{"id":837,"date":"2004-09-20T08:55:29","date_gmt":"2004-09-20T15:55:29","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/09\/making_a_monkey_out_of_a_mole\/"},"modified":"2004-09-20T08:55:29","modified_gmt":"2004-09-20T15:55:29","slug":"making_a_monkey_out_of_a_mole","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/09\/making_a_monkey_out_of_a_mole.html","title":{"rendered":"MAKING A MONKEY OUT OF A MOLE HILL"},"content":{"rendered":"<p><P>Have a look at <A class=inline\nhref=\"http:\/\/www.guardianbookshop.co.uk\/BerteShopWeb\/viewProduct.do?ISBN=0413774503\"\ntarget='new\"'><B><FONT color=#003399>Steve Bell&#8217;s &#8220;Apes of Wrath,&#8221;<\/FONT><\/B><\/A><br \/>\nwhich <A class=inline\nhref=\"http:\/\/books.guardian.co.uk\/reviews\/politicsphilosophyandsociety\/0,6121,1307582,00.html\"\ntarget='new\"'><B><FONT color=#003399>skewers Dummy Boy<\/FONT><\/B><\/A>. It sees<br \/>\nhim as &#8220;a pouting simian, his tunnel-vision peepers merged almost into one, his lips forming a red,<br \/>\nfleshy proboscis from which absurdities bubble.&#8221; The monkeyshines begin with <B><A\nclass=inline href=\"http:\/\/www.guardian.co.uk\/arts\/gallery\/0,8542,1305227,00.html\"\ntarget='new\"'><B><FONT color=#003399>Going to Yurp<\/FONT><\/B><\/A><\/B>. (&#8220;Is this<br \/>\nYurp?&#8221; &#8220;Are these people Yurpeans?&#8221; &#8220;Where am I?&#8221;) Click the images to enlarge them. Go here<br \/>\nfor <A class=inline\nhref=\"http:\/\/www.guardian.co.uk\/cartoons\/stevebell\/archive\/0,14955,1284265,00.html\"\ntarget='new\"'><B><FONT color=#003399>more Steve Bell cartoons<\/FONT><\/B><\/A>, and<br \/>\nget a&nbsp;<FONT color=#003399><A class=inline\nhref=\"http:\/\/www.guardian.co.uk\/cartoons\/stevebell\/0,7371,1305229,00.html\"\ntarget='new\"'><STRONG><FONT color=#003399>really good look at this<br \/>\none<\/FONT><\/STRONG><\/A>.<\/FONT><FONT color=#000000> A<\/FONT>nd <A\nclass=inline href=\"http:\/\/www.guardian.co.uk\/cartoons\/stevebell\/0,7371,1301848,00.html\"\ntarget='new\"'><B><FONT color=#003399>this one<\/FONT><\/B><\/A> and <A class=inline\nhref=\"http:\/\/www.guardian.co.uk\/cartoons\/stevebell\/0,7371,1287235,00.html\"\ntarget='new\"'><B><FONT color=#003399>this one<\/FONT><\/B><\/A> and <A class=inline\nhref=\"http:\/\/www.guardian.co.uk\/cartoons\/stevebell\/0,7371,1286268,00.html\"\ntarget='new\"'><B><FONT color=#003399>this one<\/FONT><\/B><\/A> &#8230; (Help, I can&#8217;t stop<br \/>\nlinking &#8230;)<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Have a look at Steve Bell&#8217;s &#8220;Apes of Wrath,&#8221; which skewers Dummy Boy. It sees him as &#8220;a pouting simian, his tunnel-vision peepers merged almost into one, his lips forming a red, fleshy proboscis from which absurdities bubble.&#8221; The monkeyshines begin with Going to Yurp. (&#8220;Is this Yurp?&#8221; &#8220;Are these people Yurpeans?&#8221; &#8220;Where am I?&#8221;) [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-837","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-dv","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=837"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/837\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}