{"id":7648,"date":"2013-06-26T13:15:48","date_gmt":"2013-06-26T17:15:48","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=7648"},"modified":"2013-06-26T17:16:48","modified_gmt":"2013-06-26T21:16:48","slug":"antonin-artauds-rotten-meat","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2013\/06\/antonin-artauds-rotten-meat.html","title":{"rendered":"
Antonin Artaud’s ‘Rotten Meat’<\/center>"},"content":{"rendered":"

I’d bet the quotes on this card from Cold Turkey Press won’t be found in the search engines.
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\"Antonin<\/a>


<\/p><\/div>

\"Antonin<\/a>


<\/p><\/div>
\n+++<\/font>
\nHere are some other recent Cold Turkey cards that quote Artaud: No Words, No Thought<\/a>; Artaud\u2019s Hammer<\/a>; Plague of My Tongue, 1<\/a>; Plague of My Tongue, 2<\/a>.<\/p>\n

Additionally, Cold Turkey publisher Gerard Bellaart, writer and artist in his own right, has made stenciled texts using Artaud’s words. This is one example: Artaud Fragmentations<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

I’d bet the quotes on this card from Cold Turkey Press won’t be found in the search engines. +++ Here are some other recent Cold Turkey cards that quote Artaud: No Words, No Thought; Artaud\u2019s Hammer; Plague of My Tongue, 1; Plague of My Tongue, 2. Additionally, Cold Turkey publisher Gerard Bellaart, writer and artist […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18],"tags":[],"class_list":{"0":"post-7648","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-literature","8":"entry","9":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-1Zm","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/7648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=7648"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/7648\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=7648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=7648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=7648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}