{"id":858,"date":"2004-10-09T11:01:17","date_gmt":"2004-10-09T18:01:17","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/10\/from_scowl_to_screech\/"},"modified":"2013-12-11T18:54:30","modified_gmt":"2013-12-11T23:54:30","slug":"from_scowl_to_screech","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/10\/from_scowl_to_screech.html","title":{"rendered":"FROM SCOWL TO SCREECH"},"content":{"rendered":"

<\/p>\n

In last night’s second presidential debate, the Ninny in Chief once again demonstrated
\nhis congenital inadequacies as a statesman, much less as a debater. Alessandra Stanley read my mind<\/a> in her description of him. Whether he’s snickering, winking, or getting hot under the collar, he’s just plain irritating. The guy’s a complete jerk. Imagine the shit Laura Bush must have to put up with being married to him.<\/p>\n

Disclaimer:<\/STRONG> John Kerry’s use of the term “straight up”<\/a> was sweet. But I take no credit for it, nor have I, uhm, let it influence my opinion.<\/p>\n

Caption: <\/STRONG> I have no idea what Hammond Guthrie’s “Meatless in St. Louis”<\/a> means. But I like it. My guess is it has something to do with a lack of substance.<\/p>\n","protected":false},"excerpt":{"rendered":"

In last night’s second presidential debate, the Ninny in Chief once again demonstrated his congenital inadequacies as a statesman, much less as a debater. Alessandra Stanley read my mind in her description of him. Whether he’s snickering, winking, or getting hot under the collar, he’s just plain irritating. The guy’s a complete jerk. Imagine the […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-858","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-dQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=858"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/858\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}