{"id":824,"date":"2004-09-24T11:38:06","date_gmt":"2004-09-24T18:38:06","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/09\/from_iraq_to_twinkies\/"},"modified":"2004-09-24T11:38:06","modified_gmt":"2004-09-24T18:38:06","slug":"from_iraq_to_twinkies","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/09\/from_iraq_to_twinkies.html","title":{"rendered":"FROM IRAQ TO TWINKIES"},"content":{"rendered":"<p><P>So much has happened this week that plenty of essential reading went unmentioned here. First<br \/>\non the list: <A class=inline href=\"http:\/\/www.populist.com\/04.10.crowther.html\"\ntarget='new\"'><B><FONT color=#003399>&#8220;With Trembling Fingers,&#8221;<\/FONT><\/B><\/A> an<br \/>\nangry, bitter, and most of all,&nbsp;truthful invective by <A class=inline\nhref=\"http:\/\/www.hoover.lib.al.us\/adult\/sv\/sv1999\/HalCrowther.htm\" target='new\"'><B><FONT\ncolor=#003399>Hal Crowther<\/FONT><\/B><\/A>, who won the H.L. Mencken Award for<br \/>\ncolumn writing in 1993. A former writer for Time and Newsweek, his column has appeared for<br \/>\nyears in the <A class=inline href=\"http:\/\/indyweek.com\/durham\/current\/\"\ntarget='new\"'><B><FONT color=#003399>Independent Weekly<\/FONT><\/B><\/A>. <\/P><br \/>\n<P>Crowther is fed up with the sort of commentary represented by Maureen Dowd or Molly<br \/>\nIvins. He doesn&#8217;t name them, but whom else does he mean when he writes of &#8220;the columnist who<br \/>\ntrades in snide one-liners&#8221;?<\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>If this is not the worst year yet to be an American, it&#8217;s the worst year by far to<br \/>\nbe one of those hag-ridden wretches who comment on the American scene. The columnist who<br \/>\ntrades in snide one-liners flounders like a stupid comic with a tired audience; TV comedians and<br \/>\ntalk-show hosts who try to treat 2004 like any zany election year have become grotesque, almost<br \/>\nloathsome.<\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>He goes on to say:<\/P><br \/>\n<BLOCKQUOTE>Our most serious, responsible newspaper columnists are so stunned by the<br \/>\ndisaster in Iraq that they&#8217;ve begun to quote poetry by Rupert Brooke and Wilfred Owen. They<br \/>\nlower their voices; they sound like Army chaplains delivering eulogies over ranks of flag-draped<br \/>\ncoffins, under a hard rain from an iron sky.<\/BLOCKQUOTE><br \/>\n<P>I don&#8217;t know what he&#8217;d say about Straight Up. He must loathe all my one-liners (or my<br \/>\nattempts anyway, though I doubt he&#8217;s read them), and in self-defense I could point out that I<br \/>\nquoted Wilfred Owen long ago in &#8220;The Juice,&#8221; which preceded this blog. At the same time,<br \/>\nCrowther is not above cracking wise himself:<\/P><br \/>\n<BLOCKQUOTE>I come from a family of veterans and commissioned officers; I understand<br \/>\npatriots in wartime. If a spotted hyena stepped out of Air Force One wearing a baby-blue necktie,<br \/>\nmost Americans would salute and sing &#8220;Hail to the Chief.&#8221;<\/BLOCKQUOTE><br \/>\n<P>He believes that Iraq is this generation&#8217;s Vietnam, which is&nbsp;the<br \/>\nconventional&nbsp;wisdom on the left &#8212; and rightly so. But he offers this striking historical<br \/>\ncontext, and he&#8217;s such a fucking good writer: <\/P><br \/>\n<BLOCKQUOTE>Vietnam proved conclusively that no modern war of occupation will ever be<br \/>\nwon. Every occupation is doomed. The only way you &#8220;win&#8221; a war of occupation is the<br \/>\nold-fashioned way, the way Rome finally defeated the Carthaginians: kill all the fighters, enslave<br \/>\neveryone else, raze the cities and sow the fields with salt.<\/BLOCKQUOTE><br \/>\n<P>He goes even further, contending that Iraq is worse than Vietnam:<\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>Every Iraqi, every Muslim we kill or torture or humiliate is a precious shot of<br \/>\nadrenaline for Osama and al Qaeda. The irreducible truth is that the invasion of Iraq was the worst<br \/>\nblunder, the most staggering miscarriage of judgment, the most fateful, egregious, deceitful abuse<br \/>\nof power in the history of American foreign policy. If you don&#8217;t believe it yet, just keep<br \/>\nwatching.<\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>If memory serves, Lyndon Johnson didn&#8217;t do a bad job of deceiving the Congress and abusing<br \/>\npower. In view of the millions of Vietnamese and tens of thousands of Americans who died in that<br \/>\nwar of occupation, it&#8217;s going a bit too far to say the invasion of Iraq is the &#8220;worst blunder&#8221; ever.<br \/>\nBut in terms of what it means for the future, with nuclear terrorism on the horizon, Crowther may<br \/>\nbe right.<\/P><br \/>\n<P>Next on the list &#8212; especially after witnessing yesterday&#8217;s <A class=inline\nhref=\"http:\/\/www.washingtonpost.com\/wp-dyn\/articles\/A45678-2004Sep23.html\"\ntarget='new\"'><B><FONT color=#003399>&#8220;badass swagger&#8221; in the Rose<br \/>\nGarden<\/FONT><\/B><\/A> &#8212; is <A class=inline\nhref=\"http:\/\/www.newyorker.com\/talk\/content\/?040927ta_talk_packer\"\ntarget='new\"'><B><FONT color=#003399>George Packer&#8217;s commentary<\/FONT><\/B><\/A>,<br \/>\nwhich said it all earlier this week:<\/P><br \/>\n<BLOCKQUOTE>He forced a congressional vote on the war just before the 2002 midterm<br \/>\nelections. He trumpeted selective and misleading intelligence. He displayed intense devotion to<br \/>\nclassifying government documents, except when there was political advantage in declassifying<br \/>\nthem. He fired or sidelined government officials and military officers who told the American<br \/>\npublic what the Administration didn&#8217;t want it to hear. He released forecasts of the war&#8217;s cost that<br \/>\nquickly became obsolete, and then he ignored the need for massive expenditures until a crucial<br \/>\nhalf year in Iraq had been lost. His communications office in Baghdad issued frequently incredible<br \/>\naccounts of the progress of the war and the reconstruction. He staffed the occupation with large<br \/>\nnumbers of political loyalists who turned out to be incompetent. According to Marine officers and<br \/>\nAmerican officials in Iraq, he ordered and then called off critical military operations in Falluja<br \/>\nagainst the wishes of his commanders, with no apparent strategic plan. He made sure that blame<br \/>\nfor the abuses at Abu Ghraib settled almost entirely on the shoulders of low-ranking<br \/>\ntroops.<\/BLOCKQUOTE><br \/>\n<P>We all know who &#8220;he&#8221; is. Go read the&nbsp;rest. Packer was just getting started.<\/P><br \/>\n<P>Then there&#8217;s John Powers in the Village Voice <A class=inline\nhref=\"http:\/\/www.villagevoice.com\/issues\/0438\/powers.php\" target='new\"'><B><FONT\ncolor=#003399>on Kitty Kelley<\/FONT><\/B><\/A>. And I couldn&#8217;t help noticing that the maker<br \/>\nof <A class=inline\nhref=\"http:\/\/www.nytimes.com\/2004\/09\/23\/business\/23bakeries.html?pagewanted=all\"\ntarget='new\"'><B><FONT color=#003399>Twinkies and Wonder Bread<\/FONT><\/B><\/A>,<br \/>\ntwo of the 20th century&#8217;s most&nbsp;recognizable brands,&nbsp;has filed for bankruptcy<br \/>\nprotection. What does this mean in a broader historical context? I can think of lots of things, but<br \/>\nthey all sound ridiculous.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>So much has happened this week that plenty of essential reading went unmentioned here. First on the list: &#8220;With Trembling Fingers,&#8221; an angry, bitter, and most of all,&nbsp;truthful invective by Hal Crowther, who won the H.L. Mencken Award for column writing in 1993. A former writer for Time and Newsweek, his column has appeared for [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-824","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-di","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=824"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/824\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}