{"id":868,"date":"2004-10-17T03:58:59","date_gmt":"2004-10-17T10:58:59","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/10\/music_appreciation\/"},"modified":"2004-10-17T03:58:59","modified_gmt":"2004-10-17T10:58:59","slug":"music_appreciation","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/10\/music_appreciation.html","title":{"rendered":"MUSIC APPRECIATION"},"content":{"rendered":"<p><P>Sy Hersh talks about the <A class=inline\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/0060195916\/qid=1098045742\/sr=2-1\/ref=pd_\nka_b_2_1\/103-6861453-4660622\" target='new\"'><B><FONT color=#003399>road<br \/>\nfrom&nbsp;9\/11 to&nbsp;Abu Ghraib<\/FONT><\/B><\/A>. How come nobody talks about<br \/>\nthe&nbsp;link between American pop culture&nbsp;and Guantanamo? Oops. Somebody just has.<br \/>\nNot in so many words, but you could&nbsp;infer it&nbsp;from today&#8217;s <A class=inline\nhref=\"http:\/\/www.nytimes.com\/2004\/10\/17\/politics\/17gitmo.html?hp&#038;ex=1098072000&#038;en=e29c\ncfe1afd6371a&#038;ei=5094&#038;partner=homepage\" target='new\"'><B><FONT color=#003399>report<br \/>\nin The New York Times<\/FONT><\/B><\/A>&nbsp;about&nbsp;interrogators at Guantanamo<br \/>\nwho used <A class=inline href=\"http:\/\/limpbizkit.com\" target='new\"'><B><FONT\ncolor=#003399>Limp Bizkit<\/FONT><\/B><\/A>, <A class=inline\nhref=\"http:\/\/www.ratm.com\/enter.html\" target='new\"'><B><FONT color=#003399>Rage<br \/>\nAgainst the Machine<\/FONT><\/B><\/A> and <A class=inline\nhref=\"http:\/\/www.eminem.com\/frameset.asp?PageName=eminem\" target='new\"'><B><FONT\ncolor=#003399>Eminem<\/FONT><\/B><\/A> to torture their prized prisoners. A Pentagon<br \/>\nspokesman claims&nbsp;it wasn&#8217;t torture.&nbsp;Hell, when so many Americans willingly subject<br \/>\nthemselves to Bizkit, RATM and Slim Shady for pleasure, there&#8217;s a certain logic to the claim. You<br \/>\nsay the prisoners were stripped, shackled and <I>forced<\/I> to listen? Sounds kinky. Just&nbsp;a<br \/>\nbit of body discipline,&nbsp;the next step up from body-piercing.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sy Hersh talks about the road from&nbsp;9\/11 to&nbsp;Abu Ghraib. How come nobody talks about the&nbsp;link between American pop culture&nbsp;and Guantanamo? Oops. Somebody just has. Not in so many words, but you could&nbsp;infer it&nbsp;from today&#8217;s report in The New York Times&nbsp;about&nbsp;interrogators at Guantanamo who used Limp Bizkit, Rage Against the Machine and Eminem to torture their [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-868","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-e0","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=868"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/868\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}