{"id":967,"date":"2004-12-17T09:40:15","date_gmt":"2004-12-17T17:40:15","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/12\/moyers_moves_on\/"},"modified":"2020-12-12T10:47:10","modified_gmt":"2020-12-12T15:47:10","slug":"moyers_moves_on","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/12\/moyers_moves_on.html","title":{"rendered":"MOYERS MOVES ON"},"content":{"rendered":"<p><em><strong>By Jan Herman<\/strong><\/em><\/p>\n<p><em><strong>The departure of Bill Moyers from <a class=\"inline\" href=\"http:\/\/www.pbs.org\/now\" target=\"new&quot;\" rel=\"noopener noreferrer\"><b><span style=\"color: #003399;\">&#8220;Now&#8221;<\/span><\/b><\/a> &#8212; tonight will be his <a class=\"inline\" href=\"http:\/\/asia.news.yahoo.com\/041210\/ap\/d86sgqug0.html\" target=\"new&quot;\" rel=\"noopener noreferrer\"><b><span style=\"color: #003399;\">last broadcast<\/span><\/b><\/a> &#8212; is a huge loss&nbsp;for mainstream television journalism and the nation. His views on <a class=\"inline\" href=\"http:\/\/www.artsjournal.com\/herman\/archives20040601.shtml#80094\" target=\"new&quot;\" rel=\"noopener noreferrer\"><b><span style=\"color: #003399;\">truth and journalism<\/span><\/b><\/a>, as noted in&nbsp;June, are more striking than ever:<\/p>\n<blockquote><p>In earlier times our governing bodies tried to squelch journalistic freedom&nbsp;with the blunt instruments of the law: padlocks for the presses and jail cells for outspoken editors&nbsp;and writers. Over time, with spectacular wartime exceptions, the courts and the Constitution&nbsp;struck those weapons out of their hands. But they&#8217;ve found new ones now, in the name of&nbsp;&#8220;national security.&#8221;<\/p><\/blockquote>\n<p>His warnings that the TV news networks &#8220;have raced to the bottom&#8221; are so familiar by now&nbsp;that they&#8217;ve become a commonplace. But Moyers takes the point further, <a class=\"inline\" href=\"http:\/\/www.dallasnews.com\/sharedcontent\/dws\/dn\/opinion\/editorials\/stories\/121704dnedim&#10;oyers.a3f11.html\" target=\"new&quot;\" rel=\"noopener noreferrer\"><strong><span style=\"color: #003399;\">which is typical of&nbsp;him<\/span><\/strong><\/a>, by pointing out that we must &#8220;nurture the spirit of&nbsp;independent journalism in this country, or we&#8217;ll not save capitalism from its own excesses, and&nbsp;we&#8217;ll not save democracy from its own inertia.&#8221;<\/p>\n<p>The good news is that &#8220;Now&#8221; will continue with <a class=\"inline\" href=\"http:\/\/www.pbs.org\/now\/series\/brancaccio.html\" target=\"new&quot;\" rel=\"noopener noreferrer\"><b><span style=\"color: #003399;\">David Brancaccio<\/span><\/b><\/a> taking charge. Brancaccio is excellent and&nbsp;has <a class=\"inline\" href=\"http:\/\/marketplace.publicradio.org\/about\/cast_crew\/david_farewell.html\" target=\"new&quot;\" rel=\"noopener noreferrer\"><b><span style=\"color: #003399;\">terrific accomplishments<\/span><\/b><\/a>. But&nbsp;without Moyers&#8217;s influence at PBS, you have to wonder how long the show will last.<\/p>\n<p><\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Jan Herman The departure of Bill Moyers from &#8220;Now&#8221; &#8212; tonight will be his last broadcast &#8212; is a huge loss&nbsp;for mainstream television journalism and the nation. His views on truth and journalism, as noted in&nbsp;June, are more striking than ever: In earlier times our governing bodies tried to squelch journalistic freedom&nbsp;with the blunt [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-967","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-fB","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=967"}],"version-history":[{"count":2,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/967\/revisions"}],"predecessor-version":[{"id":43559,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/967\/revisions\/43559"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}