{"id":972,"date":"2004-12-13T11:02:15","date_gmt":"2004-12-13T19:02:15","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/12\/rearview_mirror_1\/"},"modified":"2004-12-13T11:02:15","modified_gmt":"2004-12-13T19:02:15","slug":"rearview_mirror_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/12\/rearview_mirror_1.html","title":{"rendered":"REARVIEW MIRROR"},"content":{"rendered":"<p>Have a look at <A class=inline href=\"http:\/\/www.consortiumnews.com\/2004\/120404.html\"\ntarget='new\"'><B><FONT color=#003399>&#8220;Slow-Rolling Democracy in<br \/>\nOhio&#8221;<\/FONT><\/B><\/A> by Robert Parry, who broke many Iran-Contra stories for AP and<br \/>\nNewsweek. He writes: &#8220;George W. Bush&#8217;s political allies appear to be slow-rolling a requested<br \/>\nrecount in Ohio, leaving so little time that even if widespread voting fraud is discovered, the<br \/>\nfinding will come too late to derail Bush&#8217;s second term.&#8221; Parry also has a new book out, <A\nclass=inline\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/1893517012\/002-0972584-9458462?v=gla\nnce&#038;s=books\" target='new\"'><B><FONT color=#003399>&#8220;Secrecy &#038;<br \/>\nPrivilege&#8221;<\/FONT><\/B><\/A> about the rise of the Bush dynasty since Watergate.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Have a look at &#8220;Slow-Rolling Democracy in Ohio&#8221; by Robert Parry, who broke many Iran-Contra stories for AP and Newsweek. He writes: &#8220;George W. Bush&#8217;s political allies appear to be slow-rolling a requested recount in Ohio, leaving so little time that even if widespread voting fraud is discovered, the finding will come too late to [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-972","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-fG","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=972"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/972\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}