{"id":873,"date":"2004-10-13T10:26:38","date_gmt":"2004-10-13T17:26:38","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/10\/quelle_belle_poesie\/"},"modified":"2013-07-23T12:50:15","modified_gmt":"2013-07-23T16:50:15","slug":"quelle_belle_poesie","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/10\/quelle_belle_poesie.html","title":{"rendered":"BELLE POESIE!"},"content":{"rendered":"

A stiff maverick<\/a> is a hard man to please,” Leon Freilich<\/a> messages, adding a lovely and appropriate rhyme inspired by yesterday’s item about a Jersey City madam empowered by technology (as predicted, though not mentioned, by this year’s winners of the Nobel Prize in Economics).<\/p>\n

CALLING ALL GIRLS<\/B><\/p>\n

Belle de nuit,
What’s your fee?
Belle de jour,
More than a
\nwhore?
(Excuse, please,
The New Yorkese.)
Escort services
Make men
\nnervices,
Fearing their cheating
Will result in a meeting
With the source of
\nstrife,
The layabout wife.
Still, better to turn
To a whore than burn,
As
\nSaint Paul said
In his hotsheet bed.<\/I><\/p>\n","protected":false},"excerpt":{"rendered":"

A stiff maverick is a hard man to please,” Leon Freilich messages, adding a lovely and appropriate rhyme inspired by yesterday’s item about a Jersey City madam empowered by technology (as predicted, though not mentioned, by this year’s winners of the Nobel Prize in Economics). CALLING ALL GIRLS Belle de nuit,What’s your fee?Belle de jour,More than a […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-873","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-e5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=873"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/873\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}