{"id":757,"date":"2004-08-08T12:43:13","date_gmt":"2004-08-08T19:43:13","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/08\/movin_on_up\/"},"modified":"2004-08-08T12:43:13","modified_gmt":"2004-08-08T19:43:13","slug":"movin_on_up","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/08\/movin_on_up.html","title":{"rendered":"MOVIN&#8217; ON UP"},"content":{"rendered":"<p><P>Leon Freilich, <a href=\"http:\/\/www.artsjournal.com\/herman\/archives\/2004\/04\/hes_our_calvin.html\" class=inline target=new\"><strong><font color=#003399>Straight Up&#8217;s Calvin Trillin<\/strong><\/font><\/a>,<br \/>\ntakes note of high-end (valued-added?) commentary in the celebrity circus:<\/P><br \/>\n<P><B>CULTURAL DISH<\/B> <\/P><br \/>\n<P><I>&#8220;More recently [Susan] Sontag has been the lover of the Vanity Fair photographer Annie<br \/>\nLeibovitz.&#8221;<\/I> &#8212; From <A class=inline\nhref=\"http:\/\/www.theatlantic.com\/doc\/prem\/200407\/thomson\" target=new><B><FONT\ncolor=#003399>&#8220;Odd Couple&#8221;<\/FONT><\/B><\/A> by David Thomson, The Atlantic |<br \/>\nJuly\/August 2004<\/P><br \/>\n<P><I>Isn&#8217;t it frightfully, wonderfully antic<BR>To find gossip in The Atlantic? <BR>As Aldous<br \/>\nHuxley said of groins,<BR>&#8220;Show me high brows, I&#8217;ll show you loins.&#8221;<\/I><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Leon Freilich,<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-757","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-cd","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=757"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/757\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}