{"id":1065,"date":"2012-10-02T11:10:05","date_gmt":"2012-10-02T15:10:05","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=1065"},"modified":"2019-09-12T18:39:21","modified_gmt":"2019-09-12T22:39:21","slug":"macarthur-ignores-jazz-musicians-and-improvisers","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/10\/macarthur-ignores-jazz-musicians-and-improvisers.html","title":{"rendered":"MacArthur ignores jazz musicians and improvisers"},"content":{"rendered":"<p>The new list of <a href=\"http:\/\/en.wikipedia.org\/wiki\/MacArthur_Fellows_Program\">MacArthur fellows<\/a>, just released,\u00c2\u00a0features not one musician from the world of jazz among the 23 distinguished Americans who will receive $100,000 a year for five years.<\/p>\n<p>Two musicians are named among the fellows: <a href=\"http:\/\/www.wqxr.org\/#!\/articles\/q2-live-concerts\/2009\/dec\/31\/claire-chase\/\">Claire Chase<\/a>, flutist and founder of the International Contemporary Ensemble\u00c2\u00a0(ICE)<\/p>\n<div id=\"attachment_1067\" style=\"width: 285px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/10\/claire-chase.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1067\" class=\"size-full wp-image-1067\" title=\"claire chase\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/10\/claire-chase.jpeg\" alt=\"\" width=\"275\" height=\"183\" \/><\/a><p id=\"caption-attachment-1067\" class=\"wp-caption-text\">Claire Chase, photo by Stephanie Berger<\/p><\/div>\n<p>and <a href=\"http:\/\/www.macfound.org\/fellows\/879\/\">Chris Thile<\/a>, mandolinist of Nickle Creek and the Punch Brothers. I congratulate them both, as well as the other honored writers, artists,\u00c2\u00a0scientists, and a historian, economist, social services innovator. But considering the MacArthur program, established \u00c2\u00a0since \u00c2\u00a0in 1981 has included jazz-related musicians frequently since 1988 (starting with Ran Blake and Max Roach, continuing with George Russell, Ali Akbar Khan, Gunther Schuller, Cecil Taylor, Steve Lacy, Anthony Braxton, Ornette Coleman, Ken Vandermark, George E. Lewis, Edgar Meyer &#8212; with whom Chris Thile has collaborated &#8212; Reginald Robinson, Regina Carter, John Zorn, Corey Harris, Miguel Zenon, Jason Moran and Dafnis Prieto), and that the fellowships are not for past works but rather investments in the artists and hence their art forms&#8217; futures, the absence this year is disappointing.<\/p>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><\/p>\n<p><a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email or RSS<\/a><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The new list of MacArthur fellows, just released,\u00c2\u00a0features not one musician from the world of jazz among the 23 distinguished Americans who will receive $100,000 a year for five years. Two musicians are named among the fellows: Claire Chase, flutist and founder of the International Contemporary Ensemble\u00c2\u00a0(ICE) and Chris Thile, mandolinist of Nickle Creek and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1067,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-1065","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/10\/claire-chase.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-hb","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1813,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2015\/04\/guggenheim-fellows-include-jazz-beyond-jazz-creators.html","url_meta":{"origin":1065,"position":0},"title":"Guggenheim fellows include jazz-beyond-jazz creators","author":"Howard Mandel","date":"April 10, 2015","format":false,"excerpt":"Four stellar jazz-beyond-jazz musicians -- orchestra composer-leader Darcy James Argue, trumpeter Etienne Charles, saxophonist Steve Lehman and scholar-composer\/improviser-electronics innovator-trombonist George E. Lewis, all practiced stretching the definition of \"jazz\"without breaking it\u00c2\u00a0-- have been\u00c2\u00a0named 2015 fellows of the John Simon Guggenheim Foundation, among 175 \"scholars, artists, and scientists [a]ppointed on the\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/04\/etienne.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":550,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/09\/congrats-to-dafnis-prieto-macarthur-fellow.html","url_meta":{"origin":1065,"position":1},"title":"Congrats to Dafnis Prieto, MacArthur fellow","author":"Howard Mandel","date":"September 20, 2011","format":false,"excerpt":"Cuban-born, New York-resident drummer-composer Dafnis Prieto\u00c2\u00a0has been named a 2011 MacArthur fellow, an honor attended by $500,000 to do with as he pleases, doled out $100K a year for five years. Congratulations to Dafnis -- who's only been in the U.S. since 1999, when at age 25 he emigrated and\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":421,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/07\/free-funk-electric-bassist-gets-60k-pew-fellowship.html","url_meta":{"origin":1065,"position":2},"title":"Free funk electric bassist gets $60k Pew Fellowship","author":"Howard Mandel","date":"July 24, 2011","format":false,"excerpt":"Jamaaladeen Tacuma, free-funk electric bass virtuoso, protege of Ornette Coleman and one of the dancingest musicians on the planet, has been named one of 12 Philadelphia artists receiving $60,000 fellowships from the Pew Center for Arts and Heritage.\u00c2\u00a0Two other musicians are also 2011 Pew fellows: electronic music improviser Charles Cohen\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/07\/jt2.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":347,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/10\/jason_moran_genius_andor_very.html","url_meta":{"origin":1065,"position":3},"title":"Jason Moran: Genius and\/or very hard worker","author":"Howard Mandel","date":"October 15, 2010","format":false,"excerpt":"The MacArthur Fellowship to pianist\/composer\/bandleader Jason Moran follows from that Foundation's ongoing trend to give $500,000 no-strings-attached to musicians who've demonstrated accomplishment and seem to promise more. Here's my City Arts-New York column\u00a0\u00a0re what Moran's done and how things have changed since Monk, Bird, Dizzy et al brought modernism to\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1828,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2015\/04\/big-money-for-campus-buildings-for-music.html","url_meta":{"origin":1065,"position":4},"title":"Big money for campus buildings for music","author":"Howard Mandel","date":"April 18, 2015","format":false,"excerpt":"Last week big money was donated to construction of music buildings for two major U.S. universities. An anonymous Princeton alumni couple have pledged $10 million for\u00c2\u00a0a new music building at the New Jersey campus, and the\u00c2\u00a0University of Missouri has received $10 million, its largest gift ever for fine arts, from\u00c2\u00a0Jeanne\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1381,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/06\/kyoto-prize-to-pianistimproviser-cecil-taylor.html","url_meta":{"origin":1065,"position":5},"title":"Kyoto prize to pianist\/improviser Cecil Taylor","author":"Howard Mandel","date":"June 21, 2013","format":false,"excerpt":"Cecil Taylor, whose intense, lengthy and complex piano improvisations have redefined jazz and redesigned his instrument, has been awarded the 2013 Kyoto Prize for \"Arts and Philosophy: Music.\"\u00c2\u00a0Former recipients include Olivier Messiaen, John Cage, Iannis Xenakis, Gy\u00c3\u00b6rgy Ligeti, Pierre Boulez, Witold Lutoslawski and Nikolaus Harnoncourt -- all\u00c2\u00a0musicians\/composers of Western European\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/1065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=1065"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/1065\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/1067"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=1065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=1065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=1065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}