{"id":124,"date":"2008-09-21T11:45:44","date_gmt":"2008-09-21T15:45:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2008\/09\/jazz_and_politics_show_of_hand\/"},"modified":"2019-09-13T14:15:41","modified_gmt":"2019-09-13T18:15:41","slug":"jazz_and_politics_show_of_hand","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/09\/jazz_and_politics_show_of_hand.html","title":{"rendered":"Presidential politics and jazz: Show of hands"},"content":{"rendered":"<p>Google &#8220;Obama&#8221; and &#8220;jazz&#8221; and <a href=\"http:\/\/www.artsjournal.com\/mt4\/mt-search.cgi?tag=Barack%20Obama%20jazz&amp;IncludeBlogs=24\">this\u00c2\u00a0<span class=\"Apple-style-span\" style=\"color: #333333;\">Jazz Beyond Jazz<\/span>\u00c2\u00a0post<\/a>\u00c2\u00a0comes up second! The search engine flatters, so here&#8217;s more research on the connection\/support of the jazz world for the candidates, and the candidates of jazz (as a fundamental American cultural phenomenon).<\/p>\n<div><\/div>\n<div>This <a href=\"http:\/\/my.barackobama.com\/page\/outreach\/view\/main\/JazzforObama\">concert<\/a>\u00c2\u00a0seems indicative of most jazz musicians&#8217; preference:<\/p>\n<div><\/div>\n<div><img decoding=\"async\" src=\"http:\/\/my.barackobama.com\/page\/outreach\/picture\/CrW\/300\/500\" \/><\/p>\n<div>\n<div><\/div>\n<div>(gen&#8217;l admission: $100; vip seats and post-show reception: $250; students\/seniors, $50).<\/div>\n<div><\/div>\n<div>Comparable events\u00c2\u00a0last week in <a href=\"http:\/\/www.democrats.org\/page\/event\/detail\/social\/4vkmc -- Cincinnatti, Ohio Sept. 20\">Cincinnati, Ohio<\/a>\u00c2\u00a0and Oct. 12 in<a href=\"http:\/\/kansascity.kijiji.com\/c-Events-Obama-Fundraiser-Dick-Gregory-Birthday-Celebration-W0QQAdIdZ70897947\"> Kansas City MO<\/a>, with Dick Gregory as keynote speaker on the occasion of his 76th birthday. This afternoon in Brooklyn, Jazz Passenger alto saxophonist\/storyteller <a href=\"http:\/\/http:\/\/www.amazon.com\/Implement-Yourself-Jazz-Passengers\/dp\/B0000030EW\/?tag=howardmacom-20\">Roy Nathanson<\/a> hosts a party at which attendees\u00c2\u00a0supporting Obama\u00c2\u00a0will call voters in swing-states, making the case. Further such jazz activism seems likely.<\/div>\n<div><\/div>\n<div>Not to be unfair to the other side: Google &#8220;McCain&#8221; and &#8220;jazz&#8221; and the top relevant result: the Senator flashing jazz hands.<\/div>\n<div><\/div>\n<div><img decoding=\"async\" class=\"mine_1121507\" src=\"http:\/\/punditkitchen.files.wordpress.com\/2008\/05\/political-pictures-john-mccain-jazz-hands.jpg\" alt=\"Political Picture - John McCain\" \/><\/div>\n<div><\/div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email or RSS<\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts <\/a><br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Google &#8220;Obama&#8221; and &#8220;jazz&#8221; and this\u00c2\u00a0Jazz Beyond Jazz\u00c2\u00a0post\u00c2\u00a0comes up second! The search engine flatters, so here&#8217;s more research on the connection\/support of the jazz world for the candidates, and the candidates of jazz (as a fundamental American cultural phenomenon). This concert\u00c2\u00a0seems indicative of most jazz musicians&#8217; preference: (gen&#8217;l admission: $100; vip seats and post-show reception: [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[20,73,72],"class_list":{"0":"post-124","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-jazz","8":"tag-mccain","9":"tag-obama","10":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-20","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":211,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/06\/michelle_obama_refutes_jazz_as.html","url_meta":{"origin":124,"position":0},"title":"Michelle Obama refutes jazz as boys&#8217; club","author":"Howard Mandel","date":"June 23, 2009","format":false,"excerpt":"There are \"powerful reasons . . .we ought to consider\" for why musicians and listeners \"tend to be a brotherhood,\" according to a self-described \"middle-aged white male swing-to-bopper.\" He's identifying, not justifying . . .Then the First Lady upsets the paradigm. She brings her daughters to the gig.I've got pressing\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":154,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/01\/armstrong_to_ellington_to_obam.html","url_meta":{"origin":124,"position":1},"title":"Armstrong to Ellington to Obama","author":"Howard Mandel","date":"January 15, 2009","format":false,"excerpt":"If anyone needs a primer on how jazz leads directly to the inauguration of Barack Obama as 44th president of the U.S., see Nat Hentoff's Wall Street Journal article\u00c2\u00a0on the history of musicians, audiences, presenters and producers of all \"colors\" in the struggle for Civil Rights.\u00c2\u00a0The march from Buddy Bolden\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":122,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/09\/who_decides_whos_a_jazz_master.html","url_meta":{"origin":124,"position":2},"title":"Who decides who&#8217;s an NEA Jazz Master","author":"Howard Mandel","date":"September 5, 2008","format":false,"excerpt":"The National Endowment of the Arts panel determining recipients of the annual Jazz Masters Fellowships is a small one. In the interest of transparency, the NEA has supplied the names of panelists who chose the class of '09. It comprises five previously named Fellows, one \"layperson,\" one independent record producer,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":213,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/06\/furor_over_jazz_sexism_continu.html","url_meta":{"origin":124,"position":3},"title":"Furor over jazz sexism (continues)","author":"Howard Mandel","date":"June 26, 2009","format":false,"excerpt":"Kitty Margolis,\u00c2\u00a0Bay Area jazz singer, Facebook and in-person friend, fired up followers re guest blogger Paul Lindemeyer's comments on jazz's historic bias towards men, which I contextualized with reference to Michelle Obama's White House jazz night. Here's what Kitty's people wrote (names obscured except for her own and Alfonso's --\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2009,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2016\/04\/local-dc-jazz-apart-from-nea-jazz-masters-events.html","url_meta":{"origin":124,"position":4},"title":"Local DC jazz apart from NEA Jazz Masters events","author":"Howard Mandel","date":"April 4, 2016","format":false,"excerpt":"In Washington DC for events surrounding the investiture of vibist Gary Burton, saxophonists Pharoah Sanders and Archie Shepp and\u00c2\u00a0Jazz Foundation of America's executive director\u00c2\u00a0Wendy Oxenhorn as National Endowment of the Arts' \u00c2\u00a0Jazz Masters, I visited\u00c2\u00a0a new grassroots venue that shows where the deep\u00c2\u00a0heart of jazz support lies. The\u00c2\u00a0Jazz and Cultural\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"imgres-7","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/04\/imgres-7.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":231,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/08\/mr_teachout_gets_the_word.html","url_meta":{"origin":124,"position":5},"title":"Mr. Teachout gets the word: Jazz&#8217;s Swing Era popularity past","author":"Howard Mandel","date":"August 9, 2009","format":false,"excerpt":"Biographer of H L. Mencken and (coming soon) Louis Armstrong, ArtsJournal blogger and scribe for the Wall Street Journal Terry Teachout has raised a fuss\u00c2\u00a0by pointing to the National Endowment for the Arts'\u00c2\u00a0study citing declines in jazz audiences from 2002 to 2008 (and indeed from 1982 to 2008). That this\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=124"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/124\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}