{"id":117,"date":"2008-08-28T10:12:30","date_gmt":"2008-08-28T14:12:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2008\/08\/chicago_jazz_fest_in_neighborh\/"},"modified":"2011-04-28T16:34:24","modified_gmt":"2011-04-28T20:34:24","slug":"chicago_jazz_fest_in_neighborh","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/08\/chicago_jazz_fest_in_neighborh.html","title":{"rendered":"Chicago jazz fest in neighborhood clubs"},"content":{"rendered":"<p>A city&#8217;s jazz scene is best measured not by an annual festival &#8212; though Sonny Rollins free at the Frank Gehry-designed Pritzker Pavillion in Chicago&#8217;s Millennium Park on Thursday night was a fine thing. The real signs of Chicago&#8217;s jazz depth and diversity are evident in the unique &#8220;club tour&#8221; (aka pub crawl), which the Jazz Institute of Chicago cleverly designs to introduce listeners to local musicians playing small venues way outside the downtown Loop.<\/p>\n<p><!--more--><br \/>\nOn last Wednesday night, open-air busses ferry fans who&#8217;d paid one small fee to north, central and south side taverns where jazz is performed by local musicians who\u00c2\u00a0sing and play without much thought of\u00c2\u00a0being paid or advancing their careers.\u00c2\u00a0<\/p>\n<div><\/div>\n<div>\n<ul>\n<li>Bernice&#8217;s Twilight Zone on the downscale corner of 79th and Essex (only a few blocks where I went to grammar school 50 years ago) featured Teela, a woman singer in the tradition of Dinah Washington and Esther Phillips, who offered a surprisingly funky version of &#8220;(God didn&#8217;t make) Little Green Apples&#8221; in front of a casually masterful tenor sax-led quartet.<\/li>\n<li>At Red Pepper&#8217;s Masquerade Lounge on south 87th St. four blocks from the Dan Ryan Expressway, singer Debora Brooks tore into Stanley Turrentine&#8217;s &#8220;Sugar,&#8221; and multi-reeds specialist Andre Miles held a single note for minutes (via circular breathing) to climax Monk&#8217;s &#8220;Round Midnight.&#8221;<\/li>\n<li>Joe Segal&#8217;s long-running <a href=\"http:\/\/www.jazzshowcase.com\/\">Jazz Showcase<\/a>,\u00c2\u00a0at its six-week-old new location in trendy Printers Row, south of the Congress Expressway.\u00c2\u00a0featured multi-instrumentalist Ira Sullivan and welcomed sitters-in.<\/li>\n<\/ul>\n<p>Tourists mixed with regulars, innocents with aficionados at Andy&#8217;s restaurant (just off north State Street), at the fabled Green Mill (a &#8217;20s Capone speakeasy in the northside Uptown neighborhood), at Buddy Guy&#8217;s Loop-located Legends Club (though Buddy&#8217;s guitarist brother Phil Guy died just days ago), at the Velvet Lounge (the AACM headquarters near Chicago&#8217;s Chinatown) and eight other venues spread city-wide. People everywhere were talking to each other about favorite son Barack Obama.\u00c2\u00a0<\/p><\/div>\n<div><\/div>\n<div>This is a unique event. Despite <a href=\"http:\/\/www.chicagotribune.com\/features\/arts\/chi-fest-0824aug24,0,5447521.story\">carping<\/a> at the 30-year-old Chicago Jazz Festival&#8217;s successful formulas by Chicago Tribune critic Howard Reich, I don&#8217;t know of and can&#8217;t imagine a jazz organization in New York, San Francisco, LA or Canada spiriting its core audience from club to club in a given night, offering all comers easy accessibility and a broad overview of the embedded urban culture. Bravo Chicago for sustaining its musical roots! Bravo, Jazz Institute of Chicago, for thinking up and realizing such an enjoyable, one-of-a-kind event.<\/div>\n<div><\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by Email or  RSS<\/a> <br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a><br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>A city&#8217;s jazz scene is best measured not by an annual festival &#8212; though Sonny Rollins free at the Frank Gehry-designed Pritzker Pavillion in Chicago&#8217;s Millennium Park on Thursday night was a fine thing. The real signs of Chicago&#8217;s jazz depth and diversity are evident in the unique &#8220;club tour&#8221; (aka pub crawl), which the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[48,53,52],"class_list":{"0":"post-117","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-chicago-jazz-festival","8":"tag-howard-reich","9":"tag-pub-crawl","10":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-1T","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1733,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2014\/09\/another-free-chicago-jazz-festival-hyde-park-and-local-stars.html","url_meta":{"origin":117,"position":0},"title":"Another free Chicago jazz festival: Hyde Park and local stars","author":"Howard Mandel","date":"September 30, 2014","format":false,"excerpt":"The 8th annual Hyde Park Jazz Festival Sept 27 and 28th was as mellowly festive a scene as has ever graced the Midway Plaisance,\u00c2\u00a0the grassy fields between\u00c2\u00a0University of Chicago's faux Gothic buildings, originally created for the 1893 World's Columbian Exposition. Photo-journalist Michael Jackson\u00c2\u00a0created portraits of local fans and players such\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"HPJF-Irvin-Pierce-at-Wagner-Stage","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/09\/HPJF-Irvin-Pierce-at-Wagner-Stage.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":335,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/09\/little_known_great_jazz_in_chi.html","url_meta":{"origin":117,"position":1},"title":"Little known great jazz in Chicago&#8217;s neighborhoods","author":"Howard Mandel","date":"September 2, 2010","format":false,"excerpt":"The Jazz Institute of Chicago's annual club tour is an urban presentation innovation and a treat, revealing an unheralded depth of local audiences, entrepreneurs and artists. On Wednesday night, Dudley Owens blew tenor sax with the largest sound I've heard maybe ever, in combo with an older pianist (sorry I\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"new regal theater.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/new%20regal%20theater.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":119,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/08\/benefits_of_aficionadoprogramm.html","url_meta":{"origin":117,"position":2},"title":"Benefits of aficionado-programmed fests","author":"Howard Mandel","date":"August 30, 2008","format":false,"excerpt":"The best thing about the Chicago Jazz Festival is that it's curated by an independent committee of people (mostly from the Jazz Institute of Chicago) who really love music, rather than being overly influenced by promoters, booking agents and managers representing a few big name artists who are trying to\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":534,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/09\/privatize-the-chicago-jazz-fest.html","url_meta":{"origin":117,"position":3},"title":"Foundation to run the Chicago Jazz Fest?","author":"Howard Mandel","date":"September 6, 2011","format":false,"excerpt":"The Labor Day weekend free Chicago Jazz Festival had multiple musical high points, like Mike Reed's \u00c2\u00a0\u00c2\u00a0Myth\/Science Assembly, yet\u00c2\u00a0Chicago Tribune critic Howard Reich believes the fest is old and creaky, in dire need of reinvention, under a new, fest-dedicated Foundation. With new mayor Rahm Emmanuel facing an immense budget shortfall,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2334,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/09\/jazz-community-upends-englewoods-bad-rep.html","url_meta":{"origin":117,"position":4},"title":"Jazz community upends Englewood&#8217;s bad rep","author":"Howard Mandel","date":"September 20, 2017","format":false,"excerpt":"The 18th annual free Englewood Jazz Festival in south side Hamilton Park last\u00c2\u00a0Saturday (9\/16) affirmed the best of\u00c2\u00a0Chicago's grassroots\u00c2\u00a0culture, promoting an opposite image of this challenged neighborhood as a dangerous place -- unless one fears powerful, creative music that speaks as directly as dance rhythms to its family of\u00c2\u00a0listeners. Produced\u2026","rel":"","context":"In \"Alexis Lombre\"","block_context":{"text":"Alexis Lombre","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/alexis-lombre"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/dancing-in-Englewood.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/dancing-in-Englewood.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/dancing-in-Englewood.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/09\/dancing-in-Englewood.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2622,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2019\/09\/chicago-jazz-fest-echoes.html","url_meta":{"origin":117,"position":5},"title":"Chicago Jazz fest images, echoes","author":"Howard Mandel","date":"September 10, 2019","format":false,"excerpt":"Roscoe Mitchell onscreen, presiding over The Art Ensemble of Chicago, Pritzker Pavillion Millennium Park Chicago, 8\/30\/19photo (c) Marc PoKempner The 41st annual Chicago Jazz Festival has come and gone, as I reported for DownBeat.com in quick turnaround. I stand by my lead that the music was epic -- cf. Marc\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/Art-Ensemble-Lauren-Deutsch.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=117"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/117\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}