{"id":9393,"date":"2013-08-31T12:27:47","date_gmt":"2013-08-31T16:27:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=9393"},"modified":"2013-09-01T10:24:51","modified_gmt":"2013-09-01T14:24:51","slug":"new-arrival-ira-cohens-from-journey-west","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2013\/08\/new-arrival-ira-cohens-from-journey-west.html","title":{"rendered":"
New Arrival: Ira Cohen’s From Journey West<\/em><\/center>"},"content":{"rendered":"

<\/a>


<\/p><\/div>Sea Urchin Editions<\/a> maestro Ben Schot writes<\/a>:<\/p>\n

The summer of 1975 was hot. A heatwave of eighteen consecutive days singed Western Europe and turned its capitals into seething cauldrons. Ira Cohen<\/a> landed on the soft tarmac of Charles de Gaulle Airport, Paris, in August — his mind still filled with the opiate clouds over Kathmandu, where he had lived since 1972 — and stepped into a wildfire of events. Fellow filmmaker Alejandro Jodorowsky was feverishly working on his adaptation of Frank Herbert\u2019s Dune,<\/em> a megalomaniac project involving Salvador Dali, Pink Floyd, Orson Welles, Mick Jagger, H.R. Giger and many others, which was soon to collapse under its own weight like one of Dali\u2019s soft constructions. Ira\u2019s friend and fellow poet Brion Gysin was undergoing Cobalt-60 radiation therapy for lung cancer and appeared to be dying from either the disease or the treatment. And former Black Panthers leader Eldridge Cleaver \u2013 whose soul may have been on ice but whose brain was thoroughly fried \u2013 was spending his last months of exile negotiating his return to the US with the FBI and launching his cock-liberating pants as \u2018Eldridge de Paris\u2019.<\/p>\n

F<\/font>ROM J<\/font>OURNEY W<\/font>EST (All in August)<\/em><\/a> is published jointly by Cold Turkey Press and Sea Urchin Editions in a limited and numbered edition of 50 copies. “All in August” was an entry in Cohen\u2019s JOURNEY WEST<\/em> scheduled for publication by Cold Turkey Press in 1976 as part of an anthology that never appeared. This joint edition marks its first appearance in print. Cohen’s poem to Brion Gysin “Where the Heart Lies” has also been included, along with a number of photographs of the period.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Sea Urchin Editions maestro Ben Schot writes: The summer of 1975 was hot. A heatwave of eighteen consecutive days singed Western Europe and turned its capitals into seething cauldrons. Ira Cohen landed on the soft tarmac of Charles de Gaulle Airport, Paris, in August — his mind still filled with the opiate clouds over Kathmandu, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":{"0":"post-9393","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-literature","7":"entry","8":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-2rv","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/9393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=9393"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/9393\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=9393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=9393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=9393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}