{"id":1225,"date":"2013-02-09T12:08:42","date_gmt":"2013-02-09T17:08:42","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=1225"},"modified":"2019-09-12T18:11:36","modified_gmt":"2019-09-12T22:11:36","slug":"dr-donald-byrd-rip-jayne-cortez-memorial-photos","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/02\/dr-donald-byrd-rip-jayne-cortez-memorial-photos.html","title":{"rendered":"Dr. Donald Byrd, RIP; Jayne Cortez memorial photos"},"content":{"rendered":"<div id=\"attachment_1227\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Singer.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1227\" class=\"size-medium wp-image-1227 \" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Singer-300x199.jpg\" alt=\"Singer\" width=\"300\" height=\"199\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Singer-300x199.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Singer.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1227\" class=\"wp-caption-text\">Jayne Cortez image with singer; photo by S\u00c3\u00a1nta Istv\u00c3\u00a1n Csaba<\/p><\/div>\n<p>Dr. Donald Byrd was a trumpeter with an ear for the vernacular and fresh talent.\u00c2\u00a0Jayne Cortez was a radical poet &#8212; both esthetically and personally. Butch Morris was a jazz cornetist, composer, conductor and\u00c2\u00a0<em>conductioner<\/em>. Let&#8217;s celebrate the lives and creativity of all three.<\/p>\n<p>Strangely,\u00c2\u00a0<a href=\"http:\/\/www.guardian.co.uk\/music\/2013\/feb\/08\/donald-byrd-jazz-dies\">reports by a nephew of Byrd&#8217;s death at age 80<\/a>\u00c2\u00a0on February 4 have remained &#8220;unconfirmed.&#8221; \u00c2\u00a0Morris, having died January 29 at 65.\u00c2\u00a0was memorialized Thursday night, Feb. 7 by speakers including Amiri Baraka, Avery Brooks, David Murray. Henry Threadgill and William Parker at Angel Orensanz, a semi-refurbisshed abandoned synogag in the East Village. \u00c2\u00a0Jayne Cortez, as <em>engaged<\/em> a person and artist as one can imagine in 21st Century America, was celebrated on Wednesday Feb. 6 by her family and wide-ranging friends in an event at Cooper Union Hall. S\u00c3\u00a1nta Ist\u00c3\u00a1n Csaba photographed that event with awe for the warmth and spirit of the people filling that historic place, and also the memorial for Butch, likewise full and rich with spirit.<\/p>\n<p>Byrd was best known for\u00c2\u00a0hard-bopping with bari saxist Pepper Adams when they&#8217;d just both come from Detroit to New York in the late &#8217;50s, for <a href=\"http:\/\/www.amazon.com\/New-Perspective-Donald-Byrd\/dp\/B00000IWVW\/\/?tag=howardmacom-20\">mixing gospel doo-wop with soul jazz <\/a>for Blue Note Records and mentoring Herbie Hancock, among others, in the &#8217;60s; for producing the proto-hip&#8211;hop <a href=\"http:\/\/www.amazon.com\/Blackbyrd\/dp\/B000S586AS\/?tag=howardmacom-20\">Blackbyrds<\/a> (they were his best jazz ed. students) starting in 1973, and has been sampled by Gang Starr, Public Enemy, A Tribe Called Quest, The Pharsyde, Nas and others ever after. An NEA Jazz Master, he was appointed <a href=\"  .  -- he made it to New York with his Detroit buddy baritone  http:\/\/www.desu.edu\/news\/jazz-artist-donald-byrd-named-artist-residence \">Artist in Residence at Delaware State University<\/a> since September 2009.<\/p>\n<p>I&#8217;ve <a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-admin\/post.php?post=1202&amp;action=edit\">posted a lot about Butch Morris<\/a> recently, and will put up S\u00c3\u00a1nta&#8217;s photos with appropriate writings by Steve Dalachinsky next. He was a friend whose musical contribution will, I believe, continue to be implemented and inspire new works, perhaps worldwide. David Murray told of Butch, sitting at a caf\u00c3\u00a9 in Italy in the &#8217;80s, was seized by Seiji Ozawa, who enthused about how Morris had brought &#8220;a new, up-to-date energy to the baton&#8221; and claimed &#8220;all the conductors&#8221; in the classical world were talking about him. I also posted here some <a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-admin\/post.php?post=1157&amp;action=edit\">appreciation of Jayne Cortez <\/a>when I learned she&#8217;d died, but below am pleased to post photos from the event which depict, I think, some of the feelings of some of her many thoughtful and talented admirers.<\/p>\n<div id=\"attachment_1228\" style=\"width: 212px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/RandyWeston1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1228\" class=\"size-medium wp-image-1228\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/RandyWeston1-202x300.jpg\" alt=\"RandyWeston1\" width=\"202\" height=\"300\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/RandyWeston1-202x300.jpg 202w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/RandyWeston1.jpg 283w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/a><p id=\"caption-attachment-1228\" class=\"wp-caption-text\">Randy Weston performed with T.K. Blue; photo by S\u00c3\u00a1nta Istv\u00c3\u00a1n Csaba<\/p><\/div>\n<div id=\"attachment_1229\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Denardo.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1229\" class=\"size-medium wp-image-1229\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Denardo-300x198.jpg\" alt=\"Denardo\" width=\"300\" height=\"198\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Denardo-300x198.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Denardo.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1229\" class=\"wp-caption-text\">Denardo Coleman, son of Jayne Cortez, and their family; photo by S\u00c3\u00a1nta Istv\u00c3\u00a1n Csaba<\/p><\/div>\n<div id=\"attachment_1231\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/QuincyTroupe.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1231\" class=\"size-medium wp-image-1231\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/QuincyTroupe-300x291.jpg\" alt=\"QuincyTroupe\" width=\"300\" height=\"291\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/QuincyTroupe-300x291.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/QuincyTroupe.jpg 411w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1231\" class=\"wp-caption-text\">Quincy Troupe, poet; photo by S\u00c3\u00a1nta Istv\u00c3\u00a1n Csaba<\/p><\/div>\n<div id=\"attachment_1232\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Firespitters.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1232\" class=\"size-medium wp-image-1232\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Firespitters-300x295.jpg\" alt=\"Firespitters\" width=\"300\" height=\"295\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Firespitters-300x295.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Firespitters-70x70.jpg 70w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/Firespitters.jpg 406w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1232\" class=\"wp-caption-text\">Roy Campbell, trumpet; Bill Cole, shenai; David Murray, tenor sax; photo by S\u00c3\u00a1nta Istv\u00c3\u00a1n Csaba<\/p><\/div>\n<div id=\"attachment_1230\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/AmiriBaraka.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1230\" class=\"size-medium wp-image-1230\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/AmiriBaraka-300x296.jpg\" alt=\"AmiriBaraka\" width=\"300\" height=\"296\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/AmiriBaraka-300x296.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/AmiriBaraka-70x70.jpg 70w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/AmiriBaraka-110x110.jpg 110w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/AmiriBaraka.jpg 405w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1230\" class=\"wp-caption-text\">Amiri Baraka, poet and political activist; photo by S\u00c3\u00a1nta Istv\u00c3\u00a1n Csab<\/p><\/div>\n<div id=\"attachment_1233\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/CraigHarrisSoundcheck.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1233\" class=\"size-medium wp-image-1233\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/CraigHarrisSoundcheck-300x192.jpg\" alt=\"CraigHarrisSoundcheck\" width=\"300\" height=\"192\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/CraigHarrisSoundcheck-300x192.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/CraigHarrisSoundcheck.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1233\" class=\"wp-caption-text\">Craig Harris; photo by S\u00c3\u00a1nta Ist\u00c3\u00a1van Csaba<\/p><\/div>\n<div id=\"attachment_1234\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/DavidMurraySoundcheck.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1234\" class=\"size-medium wp-image-1234\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/DavidMurraySoundcheck-300x201.jpg\" alt=\"DavidMurraySoundcheck\" width=\"300\" height=\"201\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/DavidMurraySoundcheck-300x201.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/DavidMurraySoundcheck.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1234\" class=\"wp-caption-text\">David Murray; photo by S\u00c3\u00a1nta Ist\u00c3\u00a1van Csaba<\/p><\/div>\n<p>Jayne Cortez&#8217;s Firespitters is represented in S\u00c3\u00a1nta&#8217;s image here only with a frontline of David Murray, Bill Cole and Roy Campbell; the band included also Denardo, drumming; Bern Nix, guitar; Albert McDowell, bass. Firespitter bassist Jamaaladeen Tacuma was in the audience. There was also music by a band comprising trombonist Craig Harris, altoist T.K. Blue, tenor saxophonist James Carter, McDowell and Denardo; a reading by Robin Kelley, and a very gracious, brief talk from Jayne Cortez&#8217;s husband, sculptor Mel Edwards. Many musicians were in the audience, along with writers and other artists from America and Africa. Donations contributed in honor of Jayne Cortez should be made out to OWWA and sent to: The Organization of Women Writers of Africa (OWWA); P.O. Box 652, Village Station; New York NY 10014.<\/p>\n<p>howardmandel.com<\/p>\n<p>Subscribe by Email or RSS<\/p>\n<p>All JBJ posts<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dr. Donald Byrd was a trumpeter with an ear for the vernacular and fresh talent.\u00c2\u00a0Jayne Cortez was a radical poet &#8212; both esthetically and personally. Butch Morris was a jazz cornetist, composer, conductor and\u00c2\u00a0conductioner. Let&#8217;s celebrate the lives and creativity of all three. Strangely,\u00c2\u00a0reports by a nephew of Byrd&#8217;s death at age 80\u00c2\u00a0on February 4 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-1225","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-jL","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1157,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/12\/jayne-cortez-poet-activist-muse-of-the-avant-garde-dies-age-76.html","url_meta":{"origin":1225,"position":0},"title":"Jayne Cortez &#8212; poet, activist, muse of the avant garde &#8212; dies, age 76","author":"Howard Mandel","date":"December 30, 2012","format":false,"excerpt":"Jayne Cortez, a no-nonsense poet who\u00c2\u00a0often declaimed her incisive lines of vivid imagery tying fierce social criticism to imperatives of personal responsibility with backing by her band the Firespitters,\u00c2\u00a0died Dec. 28 at age 76 (according to NYT obit, age 78). Her deep appreciation of American blues and jazz was another\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"jayne","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/12\/jayne.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":79,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/03\/political_poetry_in_bedstuy.html","url_meta":{"origin":1225,"position":1},"title":"Political poetry in Bed-Stuy","author":"Howard Mandel","date":"March 17, 2008","format":false,"excerpt":"\"They want the oil\/but they don't want the people,\" Jayne Cortez declaimed over and over again, her inflections expressing frank assessment, sheer disbelief, scathing cynicism and many nuances in between, without ever stipulating who \"they\" or \"the people\" are. She didn't have to, we all knew. It was Saturday night\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2609,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2019\/07\/transcending-toxic-times-with-street-poetry-music.html","url_meta":{"origin":1225,"position":2},"title":"Transcending Toxic Times with street poetry &#038; music","author":"Howard Mandel","date":"July 10, 2019","format":false,"excerpt":"My DownBeat article about Transcending Toxic Times, the compulsively listenable, critically political album by the Last Poets produced by electric bassist\/composer Jamaaladeen Tacuma, includes a lot of quotes from my interviews with him and poet Abiudon Oyewale. from left: Baba Donn Babatunde, Jamaaaladeen Tacuma (in front), Umar Bin Hassan, Abiodun\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/07\/Jamaaladeen-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/07\/Jamaaladeen-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/07\/Jamaaladeen-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1273,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/03\/happy-birthday-83-and-82-ornette-coleman.html","url_meta":{"origin":1225,"position":3},"title":"Happy birthday 83 &#8212; and 82 &#8212; Ornette Coleman","author":"Howard Mandel","date":"March 9, 2013","format":false,"excerpt":"Ornette Coleman turns 83 today -- and is celebrating it privately. That's unusual, as he has thrown great parties, often full of live music (at his former Harlem Studio and one year at Joe's Pub), always attended by fabulously interesting people -- like the one last year for his 82nd\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"ornettecakemini","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/03\/ornettecakemini.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1606,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2014\/05\/celebrating-ornette-from-philly-in-photos.html","url_meta":{"origin":1225,"position":4},"title":"Celebrating Ornette! from Philly, in photos","author":"Howard Mandel","date":"May 6, 2014","format":false,"excerpt":"Ornette Coleman recognizes beauty everywhere and in everyone.","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/04\/ornette-portrait-santa-e1398543336666.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":303,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/03\/happy_birthday_ornette_roots_a.html","url_meta":{"origin":1225,"position":5},"title":"Happy Birthday Ornette Coleman, roots avant-gardist","author":"Howard Mandel","date":"March 9, 2010","format":false,"excerpt":"Composer, conceptualist and multi-instrumentalist Ornette Coleman, b. March 9 1930, is widely known for \"free jazz\" -- which is routinely depicted as the most abstract and daunting music to emerge from the U.S. But this overlooks Ornette's deep roots in blues from the Southwest and his fealty to the freedom\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/1225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=1225"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/1225\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=1225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=1225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=1225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}