{"id":865,"date":"2004-10-17T09:35:09","date_gmt":"2004-10-17T16:35:09","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/10\/mailer_hits_a_vein\/"},"modified":"2004-10-17T09:35:09","modified_gmt":"2004-10-17T16:35:09","slug":"mailer_hits_a_vein","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/10\/mailer_hits_a_vein.html","title":{"rendered":"MAILER HITS A VEIN"},"content":{"rendered":"<p><P>In the florid words of my good friend Repulski: &#8220;A great and testy old fart steps up to the<br \/>\nplate in those worn and dusty spiked shoes before the indifferent crowd. He knocks the<br \/>\nspikes&nbsp;against the bat, just to clean the bullshit of old games away, the ugly hard toil of<br \/>\nyesteryear, remembering when he was a confident extra-base hitter. Some called him a slugger.<br \/>\nThings are different now. He loosens up his arthritic shoulders and swings &#8212; and It&#8217;s Out of the<br \/>\nFucking Ballpark! Praise the Blood-Soaked Lord!&#8221;<\/P><br \/>\n<P>In other words, if you haven&#8217;t seen it yet, take a look at <A class=inline\nhref=\"http:\/\/www.nybooks.com\/articles\/17511\" target='neww\"'><B><FONT\ncolor=#003399>Norman Mailer&#8217;s commentary<\/FONT><\/B><\/A> in the Nov. 4 issue of the New<br \/>\nYork Review of Books. (Scroll way down). It begins:<\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>A victory for Bush may yet be seen as one of our nation&#8217;s unforgettable<br \/>\nironies. No need to speak again of the mendacities, manipulations, and spiritual mediocrity of the<br \/>\npost\u20139\/11 years; the time has come to recover from the shock that so abysmal a record (and so<br \/>\ncomplete a refusal to look at the record) looks nonetheless likely to prevail. Who, then, are we? In<br \/>\njust what kind of condition are the American people?<\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>It goes after Ahnold:<\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>A quick look at our movie stars gives a hint. The liberal left has been attached<br \/>\nto actors like Warren Beatty and Jack Nicholson. They spoke to our cynicism and to our baffled<br \/>\nidealism. But the American center moved their loyalties from the decency of Gary Cooper to the<br \/>\ngrit and self-approval of John Wayne. Now, we have the apotheosis of Arnold Schwarzenegger.<br \/>\nHe captured convention honors at the Garden in the course of informing America, via the<br \/>\nphysicality of his presence, that should the nation ever come to such a dire pass as to need a<br \/>\ndictator, why, bless us all, he, Arnold, can offer the best chin to come along since Benito<br \/>\nMussolini. Chin is now prepared to replace spin.<\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>&#8220;Bush&#8217;s appeal is, after all, to the stupid,&#8221; Mailer continues. &#8220;They, too, are inflexible &#8212; they<br \/>\nalso know that maintaining one&#8217;s stupidity can become a kind of strength, provided you never<br \/>\nchange your mind.&#8221;<\/P><br \/>\n<P>Then comes the topper, hitting a vein that nobody has dared to use before. It&#8217;s<br \/>\ndeeply&nbsp;personal, more&nbsp;revealing about the character and religiosity&nbsp;of the<br \/>\nIgnoramus in Chief than anything anyone else has said in public,&nbsp;and it spurts real<br \/>\nblood:<\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>It is cruel but true that he has the vulnerability of an ex-alcoholic.<br \/>\n<P>People in Alcoholics Anonymous speak of themselves as dry drunks. As they see it, they may<br \/>\nno longer drink, yet a sense of imbalance at having to do without liquor does not go away. Rather<br \/>\nthe impulse is sequestered behind the faith that God is supporting one&#8217;s efforts to remain<br \/>\nsober.<\/P><br \/>\n<P>Giving up booze may have been the most heroic act of George W.&#8217;s life, but America could<br \/>\nnow be paying the price. George W.&#8217;s piety has become a pomade to cover all the tamped-down<br \/>\ndry-drunk craziness that still stirs in his livid inner air.<\/P><\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>Mailer knows&nbsp;from boozers (ex-&nbsp;and otherwise). His words<br \/>\nhave&nbsp;the&nbsp;ring of truth, and those are just the highlights. Go read, while keeping your<br \/>\nfingers crossed the irony will not come to pass.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the florid words of my good friend Repulski: &#8220;A great and testy old fart steps up to the plate in those worn and dusty spiked shoes before the indifferent crowd. He knocks the spikes&nbsp;against the bat, just to clean the bullshit of old games away, the ugly hard toil of yesteryear, remembering when he [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-865","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-dX","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=865"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/865\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}