{"id":991,"date":"2005-01-18T09:45:32","date_gmt":"2005-01-18T17:45:32","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/01\/fresh_and_saucy\/"},"modified":"2005-01-18T09:45:32","modified_gmt":"2005-01-18T17:45:32","slug":"fresh_and_saucy","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/01\/fresh_and_saucy.html","title":{"rendered":"FRESH AND SAUCY"},"content":{"rendered":"

When The Minor Fall, The Major Lift<\/FONT><\/B><\/A> expired last September,
\nTMFTML wrote, “This blog has sucked lately, and our heart hasn’t been in it.”<\/FONT><\/B><\/A>
\nHe was right. We’d had enough of it, too. Somehow the sauciness had palled. But now the blog is
\nback, and it seems fresh again. It returned two weeks ago, so we’re a little late to the party. But
\nwe’re glad it’s back. Anyway, with thanks to TMFTML for the link, here’s Marc Weisblott blinking at Malcolm
\nGladwell<\/FONT><\/B><\/A>. Meantime, Marc’s savvy radio weisblogg<\/FONT><\/B><\/A> (covering radio, mass media, free speech,
\nenormous egos, hit music, etc.) has gone silent until “something new happens worthy of
\ncoverage,” “somebody decides to pay him” or “it seems like a good idea.”<\/p>\n","protected":false},"excerpt":{"rendered":"

When The Minor Fall, The Major Lift expired last September, TMFTML wrote, “This blog has sucked lately, and our heart hasn’t been in it.” He was right. We’d had enough of it, too. Somehow the sauciness had palled. But now the blog is back, and it seems fresh again. It returned two weeks ago, so […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-991","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-fZ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=991"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/991\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}