{"id":746,"date":"2004-07-13T11:03:47","date_gmt":"2004-07-13T18:03:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/07\/facts_and_fictions\/"},"modified":"2004-07-13T11:03:47","modified_gmt":"2004-07-13T18:03:47","slug":"facts_and_fictions","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/07\/facts_and_fictions.html","title":{"rendered":"FACTS AND FICTIONS"},"content":{"rendered":"<p><P>Before being found dead, slumped forward in the passenger seat of a Volga sedan with his<br \/>\nforehead on the dashboard and &#8220;a copeck-sized bullethole in the back of his head,&#8221; he had made<br \/>\nhis reputation as a journalist much admired for his reports on the Russian mafia and business<br \/>\ncorruption, among other pervasive social conditions hindering democratic reform in the former<br \/>\nSoviet Union. Police at the scene of the execution-style killing said the bullet was fired from a 10<br \/>\nmillimeter or .45 caliber automatic pistol.<\/P><br \/>\n<P>The journalist was not Paul Klebnikov, the 41-year-old American editor of the Russian<br \/>\nedition of Forbes magazine who was &#8220;struck by four bullets&#8221; and shot dead Friday night in<br \/>\nMoscow on the sidewalk outside his office, when &#8220;one of three men sitting in a Zhiguli sedan<br \/>\npulled out a Makarov semiautomatic pistol and started firing,&#8221; <A class=inline\nhref=\"http:\/\/www.baltimoresun.com\/news\/printedition\/bal-te.russia11jul11,0,7016116.story?coll=\nbal-pe-asection\" target='new\"'><B><EM><FONT color=#003399>according to the Baltimore<br \/>\nSun<\/FONT><\/EM><\/B><\/A>. <\/P><br \/>\n<P>But like Klebnikov, &#8220;who began reporting on Eastern Europe and Russia for Forbes in 1989&#8221;<br \/>\nand &#8220;spent years tracking the shadowy deals that underpin many of Russia&#8217;s personal fortunes,&#8221; he<br \/>\ntried not to worry about his personal safety. More than that, he tended to dismiss threats against<br \/>\nhis life. His name was Mikhail Milyukin. And he received letters like this:<\/P><br \/>\n<BLOCKQUOTE>Your piece about St. Petersburg&#8217;s &#8220;Cosa Nostra&#8221; was one of the most stupid,<br \/>\nmisleading piles of shit I have ever heard anyone gob out on national television. There is no such<br \/>\nthing as &#8220;the Russian Mafia.&#8221; The whole idea of a Mafia has been made up by people like you who<br \/>\ntry and make money out of selling scare stories. &#8230; Our business methods have to be ruthless<br \/>\nsometimes if only because in this stupid, backward country of ours there exists no understanding<br \/>\nof supply and demand and free enterprise. If someone lets you down in business there is no real<br \/>\nlegal mechanism to enforce a contract or to have him pay compensation. So we break his legs, or<br \/>\nthreaten his children. Next time he&#8217;ll do what he&#8217;s supposed to. A man doesn&#8217;t pay a share of his<br \/>\nprofits to his partners, we&#8217;ll burn his house to the ground. This is just business. You are an<br \/>\nintelligent man. You should understand this. And yet you continue to sell us the dead horse about<br \/>\nthe Mafia. A number of my business colleagues are very angry about this. &#8230; So a word of<br \/>\nwarning. Stop it now. Because the next time you choose to describe joint ventures, traders,<br \/>\nprivate businessmen, cooperatives as Mafia-run, you might not live to regret<br \/>\nit.<\/BLOCKQUOTE><br \/>\n<P>We don&#8217;t know whether Klebnikov received such letters, in part because nobody has yet<br \/>\nchronicled his life with the richness of detail that Philip Kerr has brought to the story of Mikhail<br \/>\nMilyukin&#8217;s life. Chances are that nobody ever will, because few writers are as expert as Kerr in<br \/>\npainting a word portrait, but also because Milyukin is, after all, a fictional character. He appears in<br \/>\nKerr&#8217;s superb, out-of-print, 1993 thriller <A class=inline\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/0517167344\/qid=1089731922\/sr=1-5\/ref=\nsr_1_5\/102-0994029-4919306?v=glance&#038;s=books\" target='new\"'><B><EM><FONT\ncolor=#003399>&#8220;Dead Meat.&#8221;<\/FONT><\/EM><\/B><\/A><\/P><br \/>\n<P>Given its <A class=inline\nhref=\"http:\/\/www.washingtonpost.com\/wp-dyn\/articles\/A45364-2004Jul12.html\"\ntarget=new><B><EM><FONT color=#003399>continuing relevance<\/FONT><\/EM><\/B><\/A><br \/>\nand its remarkable depiction of a society in collapse &#8212; not to mention that Kerr writes the<br \/>\nsmartest, most vivid thrillers around &#8212; maybe some publisher will see fit to put it back in<br \/>\nprint.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Before being found dead, slumped forward in the passenger seat of a Volga sedan with his forehead on the dashboard and &#8220;a copeck-sized bullethole in the back of his head,&#8221; he had made his reputation as a journalist much admired for his reports on the Russian mafia and business corruption, among other pervasive social conditions [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-746","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-c2","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=746"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/746\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}