{"id":1222,"date":"2013-02-05T13:59:02","date_gmt":"2013-02-05T18:59:02","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=1222"},"modified":"2019-09-12T18:13:53","modified_gmt":"2019-09-12T22:13:53","slug":"tates-notes-to-morris-conduction-1-lost-heres-his-vibe-article","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/02\/tates-notes-to-morris-conduction-1-lost-heres-his-vibe-article.html","title":{"rendered":"Tate&#8217;s notes to Morris Conduction #1 lost, here&#8217;s his Vibe article"},"content":{"rendered":"<p>Greg Tate, <a href=\"http:\/\/www.amazon.com\/Flyboy-Buttermilk-Essays-Contemporary-America\/dp\/0671729659\/?tag=howardmacom-20\">author-essayist <\/a>as well as guitarist-leader of the Butch Morris &#8220;conductioned&#8221; band <a href=\"http:\/\/www.amazon.com\/Hatters-Dreaming-Feat-Tates-Garage\/dp\/B001BNJYI4\/?tag=howardmacom-20\">Burnt Sugar the Arkestra Chamber<\/a>,n looked for his evidently unpublished liner notes to the planned 25th anniversary reissue on CD of Morris&#8217; Conduction #1, <em><a href=\"http:\/\/www.amazon.com\/CURRENT-TRENDS-AMERICA-Process-Germany\/dp\/B002F7TDRW\/?tag=howardmacom-20\">Racism in Modern America, a work in Progress<\/a><\/em>. He couldn&#8217;t find them.<\/p>\n<p>Tate emailed : &#8220;hey man those notes are lost in the clouds over here but the 1997 VIBE article \u00c2\u00a0I did on Butch could be copacetic. . .&#8221; So <a href=\"http:\/\/books.google.com\/books?id=UywEAAAAMBAJ&amp;pg=PA60&amp;dq=VIBE%2C+tate%2Cbutch+morris&amp;hl=en&amp;sa=X&amp;ei=zFwJUaCjDuuM0QGV7oHQAg&amp;ved=0CDAQ6AEwAA#v=onepage&amp;q=VIBE%2C%20tate%2Cbutch%20morris&amp;f=false\">here that is, in Google Books <\/a>so a bit hard to navigate, but on page 60 if you loose your place.<\/p>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><\/p>\n<p><a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email or RSS<\/a><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts<\/a><\/p>\n<p><script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Greg Tate, author-essayist as well as guitarist-leader of the Butch Morris &#8220;conductioned&#8221; band Burnt Sugar the Arkestra Chamber,n looked for his evidently unpublished liner notes to the planned 25th anniversary reissue on CD of Morris&#8217; Conduction #1, Racism in Modern America, a work in Progress. He couldn&#8217;t find them. Tate emailed : &#8220;hey man those [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-1222","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-jI","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1214,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/02\/another-take-on-butch-morris-conduction-1-current-trends-in-racism.html","url_meta":{"origin":1222,"position":0},"title":"Another take on Butch Morris&#8217; Conduction #1, &#8220;Current Trends in Racism&#8221;","author":"Howard Mandel","date":"February 2, 2013","format":false,"excerpt":"Poet\/playwright\/critic \u00c2\u00a0Allan Graubard has been a close friend and collaborator with Buch Morris, writing highly descriptive and evocative notes for Testament: A Conduction Collection \u00c2\u00a0as well as their theater work, \"Modette,\" and the liner notes below, intended for the 25th anniversary re-issue of Conduction #1, Current Trends in Racism in\u2026","rel":"","context":"In &quot;about&quot;","block_context":{"text":"about","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/about"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1208,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/02\/current-trends-in-racism-in-modern-america-a-work-in-progress-by-butch-morris.html","url_meta":{"origin":1222,"position":1},"title":"Current Trends in Racism in Modern America, A Work in Progress by Butch Morris","author":"Howard Mandel","date":"February 1, 2013","format":false,"excerpt":"My maybe unpublished 25th anniversary liner notes for Conduction #1, Current Trends in Racism in Modern America, A Work in Progress, by the late Butch Morris with all-star improvisers, recorded 28 years ago today (Feb 1, 2013) and sonically as relevant as ever.\u00c2\u00a0 [The cast is: Frank Lowe, tenor sax;\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"big current trends","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/02\/big-current-trends.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2215,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/04\/butch-morriss-workbook-for-spontaneous-composition-published.html","url_meta":{"origin":1222,"position":2},"title":"Butch Morris&#8217;s workbook for spontaneous composition published","author":"Howard Mandel","date":"April 18, 2017","format":false,"excerpt":"The deathbed wish of composer-cornetist Lawrence Douglas \"Butch\" Morris (1947-2013) was that his detailed documentation of Conduction\u00c2\u00ae, the method he devised to enable\u00c2\u00a0spontaneous composition for ensembles of literally any type employing codified hand-signals, be published in hardcover. This has come to pass. On April 24 and May 1, events in\u2026","rel":"","context":"In \"\"The Original LA Dawgs\" \"Current Trends in Racism in Modern America\"","block_context":{"text":"\"The Original LA Dawgs\" \"Current Trends in Racism in Modern America","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/the-original-la-dawgs-current-trends-in-racism-in-modern-america"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/04\/book-ButchMorris_Cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/04\/book-ButchMorris_Cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/04\/book-ButchMorris_Cover.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/04\/book-ButchMorris_Cover.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1202,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/01\/butch-morris-musical-artist-and-friend-mourned-widely.html","url_meta":{"origin":1222,"position":3},"title":"Butch Morris, musical artist and friend, mourned widely","author":"Howard Mandel","date":"January 31, 2013","format":false,"excerpt":"Lawrence Douglas \"Butch\" Morris, one of the most brilliant and musically generous of artists who emerged from New York's East Village in the 1980s as an experimental cornetist, composer of melodies and settings, and instigator of the burgeoning act of Conduction (a term he copyrighted), died January 29 of cancer\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"poster_italy_actual size","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/01\/poster_italy_actual-size-208x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":391,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/04\/vionlinist_billy_bang_on_being.html","url_meta":{"origin":1222,"position":4},"title":"Vionlinist Billy Bang on being a &#8220;tunnel rat&#8221; in Viet Nam","author":"Howard Mandel","date":"April 12, 2011","format":false,"excerpt":"Violinist Billy Bang, died at age 63 on April 11 of cancer, was a composer of enduring, affecting music based on his military service in Viet Nam. Prayer for Peace, Vietnam: Reflections and Vietnam: The Aftermath deal directly, bravely and beautifully with Bang's thoughts and feelings about having been a\u2026","rel":"","context":"In \"\"Outline #12\"\"","block_context":{"text":"\"Outline #12\"","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/outline-12"},"img":{"alt_text":"billy bang aftermath.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2011\/04\/billy%20bang%20aftermath-thumb-225x224-19681.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":76,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/02\/butch_morris_jazz_conductor.html","url_meta":{"origin":1222,"position":5},"title":"Butch Morris, jazz conductor","author":"Howard Mandel","date":"February 25, 2008","format":false,"excerpt":"(slightly corrected version)Conductor of improvisation Lawrence Douglas \"Butch\" Morris is an East Village charmer, now-too-infrequent cornetist and internationally-known instigator of large ensemble music made spontaneously in real time by free-from-convention individuals. During a radio interview for the NPR show News & Notes, Butch identifies himself as a jazz musician not\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/1222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=1222"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/1222\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=1222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=1222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=1222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}