{"id":74793,"date":"2026-06-03T13:28:29","date_gmt":"2026-06-03T17:28:29","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=74793"},"modified":"2026-06-03T13:41:44","modified_gmt":"2026-06-03T17:41:44","slug":"stadtlichter-presse-makes-my-heart-beat-stronger","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2026\/06\/stadtlichter-presse-makes-my-heart-beat-stronger.html","title":{"rendered":"Stadtlichter Presse Makes My Heart Beat Stronger<\/strong>"},"content":{"rendered":"\n

It’s a wonder that the most intriguing publisher of American poets of the Beat Generation happens to be a German publisher, Stadtlicter Presse<\/em><\/strong>. Its “Heartbeat” series of 41 titles to date features not only the most notable Beats \u2014 Kerouac, Ginsberg, Burroughs, Corso, and Ferlinghetti \u2014 in bilingual editions, but dozens of less famous Beats and Beat-era or Beat-related eminences as well, such as Denise Levertov, Diane Di Prima, Joanne Kyger, Elise Cowen,<\/em><\/strong><\/em><\/strong> Lenore Kandel, Philip Lamantia, Ron Loewinsohn, d.a. levy,<\/em><\/strong> William Everson, Michael McClure, Ed Sanders, Alan Ansen, Robert Nichols, Edward Dorn, Herbert Huncke, Peter Orlovsky, Tuli Kupferberg, Stuart Z. Perkoff, Neal Cassady, Kenneth Koch, and Harold Norse. It has also published others not in that series, such as Gary Snyder (four titles alone), Ira Cohen, and \u2014 wait for it \u2014 yours truly<\/a>. Stadtlichter Presse’s founder-publisher will give a talk next week in Berlin about what it takes to keep going despite the usual small-press difficulties<\/em><\/strong>. Wish I could be there.<\/em><\/strong><\/p>\n\n\n\n

\"\"<\/a>
Ralf Z\u00fchlke will make the presentation.<\/strong><\/em><\/figcaption><\/figure>\n\n\n\n

Stadtlicher’s latest catalogue (cover design by Heike K\u00fcster), lists 98 titles in all, including its most recent publication in the Heartbeat series: “Menschliche Lieder” (“Human Songs”) by Kay Johnson.<\/em><\/strong><\/p>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

It’s a wonder that the most intriguing publisher of American poets of the Beat Generation happens to be a German publisher, Stadtlichter Presse. Its “Heartbeat” series features not only the most notable Beats \u2014 Kerouac, Ginsberg, Burroughs, Corso, and Ferlinghetti \u2014 in bilingual editions, but dozens of less famous Beats and Beat-era or Beat-related eminences as well.<\/strong><\/p>\n","protected":false},"author":3,"featured_media":74796,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[26,18,4,23,17],"tags":[],"class_list":{"0":"post-74793","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-books","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2026\/05\/CATALOG-365.jpeg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-jsl","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/74793","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=74793"}],"version-history":[{"count":10,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/74793\/revisions"}],"predecessor-version":[{"id":74976,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/74793\/revisions\/74976"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/74796"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=74793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=74793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=74793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}