{"id":917,"date":"2004-11-18T02:17:33","date_gmt":"2004-11-18T10:17:33","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/11\/bewildered\/"},"modified":"2004-11-18T02:17:33","modified_gmt":"2004-11-18T10:17:33","slug":"bewildered","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/11\/bewildered.html","title":{"rendered":"BEWILDERED"},"content":{"rendered":"<p><P><IMG src=\"http:\/\/www.artsjournal.com\/herman\/images\/bushchimps.jpg\" width=450\nalign=left border=0><\/A>One thing struck me on my vacation in Offlineville that left me<br \/>\ndumbfounded. Many old friends, from former editors and current reporters to artists and writers,<br \/>\ndon&#8217;t bother going online. When they do, it&#8217;s only to seek particular information. They don&#8217;t even<br \/>\nWeb surf. I tried to tell them how much they&#8217;re missing (like the &#8220;Bushchimps&#8221; illustration,<br \/>\ncourtesy of an online friend), but I didn&#8217;t seem to make much of a dent. <\/P><br \/>\n<P><B>Postscript:<\/B> On- and offline, it&#8217;s the <A class=inline\nhref=\"http:\/\/www.nytimes.com\/2004\/11\/18\/opinion\/18dowd.html?oref=login\"\ntarget='new\"'><B><FONT color=#003399>time of the toadies<\/FONT><\/B><\/A>. But you<br \/>\nalready knew that, dincha.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One thing struck me on my vacation in Offlineville that left me dumbfounded. Many old friends, from former editors and current reporters to artists and writers, don&#8217;t bother going online. When they do, it&#8217;s only to seek particular information. They don&#8217;t even Web surf. I tried to tell them how much they&#8217;re missing (like the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-917","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-eN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=917"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/917\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=917"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}