me to search out joyous music, but I can&#8217;t think of a movement akin to the bells ringing in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[103,20,24,102],"class_list":{"0":"post-137","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-duke-ellington","8":"tag-jazz","9":"tag-louis-armstrong","10":"tag-obama-victory","11":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-2d","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":237,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/08\/smithsonian_jazz_09-10_four_sh.html","url_meta":{"origin":137,"position":0},"title":"Smithsonian jazz &#8217;09-&#8217;10: four shows and JAM","author":"Howard Mandel","date":"August 14, 2009","format":false,"excerpt":"\u00a0Cannonball Adderley, Mary Lou Williams and Freddie Hubbard are celebrated in Smithsonian Institution concerts next October, February and April; a December \"Swingin' in the Holidays\" performance by the Smithsonian Jazz Masterworks Orchestra completes its year's jazz offerings. Well, there's also\u00a0Jazz Appreciation Month\u00a0in\u00a0April (otherwise known for fools and taxes) during which\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1784,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2015\/03\/jazz-health-is-not-in-its-reported-records-sales.html","url_meta":{"origin":137,"position":1},"title":"Jazz health is not in its reported records sales","author":"Howard Mandel","date":"March 14, 2015","format":false,"excerpt":"Terry Teachout in his About Last Night posting \"Jazz, by the numbers\"\u00c2\u00a0conflates falling numbers of jazz cd sales with the health of the music itself. Understandable mixup, way too simple. Feeling he was burned by criticism of his 2009 Wall Street Journal column\u00c2\u00a0about the National Endowment for the Arts Survey\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/03\/to-jazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/03\/to-jazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/03\/to-jazz.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":287,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/beyond_jazz_conventions_from_n.html","url_meta":{"origin":137,"position":2},"title":"Beyond &#8220;jazz&#8221; conventions from NEA Jazz Masters","author":"Howard Mandel","date":"January 14, 2010","format":false,"excerpt":"Jazz, defined by creativity, pushes boundaries -- a fact alluded to and demonstrated by two of the new NEA Jazz Masters at the gratifying if lengthy ceremony and concert held at Rose Theater of Jazz at Lincoln Center on Tuesday, Jan 12. Muhal Richard Abrams and Yusef Lateef were inducted\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":406,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/07\/symphonic_jazz_compositions_bi.html","url_meta":{"origin":137,"position":3},"title":"Symphonic &#8220;jazz&#8221; compositions, big bands and holiday blasts","author":"Howard Mandel","date":"July 3, 2011","format":false,"excerpt":"The American Composers Orchestra readings of short symphonic works by jazz-oriented composers which I wrote of in my CityArts column and posted about here are now available to hear, thanks to Lara Pelligrinelli at NPR's A Blog Supreme. The 23rd annual BMI\/New York Jazz Orchestra concert, featuring \"New Works for\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":128,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/10\/festive_jazzy_time_of_the_year.html","url_meta":{"origin":137,"position":4},"title":"Jazz time-out of the year?","author":"Howard Mandel","date":"October 1, 2008","format":false,"excerpt":"A major international jazz festival right now in Washington D.C.? How odd: Is it the End of Times? Are we fiddlin' while Rome burns? Or could it be a new beginning?\u00c2\u00a0Ignore the credit crisis, the vp debates, end-game positioning by the One and the Other, Rosh Hashanah and Eid, Cubs\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":158,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/02\/eddie_palmieri_sets_jazz_at_li.html","url_meta":{"origin":137,"position":5},"title":"Eddie Palmieri sets Jazz at Lincoln Center afire","author":"Howard Mandel","date":"February 9, 2009","format":false,"excerpt":"Eddie Palmieri, the genius and prophet of Afro-Caribbean jazz, showed Herbie Hancock, maybe Wynton Marsalis and certainly the roaring audience at Jazz at Lincoln Center's Rose Hall a thing or three last weekend. His band La Perfecta II, reconstituting the instrumentation and compositions for mambo, cha-cha and pachanga dancing Palmieri\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=137"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/137\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}