{"id":9283,"date":"2013-08-23T14:19:40","date_gmt":"2013-08-23T18:19:40","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=9283"},"modified":"2013-08-23T14:19:40","modified_gmt":"2013-08-23T18:19:40","slug":"no-borders","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2013\/08\/no-borders.html","title":{"rendered":"<center>&#8216;No Borders&#8217;<\/center>"},"content":{"rendered":"<p><center><strong>&#8216;The grass is greener when there are no sides.&#8217;<\/strong> <em>&#8212; Heathcote Williams<\/em><\/center><br \/>\n<a href=\"http:\/\/www.youtube.com\/watch?v=4mV3dJl_-KY&#038;feature=youtu.be\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"9287\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2013\/08\/no-borders.html\/1a-fuck-your-natonalism\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/08\/1a-FUCK-YOUR-NATONALISM-e1377281370755.jpg\" data-orig-size=\"322,295\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"FUCK-YOUR-NATONALISM\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/08\/1a-FUCK-YOUR-NATONALISM-300x275.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/08\/1a-FUCK-YOUR-NATONALISM-e1377281370755.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/08\/1a-FUCK-YOUR-NATONALISM-e1377281370755.jpg\" alt title=\"CLICK FOR VIDEO\" width=\"322\" height=\"295\" class=\"alignleft size-full wp-image-9287\" \/><\/a><a href=\"http:\/\/www.youtube.com\/watch?v=4mV3dJl_-KY&#038;feature=youtu.be\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"9286\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2013\/08\/no-borders.html\/1ab-i-have-no-country\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/08\/1ab-I-HAVE-NO-COUNTRY-e1377281310587.jpg\" data-orig-size=\"241,295\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"I-HAVE-NO-COUNTRY\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/08\/1ab-I-HAVE-NO-COUNTRY-245x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/08\/1ab-I-HAVE-NO-COUNTRY-e1377281310587.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/08\/1ab-I-HAVE-NO-COUNTRY-e1377281310587.jpg\" alt title=\"CLICK FOR VIDEO\" width=\"241\" height=\"295\" class=\"alignleft size-full wp-image-9286\" \/><\/a><center><a href=\"http:\/\/www.youtube.com\/watch?v=4mV3dJl_-KY&#038;feature=youtu.be\">Click for video. Narration and montage by Alan Cox.<\/a><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;The grass is greener when there are no sides.&#8217; &#8212; Heathcote Williams Click for video. Narration and montage by Alan Cox.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[20,17],"tags":[],"class_list":{"0":"post-9283","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-media","7":"category-political-culture","8":"entry","9":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-2pJ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/9283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=9283"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/9283\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=9283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=9283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=9283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}