{"id":747,"date":"2004-07-18T02:30:01","date_gmt":"2004-07-18T09:30:01","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/07\/getting_personal\/"},"modified":"2004-07-18T02:30:01","modified_gmt":"2004-07-18T09:30:01","slug":"getting_personal","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/07\/getting_personal.html","title":{"rendered":"GETTING PERSONAL"},"content":{"rendered":"<p><P>Martha Bayles <A class=inline\nhref=\"http:\/\/www.artsjournal.com\/popcorn\/archives20040701.shtml#81835\"\ntarget='new\"'><B><EM><FONT color=#003399>gets personal<\/FONT><\/EM><\/B><\/A>: She<br \/>\nwrites that Michael Moore lacks the courage of his convictions in &#8220;Farenheit 9\/11&#8221; and should say<br \/>\nwhat he means, &#8220;instead of relying on innuendo. But that would require guts, as opposed to a big<br \/>\ngut.&#8221; I guess she really doesn&#8217;t like the guy.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Martha Bayles gets personal: She writes that Michael Moore lacks the courage of his convictions in &#8220;Farenheit 9\/11&#8221; and should say what he means, &#8220;instead of relying on innuendo. But that would require guts, as opposed to a big gut.&#8221; I guess she really doesn&#8217;t like the guy.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-747","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-c3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=747"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/747\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}