{"id":934,"date":"2004-11-29T08:34:29","date_gmt":"2004-11-29T16:34:29","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/11\/nekkid_punditry\/"},"modified":"2004-11-29T08:34:29","modified_gmt":"2004-11-29T16:34:29","slug":"nekkid_punditry","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/11\/nekkid_punditry.html","title":{"rendered":"NEKKID PUNDITRY"},"content":{"rendered":"<p><P>A note on copy editing. A friend who teaches at USC&#8217;s  Annenberg School for<br \/>\nCommunication tells me her journalism students at both the graduate and undergraduate levels<br \/>\nknow so little basic grammar that they can&#8217;t tell the difference between a noun and a verb.<\/P><br \/>\n<P>It&#8217;s not that bad at the new, improved New York Times Book Review. Yet. But consider this<br \/>\nsentence from the <A class=inline\nhref=\"http:\/\/www.nytimes.com\/2004\/11\/28\/books\/review\/28FRANKL.html?oref=login\"\ntarget='new\"'><B><FONT color=#003399>excellent essay<\/FONT><\/B><\/A> in yesterday&#8217;s<br \/>\nedition by Thomas Frank, a nekkid pundit I admire:<\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>Despite its naked partisanship and its extreme vulnerability to refutation, the<br \/>\nred-blue narrative held the punditry in such awe that, inevitably, it generated its precise antithesis<br \/>\n&#8230;<\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>Somebody (a copy editor?) should have caught the error (minor, it&#8217;s true, but this is the Book<br \/>\nReview after all). The incorrect phrase should have been written: &#8220;&#8230; the red-blue narrative WAS<br \/>\nheld BY the punditry in such awe that &#8230;&#8221;<\/P><br \/>\n<P>Using the passive voice would not have been great, but adding those two little words would<br \/>\nhave fixed the problem without rejiggering the sentence to keep it in the active voice (like so:<br \/>\n&#8220;The punditry held the red-blue narrative in such awe, despite its naked partisanship and its<br \/>\nextreme vulnerability to refutation, that &#8230;&#8221; etc.).<\/P><br \/>\n<P>Class dismissed.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A note on copy editing. A friend who teaches at USC&#8217;s Annenberg School for Communication tells me her journalism students at both the graduate and undergraduate levels know so little basic grammar that they can&#8217;t tell the difference between a noun and a verb. It&#8217;s not that bad at the new, improved New York Times [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-934","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-f4","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=934"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/934\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}