{"id":993,"date":"2005-01-14T11:30:43","date_gmt":"2005-01-14T19:30:43","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/01\/in_bad_company\/"},"modified":"2005-01-14T11:30:43","modified_gmt":"2005-01-14T19:30:43","slug":"in_bad_company","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/01\/in_bad_company.html","title":{"rendered":"IN BAD COMPANY"},"content":{"rendered":"<p>Roger Ebert begins his <A class=inline\nhref=\"http:\/\/rogerebert.suntimes.com\/apps\/pbcs.dll\/article?AID=\/20050113\/REVIEWS\/50103002\n\/-1\/email_headlines\" target='new\"'><B><FONT color=#003399>review of &#8220;In Good<br \/>\nCompany&#8221;<\/FONT><\/B><\/A> this way:<br \/>\n<P><\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>Corporations have replaced Nazis as the politically correct villains of the age<br \/>\n&#8212; and just in time, because it was getting increasingly difficult to produce Nazis who survived into<br \/>\nthe 21st century.&#8221;<\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>With young <A class=inline\nhref=\"http:\/\/www.cnn.com\/2005\/WORLD\/europe\/01\/14\/harry.charles.reut\/index.html\"\ntarget='new\"'><B><FONT color=#003399>Prince Harry doing his thing<\/FONT><\/B><\/A>,<br \/>\nRoger, you might want reconsider the second part of that lede.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Roger Ebert begins his review of &#8220;In Good Company&#8221; this way: Corporations have replaced Nazis as the politically correct villains of the age &#8212; and just in time, because it was getting increasingly difficult to produce Nazis who survived into the 21st century.&#8221; With young Prince Harry doing his thing, Roger, you might want reconsider [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-993","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-g1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=993"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/993\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}