{"id":935,"date":"2004-12-03T09:22:45","date_gmt":"2004-12-03T17:22:45","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/12\/noam_chomsky_plus_one\/"},"modified":"2013-12-10T10:08:57","modified_gmt":"2013-12-10T15:08:57","slug":"noam_chomsky_plus_one","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/12\/noam_chomsky_plus_one.html","title":{"rendered":"NOAM CHOMSKY PLUS ONE"},"content":{"rendered":"<p><P>A reader writes:<\/P><br \/>\n<BLOCKQUOTE>Chomsky has a point. [Scroll to the end of <A href=\"HTTP:\/\/ class=inline\ntarget='new\" archives20041201.shtml#92338? herman www.artsjournal.com ?><B><FONT\ncolor=#003399>SWITCHING NEWS CHANNELS<\/FONT><\/B><\/A>.] But the overarching reason the Bush brigade will steer clear of a draft is that it would incite college students to go to the streets, burn their draft cards, and take up the Johnson-Nixon era chant, &#8220;Hell, no, we won&#8217;t go.&#8221; While students don&#8217;t know half as much as they think they do, they&#8217;re certainly onto a good thing in believing that victimhood needs to be resisted. A draft would swell immigration to Canada from the south and turn the White House into a beleaguered fortress. Again.<\/BLOCKQUOTE><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A reader writes: Chomsky has a point. [Scroll to the end of SWITCHING NEWS CHANNELS.] But the overarching reason the Bush brigade will steer clear of a draft is that it would incite college students to go to the streets, burn their draft cards, and take up the Johnson-Nixon era chant, &#8220;Hell, no, we won&#8217;t [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-935","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-f5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=935"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/935\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}