{"id":805,"date":"2004-09-12T12:14:34","date_gmt":"2004-09-12T19:14:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/09\/not_the_yellow_brick_road\/"},"modified":"2004-09-12T12:14:34","modified_gmt":"2004-09-12T19:14:34","slug":"not_the_yellow_brick_road","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/09\/not_the_yellow_brick_road.html","title":{"rendered":"NOT THE  YELLOW BRICK ROAD"},"content":{"rendered":"<p><P>Seymour Hersh hit the airwaves this morning on &#8220;Meet the Press&#8221; and is scheduled tonight on<br \/>\n&#8220;Dateline NBC&#8221; to talk about (OK, promote) his new book <A class=inline\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/0060195916\/qid=1095002239\/sr=ka-2\/ref=pd\n_ka_2\/104-7952028-8954301\" target='new\"'><B><FONT color=#003399>&#8220;Chain of Command:<br \/>\nThe&nbsp;Road from 9\/11 to Abu Ghraib,&#8221;<\/FONT><\/B><\/A> which is being released Monday.<br \/>\n<\/P><br \/>\n<P>I didn&#8217;t watch &#8220;Meet the Press&#8221; because it had Colin Powell about to do his spiel. Having just<br \/>\nseen his non-responsive interview with George Stephanopoulos an hour earlier on &#8220;This Week,&#8221; I<br \/>\nthought, &#8220;No point in listening to <I>that<\/I> all over again.&#8221; Wish I&#8217;d known Hersh was<br \/>\nscheduled, too (along with Bob Woodward). So I&#8217;ll tune in tonight to catch him on &#8220;Dateline.&#8221;<br \/>\n(West Coasters still have a chance to tune in to &#8220;Meet the Press&#8221; this morning.)<\/P><br \/>\n<P>In any case, an early glimpse of the book was offered in Sunday&#8217;s New York Times in a news<br \/>\nstory headlined, <A class=inline\nhref=\"http:\/\/www.nytimes.com\/2004\/09\/12\/international\/middleeast\/12abuse.html\"\ntarget='new\"'><B><FONT color=#003399>&#8220;New Book Says Bush Officials Were Told of<br \/>\nDetainee Abuse.&#8221;<\/FONT><\/B><\/A> Among other things, it reports:<\/P><br \/>\n<BLOCKQUOTE>Mr. Hersh asserts that a Central Intelligence Agency analyst who visited the<br \/>\ndetention center at Guant\u00e1namo Bay, Cuba, in the late summer of 2002 filed a report of abuses<br \/>\nthere that drew the attention of Gen. John A. Gordon, a deputy to Condoleezza Rice, the White<br \/>\nHouse national security adviser. But when General Gordon called the matter to her attention and<br \/>\nshe discussed it with other senior officials, including Defense Secretary Donald H. Rumsfeld, no<br \/>\nsignificant change resulted.<\/BLOCKQUOTE><br \/>\n<P>Times reporter John H. Cushman Jr. offers the caveat that &#8220;Mr. Hersh&#8217;s account is based on<br \/>\nanonymous sources, some secondhand, and could not be independently verified.&#8221; I offer a<br \/>\nreminder of our rant three weeks ago, <A class=inline\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20040801.shtml#85199\"\ntarget='new\"'><B><FONT color=#003399>DON&#8217;T MAKE SY HERSH<br \/>\nLAUGH<\/FONT><\/B><\/A>, about &#8220;systemic failure, the fondly brandished euphemism for<br \/>\nfailure to take personal responsibility,&#8221; being used as cover for the criminal judgments of the top<br \/>\nbrass in the&nbsp;White House and the Pentagon.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seymour Hersh hit the airwaves this morning on &#8220;Meet the Press&#8221; and is scheduled tonight on &#8220;Dateline NBC&#8221; to talk about (OK, promote) his new book &#8220;Chain of Command: The&nbsp;Road from 9\/11 to Abu Ghraib,&#8221; which is being released Monday. I didn&#8217;t watch &#8220;Meet the Press&#8221; because it had Colin Powell about to do his [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-805","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-cZ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=805"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/805\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}