{"id":104,"date":"2008-07-15T17:20:39","date_gmt":"2008-07-15T21:20:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2008\/07\/newport_by_bus\/"},"modified":"2011-04-28T16:34:41","modified_gmt":"2011-04-28T20:34:41","slug":"newport_by_bus","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/07\/newport_by_bus.html","title":{"rendered":"Newport by bus"},"content":{"rendered":"<p>As an enclave of the newly gilded during the <a href=\"http:\/\/www.mtwain.com\/The_Gilded_Age\/index.html\">Gilded Age<\/a>, the town of Newport, Rhode Island was \u00c2\u00a0 somewhat privileged by its relative isolation. The easiest ways to get to this promontory during the 1890s may have been by making a fortune in railroads, or by yacht &#8212; the old town (dating from 1639) has long been considered <a href=\"http:\/\/www.nosa.org\/\">sailing capitol of the U.S<\/a>. In some circles, though, it&#8217;s better known as home to the <a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=3850650\">Newport Jazz Festival<\/a>\u00c2\u00a0starting in 1954.<\/p>\n<div><br class=\"webkit-block-placeholder\" \/><\/div>\n<div>In its early years the Newport jazz fest broke some <a href=\"http:\/\/www.amazon.com\/Newport-Rebels-Charles-Mingus\/dp\/B000008BW2\/?tag=howardmacom-20\">race, class and entertainment barriers<\/a>, but during the past decade it&#8217;s become cost-prohibitive for New York jazz fans who can hear most of the acts without leaving town and paying exhorbitant rates for the weekend&#8217;s lodging. So this year, the festival fights back with chartered buses offering <a href=\"http:\/\/www.jazzjourneytonewport.bravehost.com\/\">day trips<\/a> starting in and returning to Manhattan or Brooklyn for a single fee that includes price of the entry ticket.\u00c2\u00a0<\/div>\n<p><!--more--><br \/>\nIt&#8217;s about a four-hour ride from New York to Newport, not much fun navigating frlm the thruway I-95 through commercial avenues into the town itself, then trailing in slow-mo through residential streets to arrive at Ft. Adams State Park. So I think it&#8217;s a mark of near-genius (or at least thoughtful creativity) that the WLC Entertainment Group\u00c2\u00a0is offering a round-trip, from 6:30 am to midnight, by luxury bus, snacks and party favors available on board, one fest entry included for $200.<\/p>\n<div><br class=\"webkit-block-placeholder\" \/><\/div>\n<div>That may not sound like a great bargain until you count up the alternatives. Then you&#8217;ll find it is. And considering that the JVC Jazz Festival Newport <a href=\"http:\/\/www.festivalnetwork.com\/jvcjazz\/newport\/sched.php\">lineup<\/a> this year is stellar &#8212; Saturday Aug. 9 featuring Aretha Franklin, Wayne Shorter, the trio of bassist Charlie Haden, pianist Ethan Iverson and guitarist Bill Frisell, the quartet of bassist Dave Holland, pianist Gonazalo Rubalcaba, tenor saxophonist Chris Potter and drummer Eric Harland, among others; Sunday Aug. 10 the great tenor saxophonist Sonny Rollins, Grammy Award winning pianist Herbie Hancock, Argentine composer Guillermo Klein y Los Gauchos big band, trombonist Fred Wesley with Soul Live, and pianist George Wein &#8212; best known as the visionary behind the modern jazz festival &#8212; it may seem like an affordable day in the country, on which you&#8217;ve left the driving to <span class=\"Apple-style-span\" style=\"font-style: italic;\">them<\/span>.<\/p>\n<div><br class=\"webkit-block-placeholder\" \/><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: Arial; font-size: 12px; \">This is NOT a paid promotion, nor am I receiving a free trip to Newport (full disclosure: ten years ago I used to edit the JVC Jazz Festival program books). But for tickets and more information, visit\u00c2\u00a0<a track=\"on\" href=\"http:\/\/rs6.net\/tn.jsp?e=001tFzLOrG3OpKeR0_134_oBRy7RXJH75bBAjfCGWTKdwPBpWjp8Je3G3ls1W1u7Jl-J0U9DQR5CRB4Yk3pXDMDQx02m2EAy1VlzrXdtwOXP9wuN_So4Ue1-O9egXSaIst-rdM1UWYCpcI=\" linktype=\"link\" target=\"_blank\">www.jazzjourneytonewport.bravehost.com<\/a>\u00c2\u00a0or call (718) 230-3108 or (401) 847-1567. For a clip of what Newport was in 1958, here&#8217;s\u00c2\u00a0<a href=\"http:\/\/www.youtube.com\/watch?v=Y1V3n1u0JI8&amp;feature=related\">Anita O&#8217;Day<\/a>\u00c2\u00a0as captured in the film <span class=\"Apple-style-span\" style=\"font-style: italic;\"><a href=\"http:\/\/www.amazon.com\/Jazz-Summers-Day-Bert-Stern\/dp\/B00003OSU4\/ref=sr_1_1?ie=UTF8&amp;s=dvd&amp;qid=1216168592&amp;sr=1-1\/?tag=howardmacom-20\">Jazz on \u00c2\u00a0Summer&#8217;s Day<\/a><\/span>). I&#8217;m on the lookout for jazz and beyond occasions to recommend in the city itself, too, but \u00c2\u00a0half a century later this fest can still be fun.\u00c2\u00a0<\/span><\/div>\n<div><\/div>\n<\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by Email or  RSS<\/a> <br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a><br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>As an enclave of the newly gilded during the Gilded Age, the town of Newport, Rhode Island was \u00c2\u00a0 somewhat privileged by its relative isolation. The easiest ways to get to this promontory during the 1890s may have been by making a fortune in railroads, or by yacht &#8212; the old town (dating from 1639) [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-104","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-1G","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":166,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/03\/george_wein_to_produce_newport.html","url_meta":{"origin":104,"position":0},"title":"George Wein to produce Newport jazz &#038; folk fests","author":"Howard Mandel","date":"March 3, 2009","format":false,"excerpt":"George Wein will celebrate the 55th anniversary of the historic\u00c2\u00a0Newport Jazz Festival and the 50th anniversary of his equally renown Newport Folk Festival by producing both a jazz fest and a folk fest in that Rhode Island resort town next August, according to a press release issued on March 3\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.allaboutjazz.com\/iviews\/gwein2003.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1000,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/08\/music-people-and-context-at-newport-jazz-fest-2012.html","url_meta":{"origin":104,"position":1},"title":"Music, people and context at Newport Jazz Fest 2012","author":"Howard Mandel","date":"August 15, 2012","format":false,"excerpt":"My new CityArts-New York column covers some of what went down at the 2012 Newport Jazz Festival. With three stages running staggered but near-simultaneous performances, there was much too much happening to hear it all (I've been listening to some of what I missed, like Bill Frisell's modern string band\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/08\/yScheinmanandBillFrisellphotocreditLaNitaAdamsIMG_4893-300x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":993,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/08\/jazz-festivals-in-newport-and-everywhere.html","url_meta":{"origin":104,"position":2},"title":"Jazz Festivals in Newport, and everywhere","author":"Howard Mandel","date":"August 3, 2012","format":false,"excerpt":"The 58th anniversary of the Newport Jazz Festival starts tonight (Friday, 8\/3) in Rhode Island, and thanks to producer George Wein, there's a press bus going that I'll be on. But you don't have to go to Newport for the jazz fest experience -- small towns as well as large\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":170,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/03\/weins_jazz_fest_without_jvc_co.html","url_meta":{"origin":104,"position":3},"title":"Wein&#8217;s jazz fest without JVC Corp","author":"Howard Mandel","date":"March 17, 2009","format":false,"excerpt":"Calling all jazz sponsors: that's the message producer George Wein released today (March 17) in search of corporate support for his proposed 55th anniversary Newport Jazz Festival.So doing, Wein also announced the end of a 24-year association with JVC Corp., the electronics manufacturer that has been title sponsor of fests\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":452,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/08\/radio-days-newport-jazz-fest-on-npr.html","url_meta":{"origin":104,"position":4},"title":"Radio Days: Newport Jazz fest on NPR","author":"Howard Mandel","date":"August 6, 2011","format":false,"excerpt":"National Public Radio does jazz fans worldwide a huge service today (Sat., Aug 6) and tomorrow, broadcasting live from the Newport Jazz Fest. See the complete schedule and listen at NPR.org if your local station's not carrying the feed. I'll be tuned in from 2:45 pm EDT for violinist Regina\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/08\/regina1.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":194,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/05\/jvc_jazz_fest-ny_cancellation.html","url_meta":{"origin":104,"position":5},"title":"JVC Jazz Fest-NY cancellation reported","author":"Howard Mandel","date":"May 20, 2009","format":false,"excerpt":"No major, mainstream, corporate-supported jazz fest will occur in New York City this summer, according to today's New York Times report confirming my posting of\u00a0 April 15. Festival Network principal Chris Shields, purchaser in 2007 of the production company headed by George Wein which staged June jazz concerts at major\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=104"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/104\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}