{"id":897,"date":"2004-11-01T09:29:00","date_gmt":"2004-11-01T17:29:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/11\/more_from_censor_central\/"},"modified":"2004-11-01T09:29:00","modified_gmt":"2004-11-01T17:29:00","slug":"more_from_censor_central","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/11\/more_from_censor_central.html","title":{"rendered":"MORE FROM CENSOR CENTRAL"},"content":{"rendered":"<p><P>Has free speech in America come to this? The 2003 Nobel Peace Prize laureate cannot<br \/>\npublish her memoirs in this country because of a U.S. trade embargo regulation &#8220;intended to<br \/>\npunish repressive governments such as the regime in Tehran that once sent her to jail,&#8221; <A\nclass=inline\nhref=\"http:\/\/online.wsj.com\/article_email\/0,,SB109928169783060931-IBjfYNplaB3oJumZXyGc\nKaHm5,00.html\" target='new\"'><B><FONT color=#003399>The Wall Street Journal<br \/>\nreports<\/FONT><\/B><\/A> this morning. <\/P><br \/>\n<P>The irony is mind-boggling. WSJ reporter Jess Bravin writes, &#8220;When Shirin Ebadi won the<br \/>\nNobel Peace Prize last year, President Bush congratulated the Iranian lawyer and children&#8217;s<br \/>\nadvocate for &#8216;her lifetime championing human rights and democracy.'&#8221; Yet &#8220;when Ms. Ebadi<br \/>\nsought to publish her memoirs in the U.S., she was startled to discover that doing so would be<br \/>\nillegal. &#8230;&#8221; <\/P><br \/>\n<P>So last week Ebadi&#8217;s American literary agency sued the U.S. Treasury Department, which<br \/>\nenforces the embargo regulation, for ignoring &#8220;congressional directives to exempt information and<br \/>\ncreative works from the trade sanctions, and more broadly violat[ing] the First Amendment rights<br \/>\nof Americans to read what they wish.&#8221;<\/P><br \/>\n<P>Ebadi contends in an affidavit that the restrictions &#8220;seem to defy the values the United States<br \/>\npromotes throughout the world, which always include free expression and the free exchange of<br \/>\nideas.&#8221; <EM>Seem to?<\/EM> That&#8217;s being charitable.<\/P><br \/>\n<P>And here&#8217;s another peculiar irony. &#8220;The way the Treasury Department interprets the trade<br \/>\nembargo,&#8221; Bravin writes, &#8220;Ms. Ebadi would have been free to publish a translation of her book in<br \/>\nthe U.S. had it originally been issued in Iran.&#8221;<\/P><br \/>\n<P>If this were a movie pitch, it would be Shirin Ebadi meets Franz Kafka in <A class=inline\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/0805210644\/qid=1099320496\/sr=1-1\/ref=\nsr_1_1\/002-0972584-9458462?v=glance&#038;s=books\" target='new\"'><B><FONT\ncolor=#003399>&#8220;Amerika,&#8221;<\/FONT><\/B><\/A> a claustrophobic land where, as one reviewer put<br \/>\nit, the Statue of Liberty holds &#8220;the sword in her hand instead of the torch &#8212; a symbol of war and<br \/>\nviolence instead of freedom and enlightenment.&#8221;<\/B><\/A><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Has free speech in America come to this? The 2003 Nobel Peace Prize laureate cannot publish her memoirs in this country because of a U.S. trade embargo regulation &#8220;intended to punish repressive governments such as the regime in Tehran that once sent her to jail,&#8221; The Wall Street Journal reports this morning. The irony is [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-897","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-et","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=897"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/897\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}