{"id":9203,"date":"2013-08-11T11:48:49","date_gmt":"2013-08-11T15:48:49","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=9203"},"modified":"2013-08-12T16:07:34","modified_gmt":"2013-08-12T20:07:34","slug":"omit-dead-ends-yes-please","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2013\/08\/omit-dead-ends-yes-please.html","title":{"rendered":"
‘Omit Dead Ends’ … Yes, Please<\/center>"},"content":{"rendered":"

At the urging of my staff of thousands, examples from Gerard Bellaart<\/a>\u2019s word-based series of artworks have been a continuing feature of recent blogposts. Other stenciled texts of his that have appeared so far include \u201cArtaud Fragmentations,\u201d<\/a> \u201ctric trac du ciel,\u201d<\/a> \u201cThrows Up Words,\u201d<\/a> \u201cROT NOT,\u201d<\/a> and “No Mind Fits 5.”<\/a> There are more to come.
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<\/a>


‘omit dead ends’ \u00a9 2005 by Gerard Bellaart<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

At the urging of my staff of thousands, examples from Gerard Bellaart\u2019s word-based series of artworks have been a continuing feature of recent blogposts. Other stenciled texts of his that have appeared so far include \u201cArtaud Fragmentations,\u201d \u201ctric trac du ciel,\u201d \u201cThrows Up Words,\u201d \u201cROT NOT,\u201d and “No Mind Fits 5.” There are more to […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-9203","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry","8":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-2or","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/9203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=9203"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/9203\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=9203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=9203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=9203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}